A Breach of Promise

chapter 5
Monk stood near the fireplace in his rooms and stared at the flames as the coals settled in a shower of sparks. Oliver Rathbone had just left. He had been there for nearly two hours explaining all he knew about his present case and the details which troubled him. And indeed he had looked less assured than usual. The difference was subtle, an inflection of the voice, something in the way he stood, but to Monk, who knew him well, it was unmistakable.

From what he had said, one could only conclude that Killian Melville had not told him the entire truth of the reason for his sudden refusal to marry Zillah Lambert. What was less easy to understand was why he still refused to tell Rathbone, who was bound to keep his confidence.

As Monk stood warming himself by the dying embers he could not rid his mind of the fear that the problem was criminal. For all his urbane appearance, his smooth good manners, his supreme confidence, Oliver Rathbone was a man who took some extraordinary risks with his career. Perhaps he did not intend to be a crusader, but lately he had unwittingly become one. The Rostova case had nearly ruined him. This one, taken on impulse, looked unlikely to improve his reputation. Realistically, there seemed little he could accomplish for his client or gain for himself.

Their interview had been awkward. Rathbone hated coming to Monk for help when it was personal rather than because a client had requested it. He had begun a trifle stiffly.

Monk had been careful to hide his sardonic amusement- well, moderately careful. Such moments were too rare, and too pleasing, not to savor a little.

Now he must decide what to do, where to begin. It was also his professional reputation being tested now. Why does a young man court a woman, apparently in every way a desirable match, and then on the brink of marriage risk his financial, professional and social well-being by breaking off the betrothal?

Only for the most powerful of reasons.

It must be the Lambert family, Zillah herself, or something to do with Melville's own situation. Presumably, since he seemed to have courted her up until the last moment, it was something he had only just discovered. Or else it was some matter to do with his own life which he had believed he could keep hidden, and circumstances had proved him mistaken.

Was he being blackmailed? It was a dark possibility, but one which would make sense of the presently inexplicable. Monk would begin, this afternoon, with Melville himself. The trial resumed on Monday morning, which gave him less than a day and a half in which to find something to help Rathbone.

He put on his coat. It was already half past three, and he expected to be out until late evening-in fact, as long as he had any hope of finding someone awake who could be of assistance.

Outside the weather was bright and mild, but there were clouds banking to the east beyond the rooftops and he was only too aware from experience that conditions could change in the space of ten or fifteen minutes from pleasant weather to a chill close to freezing and a soaking rain.

He had made his decision to begin with a past client of his own, a man for whom he had solved a sensitive domestic problem and avoided a situation which could have become very ugly. Mr. Sandeman was correspondingly grateful, and had pronused to give any assistance he was able should Monk ever need it. Monk was not sure if he had spoken impulsively, without any belief that he would ever be taken up on it, but this seemed like an excellent time to put it to the test.

Accordingly, he arrived at Upper Bedford Place just after three o'clock, and asked if he might see Mr. Sandeman on a matter of urgency.

"If it were not, I should not trouble him on a Saturday, and without writing first," Monk explained to the butler, taking off his gloves and passing the man his hat and stick as if there were no question as to whether he would be received.

"Certainly, sir," the butler said, masking his surprise with long practice. "I shall see if Mr. Sandeman is at home." That was the conventional way of saying he would see if the visitor could be welcomed or not. Naturally, he was perfectly aware who was in the house and who was not. It was his job to be. "If you care to wait in the green room, sir, I am sure you will be comfortable."

The green room was very attractive, full of afternoon sunlight from white-painted windows which overlooked a garden where silver birch leaves shimmered in the breeze, making the air seem to dance. Inside the walls were papered with an unusually plain dark green, and two were hung with many paintings of landscapes. Monk remembered the room from his previous visit, when Sandeman had been so concerned about an apparent theft from his wife's bedroom. But that had been satisfactorily dealt with, and it would be tactless to raise the issue now.

Monk had not long to wait. The door opened and Robert Sandeman came in, a look of apprehension on his broad, good-natured face. He was a very wealthy man who continued to look as if he were wearing secondhand clothes, even when they were the best Savile Row could offer. They seemed to have been made for someone of an entirely different shape. He was the despair of his tailors.

