Winter Tide (The Innsmouth Legacy, #1)

Winter Tide (The Innsmouth Legacy, #1)

Ruthanna Emrys



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While I was writing Winter Tide, my wife, Sarah, completed a more difficult and rewarding project. This book is dedicated to her—and to Miriam, the result of her hard work.





Year after year I heard that faint, far ringing Of deep-toned bells on the black midnight wind; Peals from no steeple I could ever find,

But strange, as if across some great void winging.

I searched my dreams and memories for a clue, And thought of all the chimes my visions carried; Of quiet Innsmouth, where the white gulls tarried Around an ancient spire that once I knew.

—H. P. LOVECRAFT, “THE BELLS,” Fungi from Yuggoth At last, though, my hope was fading gradually away. Except for a few of the opening lines of certain books, from which there seemed to flash upon me the face of the friend whom I had been longing to behold, a momentary glimpse, dim through distance, or, rather, the sight of his streaming hair, as he vanished from my view—except for this … I had no hope of being able ever to see you face to face.

—FRANCIS PETRARCH, “TO HOMER” (TRANSLATED BY JAMES HARVEY ROBINSON)





CHAPTER 1



September 1948

I shut the door of the old Victorian behind me, and the stuffy atmosphere closed in: overheated, dry, and redolent of mothballs. Remnants of cool mist clung to my skin, already transmuting to sweat. A whiff of old paper cut through the miasma. I focused on that familiar, beloved scent, and steadied myself.

Charlie, clearly untroubled by the warmth, took off his fedora and looked around the estate sale with a practiced eye. Choice artifacts adorned a table in the foyer—an antique globe and a few Egyptian-looking statues of uncertain vintage. The newly dead patriarch had been not only well off, but a professor emeritus of ancient history at the university. That combination was sufficient to draw us both away from the bookstore on a busy Saturday morning.

A woman approached us, frowning. She wore a floral dress and pearl necklace, but the black veil pinned over her curls marked her as part of the family hosting the sale. A daughter, perhaps? I was never good at estimating ages. Her eyebrows drew together as her gaze lingered on me. I smoothed my plain gray skirt—the color of storms and of mourning—then forced my hands still. She might not like the shape of my face or the pallor of my skin, but I wouldn’t give her any reason to complain about my composure. In the privacy of my chest, my heart beat faster. I tried to reason with it: beyond my chosen family, almost no one in San Francisco could know how to interpret my bulging eyes, thick neck, and receding hairline. She’d see an ugly woman, nothing more—the disquieted frown would likely be her worst reaction.

Charlie frowned fiercely back at her. Silence lingered while she twisted her strand of pearls between ringed fingers. At last he said: “I’m Charlie Day, and this is my assistant, Miss Aphra Marsh. We’re here to look at the books.”

“Oh!” She startled back to some semblance of her script. “Yes. Father was quite a collector. It’s mostly old academic junk. I don’t know that you’ll find anything interesting, but you’re certainly welcome to look. All the books and magazines are downstairs.” She jerked her head at the hall beyond the foyer.

Charlie led the way. The wooden stairs, hollow under our feet, shook with our steps. I held out an arm to help Charlie down, but he waved it off.

“Cheer up,” I murmured. “If she’s dismissing them as junk, she’ll likely sell cheap.”

“If she’s kept them in a damp basement, they will be junk.” He gripped the rail and descended, leaning a little to favor his right knee. I stared at his back, wondering how he could expect any part of this house to be damp.

The basement was not only dry, but hotter than the entry hall. A few books had been laid out on shelves; others remained piled in boxes and crates.

Charlie huffed. “Go ahead, Miss Marsh.”

Embarrassed, I picked up the nearest book—a thirty-year-old encyclopedia, Cartography to Curie, Pierre—and inhaled deeply. My pulse slowed. Over two years now since I’d gained my freedom, and above all else it was the scent and touch of printed paper that assured me of safety.

He laughed. “Let’s get to work. And hope she’s too busy sucking lemons to bother us before we’re ready to haggle.”

I immersed myself happily in the crates, laying aside promising volumes for Charlie’s approval while he started on the shelf. His store had no particular specialty, serving discerning antiquarians alongside anyone willing to pay three cents for a dime novel. The dead professor, I discovered, had maintained an unacademic taste for gothic bodice-rippers, and I amassed a stack of the most promising before moving on to the second box.

Here I found more predictable material. Most were histories and travelogues mere decades old. There were a few fraying works dating back to the 1600s—in languages I couldn’t read, but I set them aside anyway. Then, beneath a reprinted colonial cookbook, I found something unexpected, but very much desired.

I probed the clothbound cover with long fingers, confirming that the volume would stand up to handling. I trailed them over the angular letters embossed on the spine, laid the book—perhaps two hundred years old, and clearly a copy of something much older—on the floor, and opened it. My Latin was far from fluent, but I could make out enough.

“Mr. Day, take a look at this.” I set the book on the table where he could examine it without squatting.

“Something for the back room?” he asked hopefully.

“I think so. But your Latin is better than mine.”

“De Anima Pluvia. The soul of the rain.” He turned the pages slowly, touching only the edges. “It looks like the author, at least, thought it belonged in our back room. We’ve had no luck trying…” He glanced at the stairs, confirmed them empty, lowered his voice anyway: “… to affect the weather, with everything we already have. Do you think this’ll be any better?”

“I’ve seen it before. That was an older copy, and translated, but from what I can make out this is the real text, not a fake with the same title. It’s supposed to be one of the best works on the subject.”

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