Everything Leads to You

“I want you to do something with the place. Something epic. And I don’t mean throw a party. I mean, something great has to take place here while I’m gone.”


“Like what?” I ask. I’m a little worried, but excited, too. Toby’s the kind of person whose greatness makes other people want to rise to any occasion. Everything he does is somehow larger than life, which is how he worked his way from a summer job as one of the parking staff to a full-time job as the location manager’s assistant. And then, last month, at the age of twenty-two, he became the youngest location scout in the studio’s recent history.

“That’s all I’m gonna say on the subject,” he says. “The rest is up to you.”

We try asking more questions but when we do he just sits back and smiles. So the conversation shifts to The Agency, the film he’s scouting for. I get to design a room for it, too, which will be my biggest job yet. It’s a huge-budget movie with a young ensemble cast—Charlie Hayden and Emma Perez and Justin Stark—all the really big young actors. It’s a spy adventure, but the room I’m designing is for one of the girls when she’s still supposed to be in high school, before they all become spies and start traveling around the world. It’s probably going to be a stupid movie, but I’m thrilled about it anyway. A few weeks ago, Toby and I got to go to a party with the director and the whole cast and crew. I hung out with these stars whose faces are on posters all across the world. That’s just one example of the kinds of things I get to do because of Toby.

Too soon, a knock comes on Toby’s door—what is now for two months my door—and the film studio driver sweeps his suitcases into the trunk and then sweeps up my brother, too. Toby dangles the keys out the window, then looks out at me and says, “Epic.”

The car pulls away and we wave and then it turns a corner and is gone. And Charlotte and I are left on the curb outside the apartment.

I sit down on the still-warm concrete.

“Epic,” I say.

“We’ll think of something,” Charlotte says, sitting next to me.

We sit in silence for a while, listening to the neighbors. They talk and laugh, and soon some music starts. I’m trying to push away the heavy feeling that’s descending now, that has been so often lately, but I’m having trouble. A few months ago it seemed like high school was going to last forever, like our college planning was for a distant and indistinct future. I could hang out with Charlotte without feeling a good-bye looming, take for granted every spur-of-the-moment plan with my brother, sneak out at night to drive up to Laurel Canyon with Morgan and lie under blankets in the back of her truck without worrying that it would be the last time. But now the University of Michigan is taking my best friend from me in just over two months, and my brother is off to Europe tonight and who knows where else after that. Morgan is free to kiss any girl she wants. I expected graduation to feel like freedom, but instead I’m finding myself a little bit lost.

My phone buzzes. Why didn’t you come to work? I hide Morgan’s name on the screen and ignore Charlotte’s questioning look.

“Hey, we should listen to that record you got,” I say, and Charlotte says, “Nice way to avoid the question,” and I say, “Patsy Cline sounds like a perfect way to end the evening,” which is a total lie. I don’t know why Charlotte likes that kind of music.

But I fake enthusiasm as she takes the record out of its sleeve and places it on Toby’s record player and lowers the needle. We lie on Toby’s fluffy white rug (I got it from a pristine Beverly Hills yard sale for Toby’s twenty-first birthday, along with some etched cocktail glasses) and listen to Patsy sing her heart out. Each song lasts approximately one minute so we just listen as song after song plays. Truthfully? I actually like it. I mean, the heartbreak! Patsy knew what she was singing about, that’s for sure. It’s like she knows I have a phone in my pocket with texts from a girl who I wish more than anything really loved me. Patsy is telling me that she understands how hard it is not to text Morgan back. She might even be saying Dignity is overrated. You know what trumps dignity? Kissing.

And I might be sending silent promises to Patsy that go something like Next time Charlotte gets up to go to the bathroom I’ll just send a quick text. Just a short one.

“That was such a good song,” Charlotte says.

“Oh,” I say. “Yeah.”

But I kind of missed it because Patsy and I were otherwise engaged and I swear that song only lasted six seconds.

“I wonder who wrote it,” she says, standing and stretching and making her way to the album cover resting against a speaker.

This is probably my moment. She’ll look at the song list and get her answer and then she’ll head to the bathroom and I will write something really short like Let’s talk tomorrow or I still love you.