"Hello, Monk!" he said with evident surprise. "Nothing new arisen, has it?" He could not keep the anxiety out of his eyes.

"Nothing at all," Monk assured him. "I am looking into another matter entirely, for a friend, and hoped you might be able to give me a little assistance. I have to learn enough to provide some sort of answer by Monday morning, or else I would not have disturbed you like this."

Sandeman's relief was almost palpable. He closed the door behind him and waved at one of the large chairs, sitting in one of the others.

"My dear fellow, by all means. Whatever I can do."

"Thank you," Monk accepted immediately. On the journey there he had tried to decide exactly how to approach the subject without appearing intrusive in areas no gentleman would discuss. There was no easy solution. "It is another matter of delicacy," he began. "Perhaps a domestic issue, or possibly financial. It is all so undefined at the moment. And I do not wish to break anyone's confidence or jeopardize their privacy."

"Quite so," Sandeman said quickly. "Quite so." He looked relieved. He leaned back in his chair and crossed his legs, wrinkling his trousers hopelessly. "So what can I tell you that may be of service?"

Monk began very carefully. "Are you familiar with the work of an architect named Killian Melville?"

Sandeman was quite openly surprised. "Yes! Yes, I am. Brilliant fellow. Unique. His work is quite new, you know? Nothing like anybody else's. Not in the least vulgar," he added quickly, in case Monk should misunderstand him. "He manages to make spaces look larger than they are. Don't know how he does it. Something to do with shades of color and the way lines are directed. Uses curves and arches in an unusual way." He drew breath to go on, then closed his mouth again. "Mustn't ask why you want to know."

Monk knew he was very conscious of his own need for privacy, and if Monk were to betray Melville or Lambert, then Sandeman would assume he would do the same to him. The situation required the most subtle handling. And yet if he were to be of any use to Rathbone he must discover Melville's secret, and do it before Monday morning. He was rash to have accepted the case, but he could never resist a challenge from Oliver Rathbone, however it was placed before him, however disguised. He thought wryly that probably Rathbone knew that when he had come.

He smiled at Sandeman. "I daresay it will be in the evening newspapers, if it was not in the morning ones," he acknowledged. "Unfortunately, those things cannot be kept private, as I believe they should be."

Sandeman raised his eyebrows. "Oh? I am sorry to hear that. Poor fellow. Surprised, mind you. Never heard the slightest whisper against him, myself." His eyes narrowed and he regarded Monk deceptively closely. His mild manner hid a more astute mind than many had supposed, to their cost. Still he refused to ask the nature of the charge.

"Not the slightest?" Monk pressed, knowing he must tread extremely carefully.

"Nothing but praise," Sandeman affirmed. "Not everyone likes his work, of course. But then if they did it would mean he was mediocre, safe, and pedestrian. And he is certainly not that. Everyone's friend is no one's, you know?" He regarded Monk quizzically, although he knew he agreed. "Can't bear a man who trims his sails to meet the prevailing wind all the time and never stands for anything himself. Melville is not one of those." He frowned, wrinkling his brows together. "But that is hardly a thing one would sue a man for, or have him charged in law. You did not say whether it was a civil suit or a criminal one."

"Civil."

"Not a building less than standard." Sandeman made it a statement. "I don't believe that. He knows his job superbly. I would be prepared to say he is the best architect of his generation, perhaps of the century." He stared at Monk as if prepared to defy a challenge.

"Where did he study?" Monk enquired.

Sandeman thought for a moment. "You know, I have no idea," he said with evident surprise. "I haven't heard anyone mention it. Is it of importance?"

"Probably not," Monk answered. "It is unlikely the difficulty stems so far back. I assume that you have never heard suggestion that he is financially untrustworthy or-"

Sandeman did not allow him to finish. "He is an architect, Monk. A man of vision, even genius. He is not a banker or a trader. He sells ideas. I think rather than beating around the circumference of this, you had better tell me, in confidence, the nature of this difficulty. If it is the subject of a court case, then it will soon enough become public."

Monk was more than ready. "He is being sued for breach of promise."

Sandeman sat perfectly still. He did not speak, but disbelief was in every line of him.

