Many decades later, a young Japanese nationalist journalist, Taro Ootomo, who wished to rectify the many misunderstandings that had grown about Japan’s role in the Greater East Asia War, went to interview the distinguished soldier, Shiro Kota, who was now one hundred and five. He had read some articles Kota had published in some Zen magazines in the late 1950s that spoke of the deep spiritual basis of Japanese bushido. Kota had argued that it was the way the Japanese—inspired by Zen—had been able to recognise that there was ultimately no distinction between life and death that had rendered them such a formidable military power, in spite of their material shortcomings. But when Taro Ootomo went with ward officials and a local TV crew to congratulate Kota on his one hundred and fifth birthday, there was no one home.
Taro Ootomo was young and keen, and he persisted, going to the length of visiting Kota’s elderly daughter, Ryoko, to reassure her of his good intentions, hoping through her some entree to the old veteran. But Ryoko discouraged Taro Ootomo, saying her father was not up to talking to strangers, particularly about the war and his service, which was so easily misrepresented. He was attempting in his great old age to become a living Buddha, she told Taro Ootomo.
It was clear to Ootomo that Ryoko had little interest in her father. Deciding it was best to ignore her, he began to organise a celebration of Kota’s one hundred and fifth birthday with some nationalist friends. It would be respectful and dignified, and would seek to honour war veterans as well as to publicise the misunderstood spiritual basis of Japan’s twentieth-century wars. But each time Ootomo went to visit Kota, no one seemed to be at home.
Something in Ryoko’s manner and Kota’s strange refusal to answer his door began to disturb Taro Ootomo, and he said as much while drinking with his old schoolfriend and now police lieutenant Takeshi Hashimoto one night.
Hashimoto smelled a rat. With some difficulty, he managed to check welfare records and noticed that Ryoko had power of attorney over her father’s affairs. Two months earlier, two million yen had been withdrawn from Kota’s account. Hashimoto obtained permission for a search of Kota’s apartment. It was in a formerly favoured part of the city, but the block of units, once fashionable, had in recent years fallen into disrepair. There were roughly assembled wire cages bolted on the exterior walls above the first floor to catch falling render. As the lift doors refused to open, Hashimoto and his three men had to climb the stairs to the seventh floor.
In an apartment lined with bookshelves of poetry, Hashimoto found the mummified body of an ancient man lying in bed. There was no smell. He had been dead for years, perhaps, thought Hashimoto, decades. Reaching down with his left hand, Takeshi Hashimoto very slowly lifted the flowery bedspread. The fluids of the slowly decomposing body had left a thick, dark stain on the sheets. At the centre of this halo, skin stretched like parchment over his bones, lay Shiro Kota.
On the bedside table by the living Buddha, now dead, was an old copy of Basho’s great travel journal The Narrow Road to the Deep North. Hashimoto opened it to a page marked with a dry blade of grass.
Days and months are travellers of eternity, he read. So too the years that pass by.
11
AS HIS COMMANDING officer, it ought to have been John Menadue’s job, but John Menadue had no heart for it; he had never had a heart for anything, not up on the Line, not back in Australia. Dorrigo Evans had received a letter from Bonox Baker telling him that he had heard no one had been to see Jack Rainbow’s widow, that John Menadue had his medals to give her but just never seemed to get round to it. And so, some months after he had returned from his honeymoon and as it became clear to him that his marriage was what it was, and that what it was wasn’t anything worth wanting, Dorrigo Evans took an ANA flight to Hobart. He found John Menadue in a pub two doors down from Nikitaris’s fish shop.
Up in the jungle John Menadue had found he was no leader at all. Some people, like the Big Fella, it came to, thought John Menadue. But not him, which was strange—because John Menadue had been told by his father that he was a leader, and that leadership had nothing to do with anything other than character. At the Hutchins School he was told that he was a leader because only leaders were admitted into the Hutchins School. Leadership, he was told, was his natural destiny because it was the natural destiny of all people born leaders, who were all the boys at Hutchins. And so the world went on telling him, and so John Menadue—because of his schooling and his connections, because of his undeniable character and his irrevocable destiny—went straight into officer school. John Menadue had believed it all to be true and self-evident and himself a leader until he had arrived on the Line. Then he came to see that his primary interest was not in helping others but in saving his own life, and that his father had been right about character but wrong about his son.
John Menadue understood authority. And that day as he sat in the pub two doors down from Nikitaris’s fish shop with a pound of couta fillets and his good looks intact, his life intact, John Menadue knew he had none. He wondered what it was that allowed it to exist in such a man as Dorrigo Evans—a despicable womaniser close to ugly, a loner who hid in crowds, a man oblivious to any sort of authority except that which he commanded by some insulting grace of God—who made the favour he was doing John Menadue look like a trivial act of no great consequence.