Joe Victim: A Thriller

“Oh my God,” Adam says, and starts laughing all over. “Oh my God, he still doesn’t get it!”


“Stop being such a fucktard. Let’s go,” Glen says, and he grabs hold of my arm. There’s a dark tone in his voice, the eagerness and excitement gone. He’s on edge. He sounds like he’s ready for me to try something, or more likely he’s wanting me to try something that will give them permission to find out if a man’s skull can be crushed between a forearm and a bicep.

“I’m . . . I’m not going home?”

“You crack me up,” Adam says, and Glen agrees.

They lead me back to an identical room to the one I was in earlier with the shrink. I sit behind the desk and they don’t handcuff me and I know what that means. That means I’m going to be talking to somebody who has the ability to beat the shit out of me. The guards leave the room. I stand up and start pacing it. I’m faced with the two fundamental decisions of prison—sit down and do nothing, or pace the room you’re in. I study the concrete walls. Great architecture. A real timeless quality. I reach out and touch them. Prisons all over the world from last century to the next century are going to have these same walls. In a thousand years I doubt they will have improved on the design. The door opens up. Carl Schroder walks in. He’s soaking wet. I’ll update the weather conversationalists when I get back to my cell.

“Take a seat, Joe,” Schroder says.

I take a seat. He takes his jacket off and hangs it over the back of the chair. The front of his shirt is wet, so is the collar, but the sleeves look mostly dry. He rolls them up. He brushes a hand through his hair and flicks the water off his fingers. His hair is longer than the last time I saw him, the fringe has grown out and is plastered over his forehead. He wipes a drop of rainwater off his nose. Then he sits down. He doesn’t have anything with him. Just his jacket. His wallet and keys and phone are probably out in a tray somewhere. He stares at me and I stare at him, and then I give him the big Slow Joe grin, the one with all the teeth.

“I hear you’re having a hard time,” Schroder says.

My grin disappears. Some people it’s just wasted on. “I hear you’re the one having a hard time,” I say. “Joe hears you were fired,” I tell him, and he was fired for showing up drunk to a crime scene. I wonder if it’s people like me that were the reason for people like him to start drinking. The thing is, showing up to work drunk as a cop isn’t a fireable offense. It’s something you would be suspended over, and perhaps demoted, but getting fired? No, not when the police force is struggling to recruit enough people. Schroder was fired for something else, but I can’t imagine him sighing, leaning back, and going Well, Joe, here’s what really happened.

“Joe must hear a lot of things,” he says. “And Joe must know there’s a real shitty future ahead of him. You’re not getting away with any of this, so at least drop the fucking act.”

“Joe likes actors. Joe likes TV shows,” I tell him.

His eyes give a half roll, then he pinches the bridge of his nose. “Look, Joe, cut the bullshit, okay? I know you have a lot of time up your sleeve these days, but I’m not here to waste mine. I’m here to make you an offer. Your trial starts in four days. You—”

“You’re no longer a cop,” I tell him. “Why are you here? How many times have you come to see me over the last year, asking about Melissa? I keep telling you—”

“That’s not why I’m here,” Schroder says, putting out his hand.

Since my arrest they’ve been offering incentives for me to talk, but at the same time they’ve been telling me I’ll never see the light of day again. “Then why are you here?” I ask.

“I want to know where Detective Calhoun is buried.”

During my time back before I was arrested, one of the victims attributed to me was a woman by the name of Daniela Walker. Only I didn’t kill her. The person who did staged the scene so it would look like she was another victim of the Christchurch Carver. It annoyed me. In fact, it annoyed me so much that I investigated her death, and found she had been killed by Detective Inspector Robert Calhoun. Calhoun had gone to talk to her at her house to try and convince her to press charges against her husband who used to beat her, and somehow Calhoun ended up beating her himself. My plan was to pin all of my killings onto him. It didn’t work out that way. It wasn’t me who killed Calhoun. I abducted him. I tied him up. But it was Melissa who drove the knife into him.

I shrug. “Is he an actor?”

“He’s a policeman. The man you filmed being killed.”

“So he is an actor then.”