"I am in the employ of the barrister seeking to defend him," Monk answered to the question in Sandeman's face.

Sandeman let out his breath slowly. "I see." But there was doubt in his voice. He looked at Monk now with a certain carefulness. Something was unexplained. The debt between them was not sufficient to override his other loyalties, and there was a perceptible coolness in the room. "I doubt I can help you," he continued. "As far as I know Melville, he is a man of complete probity, both publicly and privately. I have never heard anything whatever to his discredit." He met Monk's gaze steadily. "And I can tell you that without any discomfort of mind, knowing that I owe you a great deal for your assistance to me when I depended upon you."

Monk smiled with a harsh twist of his lips. "The case may become ugly. I expect the family of the girl to suggest serious flaws in his character in order to explain his behavior in terms other than some fault in their daughter. If Melville is vulnerable in any way he has not told us, or even is not aware of, we need to know it in advance in order to defend him."

Sandeman's face eased, and his large body relaxed in his chair, crumpling his suit still further. "Oh, I see." He did not apologize for his suspicion, it was too subtle to have been voiced, but it was there in his eyes, the suddenly wanner smile.

"Who is the lady?"

Monk did not hesitate; there was nothing to be lost. "Miss Zillah Lambert."

"Indeed?" Sandeman was silent for a moment. "I still cannot help you. I know a little of Barton Lambert. Not a sophisticated man, but on the other hand he is nobody's dupe either. He made his own fortune by hard work and good judgment-and a certain amount of courage. In my limited experience he has not been one to be socially ambitious, nor to take a slight easily."

"And his wife?" Monk said with the shadow of a smile.

Sandeman drew in his breath and there was a flicker in his eyes which expressed possibly more than he was willing to say.

"A very pretty woman. Met her several times. Even dined at their home once." He put his head a trifle to one side, a look of mild surprise on his face. "I confess I had not expected to find it so extraordinarily beautiful. And it was, believe me, Monk. I have dined with some of the wealthiest families in England, and some of the oldest, but for its scale, nothing outdid Lambert's home. It was full of invention... architectural invention, I mean, not scientific. It was brilliantly innovative. That was Killian Melville." He began to smile as he spoke, and his eyes took on a faraway shine as he retreated into memory. "As we went into the hall the floor was red oak, lovely warm color to it, and the walls were in different shades like... like sweet and dry sherry... no, more like brown sugar. But because of the windows it was full of light. It was one of those rare places where instantly one feels both a warmth and a curious sense of peace. There was a width, a space about it. All the lines pleased the eye. Nothing intruded or was cramped."

Monk did not interrupt, although he found the impression he was gaining more of Killian Melville than of Lambert. He did not want to like Melville, because he believed the case was hopeless. It would be so much more comfortable to believe him a knave, a fool, or both. It would be emotionally expensive to feel a desperate need to save him, to struggle, and fail, and have to watch him ruined. He pushed away the thought.

Sandeman was still recalling the house. He obviously enjoyed it.

"The dining room was marvelous," he said enthusiastically and leaning forward a little. "I had seen a lot of magnificent rooms before and was a bit blase. I thought I had seen every possible combination and variation of line and color, but this was different." He was watching Monk's reaction, wanting to be sure Monk appreciated what he was saying. "Not so much in obvious construction but in smaller ways, so the overall impression was again one of lightness, simplicity, and it was only on reflection one began to realize what was different. It was largely a matter of perfect proportion, of relation between curve and perpendicular, circle and horizontal, and always of light."

"You are saying Melville is a true genius," Monk observed.

"Yes... yes, I suppose I am," Sandeman agreed. "But I am also saying that Lambert understood that and appreciated it. I am also saying that Mrs. Lambert was fully sensitive to it too, and that she complemented it perfectly. Everything in her dining room was superb. There was not a lily in the vases with a blemish on it, not a smear or a chip on the crystal, a scratch on the silver, a mark or a loose thread in the linen." He nodded his head slightly. "It was all in equally exquisite taste. And she was the perfect hostess. The food, of course, was delicious, and abundant without ever being ostentatious. The slightest vulgarity would have been abhorrent to her."

"Interesting," Monk acknowledged. "But not helpful."

