The Confusion

“Because they were thought to be connected to what happened here in 1685.”

 

 

“And—since I will be the last person in France to know—what happened here in 1685!?”

 

“You may have heard, on the lips of servants or other vulgar persons, tales concerning a man called L’Emmerdeur. By your leave, mademoiselle! For even his epithet is almost too vulgar to speak aloud.”

 

“I have heard of him,” said Eliza, though in her ears, the sound of her own voice was nearly drowned out by the stomp, stomp, stomp of her heart. “I did hear a story once that he showed up uninvited at some grand soirée in Paris and made a bloody mess of it—”

 

“That was here.”

 

“In this house!?”

 

“In this house. He cut étienne’s hand off, and completely destroyed the ballroom.”

 

“How can one Vagabond, vastly outnumbered by armed noblemen, single-handedly destroy a Duke’s ballroom?”

 

“Never mind. But to make matters worse, all of these things happened in the presence of the King. Most embarrassing.”

 

“I can imagine!”

 

“The King of the Vagabonds, as he was styled, made his escape. But the Lieutenant of Police was able to determine that he had been dwelling in a certain apartment not far from here—and the Esphahnians were living directly below him. He had befriended them, and drawn them somehow into his schemes. But since he was long gone, retribution fell instead on the Esphahnians. Off they were taken to the Bastille. Their business was destroyed, their health suffered grievously. Now those who survived dwell as paupers in Paris.”

 

Through the windows came the clatter and rasp of many horseshoes and iron wheel-rims on cobblestones. All turned to see the white carriage of the duc d’Arcachon—wrought to look like a giant seashell borne on the foam of an incoming tide—being drawn, by a team of six mismatched and exhausted horses, into the courtyard. It passed below them, out of their view, and pulled up before the entrance of the ballroom.

 

But the noise did not let up, but doubled and redoubled, as into the open gates of the Court rode a vanguard of Swiss mercenaries, and a squadron of noble officers, and finally the gilded carriage of Louis XIV, lighting up the court as the Chariot of Apollo.

 

 

 

éTIENNE, WHEREVER HE WAS (presumably, at the door of the ballroom), could finally relax, for much that must have been troubling him had been resolved in these few moments. His father had come home. No more would embarrassing questions be asked about where the Grand Admiral of France was during this time of need. Almost as important, this party now had a guest of honor; and so the many guests who had come would not go home disappointed. Most important of all, the King had arrived, and had arrived last.

 

Eliza, by contrast, had so many things to fret about that she almost could not keep track of them. She left de Gex and Rossignol far behind as she threaded her way among servants and courtiers toward the ballroom.

 

She hated herself for having a phial of poison in her waistband. Stupid! Stupid! She could not even use it now, without drawing fire from d’Avaux! So it was worse than worthless. It had never occurred to her that she would have to carry the damned thing on her person all the time. It could not be left in a drawer for fear that someone would happen upon it, by chance or because snooping. The phial had only been in her waistband for a few hours, but she’d gladly have traded it for a back-load of firewood. It seemed to burn her stomach, and she had developed a nervous habit of patting it every few seconds. And for this useless burthen, she had put herself, in some unspecified way, into the power of the Duchess of Oyonnax.

 

But in its power to cause trouble for Eliza, this matter of the poison might be as nothing compared to what she had heard concerning the exploits of Jack Shaftoe in this house—nay, this very room (for she had entered the ballroom now) five years ago.

 

When the carriages of le duc and le Roi had entered the courtyard moments ago, Eliza had darted out of the library before de Gex or Rossignol could offer her his arm. She had done this because she required a few moments by herself to think—to recall all that had happened since she had met Jack below Vienna in 1683, and to ask herself who might know that she had once been associated with L’Emmerdeur?

 

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