Blood Men: A Thriller

“Where are we heading?”


“It all looks the same,” he says. “Newer, maybe, but not much. A couple of apartment complexes, some new homes, other than that it’s like I was here yesterday.”

“Fascinating, Dad, it really is. Now, where are we heading?”

“You’ve killed four men starting with Shane Kingsly, is that right?”

“Something like that.”

“So you’ve been listening to the monster, as you call it.”

“Something like that.”

“And now the rest of them have Sam and you’re going to do what it takes to get her back.”

“What’s your point?”

“My point is that we’re certainly alike.”

“We’re nothing alike.”

“Whatever you say, Jack.”

“Where to?”

“You know what, son, suddenly I don’t feel so good,” he says, and he grips his stomach.

I slow down. “I’ll take you back to the hospital.”

“No, no, it’s not that. My stomach’s bloated. Oh shit, I need to find a bathroom. This food, I haven’t eaten food like this in twenty years, oh shit, oh shit, this is going to be bad.”

“Just hold on,” I say.

“That’s great advice, son,” he says, doubling over and holding an arm across his stomach.

I make a left and drive to a nearby service station, pulling up around the side where there’s a bathroom door and Dad, hunched over, makes his way inside. I wait inside the car and five minutes later he comes back out, his skin even paler than when he went in.

“It’s going to take a while getting used to the outside world,” he says.

“Don’t get too used to it. Once I get Sam back I’m taking you in.”

“You don’t mean that.”

“Get in the car, Dad.”

He gets in the car and we’re back on the road. His skin is clammy and he doesn’t look too good: I’m not sure whether it’s the food or the stabbing he took earlier in the day. The roads are empty except for an occasional taxi taking the drunk home, or other killers out there looking for their daughters.

Dad gives me the address and I punch it into the GPS unit and it gives us the directions. Dad stares out the window watching the city, remembering it as best as he can. Occasionally we come across a new intersection that confuses him, but for the most part he knows his way around. I wonder if I’d be doing as good a job as him if I’d been inside for twenty years. I suspect there are plenty of other things my dad is still good at, other things that instinct and muscle memory would help him complete.

The neighborhood the GPS directs us into is another of the areas hit heavy by the virus—only this one has been hit by a rust epidemic too: the cars parked out front are all beaten up and gardens as dry as a bone. It’s all out of date, as if the GPS has brought us to 1982 instead. Dad’s still wobbly when I get him out of the car, but nowhere near as clammy as he was ten minutes ago.

“Tyler Layton,” Dad says.

“He one of the guys?”

“He’s why we’re here.”

I look at the street and the houses and the cars and I think, I’ve been here before, maybe not this exact location but certainly one just like it, certainly in a similar frame of mind to the one I’m in now, except instead of the monster in the passenger seat it’s my father—a different type of monster but a monster nonetheless. Maybe we’re all here, Dad’s darkness and my monster riding in the backseat, chatting to each other, comparing stories and wagering on the outcome of the night. Schroder was wrong when he said the city is on a precipice. He’s wrong in thinking it can still be saved. Just ask Jodie.

“Tell me about him,” I say.

“There isn’t much to tell.”

“There has to be something.”

“What do you want to hear, son? That he’s a bad person who has whatever is coming to him coming to him?”

“Something like that.”

“Let’s go inside.”

I follow Dad up to the front doorstep. We’re only a couple of hours away until the dawn lights up this part of the world. It’s becoming routine to me now. I knock on the door a couple of times and wait a minute before knocking again, and when the guy comes to the door I jam the shotgun into his face—and the rest is so familiar now I don’t even need the monster.

Tyler Layton is exactly like the kind of person you’d expect to hold up a service station or a bank with a shotgun—except maybe a bit older than I’d expected. A shaved head with tattoos adorning his scalp, prison tear tattoos raining down his face, he’s around ten years shy of Dad’s age. He doesn’t say a single word from the moment he sees the shotgun to the moment my dad finishes tying him up with cord he cuts from the venetian blinds. We don’t get into any semantics about right and wrong and the ends justifying the means.

“Start talking,” I say.

“About what?”

“About my daughter. Where is she?”

“This your son, Jack?” Tyler asks, watching my father.