"I don't know anything helpful." Sandeman shrugged his heavy shoulders. "Barton Lambert's reputation is impeccable, both professional and personal. I have never heard anyone make the slightest suggestion that he was less than exactly what he seems, a shrewd but blunt north country businessman who has made a fortune and came to London to enjoy his success, patronize the arts-by the way, that is also painting and music, though principally architecture-and give his wife and daughter the pleasure of London society. You can try, by all means, and see if you can find evidence he patronizes the brothels in the West End or has a mistress tucked away somewhere, or that he gambles at his club, or occasionally drinks a little too much. I doubt you'll find it, but if you do, it won't help. So do most men in his position. None of it would be grounds for not marrying his daughter."

Monk knew it. "What about Mrs. Lambert?" he asked.

"Just as spotless, so far as I know," Sandeman replied. "Her reputation is excellent. A trifle ambitious for her daughter, but I am not sure that is regarded as a fault. If it is, you can charge nine tenths of the mothers in London with the same offense."

"Where does she come from?"

"No idea." Sandeman's eyes widened. "Do you imagine Melville cares?"

"No. I suppose I am trying any possibility. Could their daughter be illegitimate?"

"No," Sandeman said with a slight laugh. "I happen to know that she is eighteen years old, and the Lamberts recently celebrated the twentieth anniversary of their wedding. It was mentioned the evening I was there. It was several months ago now, seven or eight. And would it change Melville's view of her?" He shrugged again, wrinkling his clothes still further. "Yes, I suppose it could. Might not know who the father was. Could be anybody."

Monk forbore from observing that that could be said of many people. It was a point Sandeman might find offensive. He could think of nothing else to explore, no more to ask that might elicit a useful answer. He rose to his feet and offered his thanks.

"I hope you can help," Sandeman said with a frown, "ft seems like an ugly situation which should never have happened. Lovers' quarrel, do you suppose? Two young people with more feeling than sense, high temperament of an artist crossed with the emotions of a young girl, overexcited, perhaps suffering a little from nervousness?"

"Could be," Monk conceded. "But it's gone too far now. It is already in the courts."

"What a shame," Sandeman said sincerely. "If I hear anything, I shall advise you." And Monk had to be content with that.

He spent a chilly and exhausting afternoon viewing the latest building close to completion to the plans of Killian Melville. First he had to seek the permission of a dubious caretaker, then pick his way over planks and racks of plaster and past busy craftsmen.

It was an uncomfortable experience. He did not want to feel any involvement with Melville, and already a sense of the young architect's vision was forcing itself upon him. There was light everywhere around him as he stood in the main floor, where Carrara marble was being laid. It was not cold light, not pale, bleaching of color or fading, but giving an air of expansion and freedom. It was almost as if the interior could be as unrestricting as the outside with its clean, soaring lines and uncluttered facades. It was extremely modern, avant-garde, and yet also timeless.

Walking in the still uncompleted galleries, Monk found himself relaxing. He went through an archway into a farther hall, sun reflecting through a huge rose window along a pale floor, this time of wood. The other windows were very high and round, above the picture line, filling the arched ceiling with more light. He found himself smiling. He enjoyed being there, almost as if he were in the company of someone he liked. There was a kind of communication of joy in beauty, even in life.

What would make a man who could create such things ask a woman to marry him and then break his word? Was it as he had told Rathbone, simply that he had been so naive to the ways of the world that he had allowed himself to form a friendship which was misunderstood? The whole wedding had been arranged around him, and he had at no time the grasp to understand it-or the courage to disclaim and retreat?

These buildings were created by a mind of burning clarity and aspiration, a strength of will to dare anything. Such a man could never be a coward. Nor could he be a deceiver. There was a simplicity of line and conception which was in itself a kind of honesty.

Without realizing it, Monk had clenched his fists; his whole body was stiff with determination and an inner anger in his will to preserve this, to defend whoever was the person whose spirit was embodied there. He had always judged a man not by what he said but by what he did, the choices he made, when it was difficult, dangerous, when he had much to lose. This building soared to the sky with Killian Melville's choices.

