Let me tell you a secret, the Auteur said. You ready. Here it is. No one gives a shit.
He was amused by my wordlessness. To see me without words is like seeing one of those Egyptian felines without hair, a rare and not necessarily desirable occasion. Only later, driving away from his house, could I laugh bitterly about how he had bludgeoned me into silence with my own weapon of choice. How could I be so dense? How could I be so deluded? Ever the industrious student, I had read the screenplay in a few hours and then reread and written notes for several more hours, all under the misguided idea my work mattered. I naively believed that I could divert the Hollywood organism from its goal, the simultaneous lobotomization and pickpocketing of the world’s audiences. The ancillary benefit was strip-mining history, leaving the real history in the tunnels along with the dead, doling out tiny sparkling diamonds for audiences to gasp over. Hollywood did not just make horror movie monsters, it was its own horror movie monster, smashing me under its foot. I had failed and the Auteur would make The Hamlet as he intended, with my countrymen serving merely as raw material for an epic about white men saving good yellow people from bad yellow people. I pitied the French for their na?veté in believing they had to visit a country in order to exploit it. Hollywood was much more efficient, imagining the countries it wanted to exploit. I was maddened by my helplessness before the Auteur’s imagination and machinations. His arrogance marked something new in the world, for this was the first war where the losers would write history instead of the victors, courtesy of the most efficient propaganda machine ever created (with all due respect to Joseph Goebbels and the Nazis, who never achieved global domination). Hollywood’s high priests understood innately the observation of Milton’s Satan, that it was better to rule in Hell than serve in Heaven, better to be a villain, loser, or antihero than virtuous extra, so long as one commanded the bright lights of center stage. In this forthcoming Hollywood trompe l’oeil, all the Vietnamese of any side would come out poorly, herded into the roles of the poor, the innocent, the evil, or the corrupt. Our fate was not to be merely mute; we were to be struck dumb.
Have some pho, Madame said. It will make you feel better.
She had been cooking and the house smelled of sentiment, a rich aroma of beef broth and star anise I can only describe as the bouquet of love and tenderness, all the more striking because Madame had never cooked before coming to this country. For women of Madame’s rarefied class, cooking was one of those functions contracted out to other women, along with cleaning, nursing, teaching, sewing, and so on, everything except for the bare biological necessities, which I could not imagine Madame performing, except, perhaps, for breathing. But the exigencies of exile had made it necessary for Madame to cook, as no one else in the household was capable of anything more than boiling water. In the General’s case, even that was beyond him. He could fieldstrip and reassemble an M16 blindfolded, but a gas stove was as perplexing as a calculus equation, or at least he pretended so. Like most of us Vietnamese men, he simply did not want to be even brushed with domesticity. The only domestic things he did were sleep and eat, both of which he was better at than me. He finished his pho a good five minutes before I did, although my slow speed of consumption was not due to lack of will but because Madame’s pho had dissolved me and transported me back in time to my mother’s household, where she concocted the broth from the gray beef bones given by my father from his leftovers. Usually we ate the pho without the thin slices of beef that were its protein, we being too poor to afford the meat itself, except for those rare occasions when my suffering mother scraped together enough wherewithal. But poor as she was, my mother brewed the most wonderfully aromatic soup, and I helped her by charring the ginger and onion that would be plunked into the iron pot for flavor. It was also my task to skim the scum that boiled to the top of the broth as the bones simmered, leaving the broth clear and rich. As the bones continued to simmer for hours, I tortured myself by doing my homework by the pot, the aroma taunting and tantalizing. Madame’s pho harkened back to the warmth of my mother’s kitchen, which was probably not as warm as it was in my memories, but never mind—I had to stop periodically to savor not only my soup but the marrow of my memories.
Delicious, I said. I haven’t had this in years.
Isn’t it amazing? I never suspected she had this talent.
You should open a restaurant, I said.
The Sympathizer
Viet Thanh Nguyen's books
- The Bourbon Kings
- The English Girl: A Novel
- The Harder They Come
- The Light of the World: A Memoir
- The Wonder Garden
- The Wright Brothers
- The Shepherd's Crown
- The Drafter
- The Dead Girls of Hysteria Hall
- The House of Shattered Wings
- The Nature of the Beast: A Chief Inspector Gamache Novel
- The Secrets of Lake Road
- The Dead House
- The Appearance of Annie van Sinderen
- The Blackthorn Key
- The Girl from the Well
- Dishing the Dirt
- Down the Rabbit Hole
- The Last September: A Novel
- Where the Memories Lie
- Dance of the Bones
- The Hidden
- The Darling Dahlias and the Eleven O'Clock Lady
- The Marsh Madness
- The Night Sister
- Tonight the Streets Are Ours
- The House of the Stone