He had entered not wanting to like Melville, not wanting to care one way or the other. He walked out rapidly, his feet loud and brisk on the wood and marble floors, and through the entrance door down steps to the square. He did not even bother to excuse himself to the caretaker. The wind was sharp and growing colder. The sun was already lowering and filling the west over the rooftops with an apricot glow. How could he help Melville? What was he hiding, and above all, why did he not trust Rathbone with it?

Was he protecting himself or someone else? Zillah Lambert herself?

There was no time before Monday morning and the trial's resumption to discuss anything but the most superficial facts. The most urgent thing to learn was if there had been some incident in Melville's life he was afraid might come to light and ruin him. It must be something Sacheverall could find out, or Rathbone would have no need to fear it.

It was late Saturday afternoon. No professional organizations would be open for him to ask questions. He would have to call on more acquaintances, people who might help him for the sake of old friendship, or more likely old debt. He had no relationships more than four years long. Everything before that was part of the past he knew so imperfectly, although now that he at least understood why Runcorn hated him, and why their quarrel and his dismissal from the police force had been inevitable, that no longer troubled him. He seldom looked backward anymore. The old ghosts had lost their power.

He stood still on the pavement for several minutes. People passed by him, two ladies chattering, their crinoline skirts swaying, curls blown in the increasing wind, hands held up to keep their bonnets from flying away. A carriage and four went by at a fast clip, horses' manes streaming, harness jingling loudly. Someone shouted, and a young man darted out into the street.

An elderly man with magnificent whiskers passed an angry remark about the state of society.

Monk remembered the name of someone he could ask about architects and money. He turned and walked briskly across the square and through an archway into a main thoroughfare where he found a hansom and gave the driver an address in Gower Street.

George Bumham was an elderly man with a prodigious memory, and was happy to exercise it to help anyone, even to show off a little. The days were very long now that he was alone, and he delighted in company. He piled more coals on the fire and ordered supper for himself and Monk, and settled comfortably for an evening of companionship and recollections, after shooing away a large and very beautiful black-and-white cat so Monk might have the best chair.

"Known every new architect, painter and sculptor to come to London in the last forty years," he said confidently. "Do you like pork pie, my dear fellow?" He waved casually at the cat. "Off you go, Florence."

"Yes, I do," Monk accepted, sitting down carefully so as not to crush the skirts of his jacket, trying to disregard the cat hairs.

"Excellent!" Mr. Burnham rubbed his hands together. "Excellent. We shall dine on pork pie, hot vegetables and cold pickle. Mrs. Shipton makes the best pickle in this entire city. And what about a little good sherry first? A nice mellow amon-tillado? Good, good!" He reached out and pulled the bell cord. "Now, my dear fellow, what is it you wish to know?" He smiled encouragingly.

Monk had met him during a sensitive case concerning missing money. It had been solved very much to Mr. Burn-ham's satisfaction. A collection of such clients was invaluable. At first Monk had despised the smaller cases, thinking them beneath his talents and no more than a demeaning necessity in his newly reduced circumstances. Now he began to appreciate the value of the clients far beyond the nature of the problems they had presented to him. Sandeman had been one such; Mr. Burnham was another.

"What do you think of the work of Killian Melville?" he asked candidly.

Mr. Burnham cocked his head to one side, his blue eyes bright with interest.

"Sublime," he answered. "In a word-sublime! Finest architect this century." He did not ask why Monk wished to know, but he did not take his gaze from Monk's face.

"Where did he study?" Monk frowned.

"No idea," Mr. Burnham said instantly. "No one does. At least, no one I have met. Appeared in London about five years ago from God knows where. Can't place his accent. Tried to. Don't think it matters. Man is a genius. He can be a law unto himself. Although don't mistake me," he added earnestly. "He's a very pleasant fellow, no airs or graces, no filthy temper, doesn't keep a mistress or practice any excesses, so far as I know." Still he did not ask why Monk was enquiring.

"Could he have studied abroad?" Monk asked.

Florence leaped up into Mr. Burnham's lap, turned around several times and then settled.

"Of course he could!" Mr. Burnham answered. "Probably did, in fact. He is far too original to have gathered all his inspirations here. But if you doubt his technical ability, you have no need. I know Barton Lambert quite well enough to stake all I possess on his having assured himself, beyond even the slightest question, that all Melville's drawings are structurally perfect before he would put forward a halfpenny to have them built." He stroked Florence absentmindedly. "You may rely absolutely upon that as you would upon the Bank of England!

Stand as long as the Tower of London, I assure you." There was absolute conviction in his face, and he smiled as he spoke.

The door opened and a stout and very agreeable woman came in. Mr. Burnham introduced her as Mrs. Shipton, his housekeeper, and requested that supper be served for two. She seemed pleased to have a guest and disappeared briskly about her business.

"A man whose word you would trust?" Monk asked. "And his judgment?"

"Absolutely!" Mr. Burnham answered instantly. "Ask anyone."

Monk smiled. "I am not sure 'anyone' will tell me the truth, or even that they know it."

"Ah!" Mr. Burnham smiled and settled a little farther down in his chair. Florence was purring loudly. "You're a skeptic. Of course you are. It's your job. Silly of me to have forgotten it."

Monk found himself recalling how much he had liked Mr. Burnham in their previous acquaintance. He had been almost sorry when the case was concluded. It was not a feeling he indulged in often. All too frequently he saw pettiness, spite, a mind too willing to leap to prejudiced assumptions, instances where unnecessary cruelty or greed had opened the way for acts of impulse which were beyond the borders of selfishness and into the area of actual crime. Sometimes there was a justice to be served, too often simply a law. The case here had been one of the happy exceptions.

Mr. Burnham put more coals in the fire. It was now roaring rather dangerously up the chimney, and he regarded it with a flicker of alarm before deciding it would not set the actual fabric of it alight, and relaxed again, folding his hands across his stomach and resettling the cat to its satisfaction.

"Let me tell you a little story about Barton Lambert," he began with candid pleasure. He loved telling stories and could find too few people to listen to him. He was a man who should have had grandchildren. "And you will see what I mean."

Monk smiled, amused at both of them. "Please do." It was just possible the lale would even be enlightening, and he was extremely comfortable and looking forward to a very fine supper. He had tasted Mrs. Shipton's cooking twice before.

Mr. Burnham settled himself still deeper into his chair and began.

"You must understand one thing about Barton Lambert. He loves beauty in all its forms. For all his rather unrefined exterior, frankly, and his"-he smiled, not unkindly, as he said it- "rather plebeian backgrounds-he was in trade-he has the soul of an artist. He has not the talent, but instead of envying those who do, he supports them. That is his way of being part of what they create."

A coal fell out of the fire and he ignored it, in spite of the smoke it sent up.

Monk recovered it with the tongs and replaced it in the blazing heap.

"He is a man without envy," Mr. Burnham carried on without apparently having noticed. "And that of itself is a very beautiful thing, my dear fellow. And I think he is entirely unconscious of it. Virtue that does not regard itself is of peculiar value."

Monk wanted to urge nun to begin the story, but he knew from past experience it would only interrupt his thought and hurt his feelings.

Mrs. Shipton came in and set the small gate-legged table with a lace-edged cloth, silver, salt and pepper pots and very fine crystal glasses, and a few moments later carried in the supper and served it. Mr. Burnham continued with his story, barely hesitating as he removed Florence from his lap and conducted Monk to his chair, and thanked Mrs. Shipton. They began to eat.

"Lord..." He hesitated. "I think I shall decline, in the interests of discretion, to give him a name. In any case, someone approached Mr. Lambert about building a civic hall for the performance of musical concerts for the public." He passed Monk the dish of steaming vegetables and watched with satisfaction as he took a liberal helping. "Excellent, my dear fellow," he applauded. "The hall would have been most expensive, and milord was prepared to put forward at least half of the cost himself if Lambert would put forward the other half. He had connections with the royal family." He put a small piece of pie on a saucer and put it on the floor for Florence. "The prestige would have been enormous, and something not open to Lambert from any other source. You may imagine what it would have meant to such a man, who is genuinely most patriotic. The mere mention of the Queen's name will produce in him a solemnity and a respect which is quite marked. Only a most insensitive person would fail to be affected by it, because it is sincere. No honorable man mocks what is honest in another."

Monk was enjoying his meal very much. The rich home baking was a luxury he was offered far too seldom, and the thought that all this was so far of no professional value was overridden by physical pleasure, and possibly also by the knowledge that Mr. Burnham was enjoying himself.

"This hall," Mr. Burnham went on, helping himself to more dark, spicy pickle and pushing the dish across the table towards Monk, "was to be dedicated to Her Majesty. It was some time ago now, and Killian Melville was not the architect, but some other fellow put forward by milord. The plans were given to Lambert and he was cock-a-hoop with excitement. He seemed on the brink of stepping into a circle he had previously barely dreamed of. He was man of the world enough to know his rough origins would never allow him to be accepted in such society ordinarily. Mrs. Lambert, on the other hand, has all the bearing of a lady; whether that is bred in her or learned, no one knows. Women seem to acquire these things more easily. It is in their nature to adapt. I daresay it has to be!"

Monk did not comment. His mouth was full.

"She is a remarkably pretty woman, and has the art to please without ever seeming to seek to or to be overeager," Mr. Burnham continued. "And yet in her own way she is a perfectionist too, an artist in domestic detail, a woman who can create an air of grace and luxury so natural it appears always to have been there." He watched Monk to assure himself he understood, and was apparently satisfied.

The first course was finished and treacle tart was offered with cream. Monk accepted with undisguised pleasure, and Mr. Burnham beamed at him in delight. He gave Florence a teaspoonful of cream.

"You may imagine," he said, resuming his tale, "Mrs. Lambert's happiness when milord's only son took a marked fancy to her only daughter, a charming, high-spirited girl, not yet of marriageable age but fast approaching it. In a couple of years the two families could have made a most acceptable arrangement, and in due course young Miss Lambert would have become a lady in every sense of the word, the chatelaine of one of the finest country seats in England."

"But something spoiled it?" Monk was now truly interested.

"Indeed," Mr. Burnham agreed, without losing a shred of his satisfaction. He was quite obviously not on the brink of recounting a tragedy. "Indeed it did." He leaned forward across the table, his face gleaming in the candlelight and the reflected glow of the spring evening beyond the tall window. "This hall was to be magnificent," he repeated urgently. "Lambert was enthralled with the idea. He took the plans and drawings home with him and pored over them like a man studying holy writ. He was alight with the idea. After all, it is a kind of immortality, is it not? A work of art which can last a thousand years or longer. Do we not still revere the man who designed the Parthenon? Do we not travel halfway around the world like pilgrims to gaze on its beauty and dream of the minds who thought it up, the genius which brought it into reality, even the men and women who daily passed beneath it in their ordinary lives?" He gazed at Monk steadily.

Monk nodded. Words were not necessary.

"He sat up night after night reading those plans," Mr. Burnham said in little above a whisper. "And he found a flaw in them... a fatal flaw! At first he could hardly believe it-he could not bear to! It was the shattering of his dreams. And not only his, but his wife's as well, and such possible future happiness for his daughter; although that, of course, was less problematical. She was a very charming girl and would no doubt find other suitors. I don't think it was a matter of the heart- at least not deeply." He smiled with some indulgence. "Shall we say a touch of glamour, to which we are most of us susceptible?"

"But Lambert chose to decline the building?" Monk concluded, eating the last piece of his treacle tart. It was an illuminating story, although not helpful to his cause. It said much of Barton Lambert but shed no light upon Melville's reason for abandoning Zillah.

"Yes... much to milord's anger," Mr. Burnham agreed. "Lambert's withdrawal provoked questions, and the flaws in the plan were exposed. Reputations were damaged."

"Lambert made powerful enemies?" It was hardly a motive for Melville's act, but he had to press every point.

"Oh no, my dear fellow," Mr. Burnham said with a broad smile. "On the contrary, he came out of it rather well. We may be a society with our share of sycophants and hypocrites, but there are still many who admire an honest man. It was milord who suffered."

"I see."

"You look disappointed," Mr. Burnham observed, regarding Monk keenly. "What had you hoped?"

"An explanation as to why a young man might be reluctant to marry Miss Lambert," Monk confessed. "I suppose her reputation is as impeccable as it seems?" Florence wound herself around his ankles, doubtless leaving long, silky hairs on his trouser legs.

Mr. Burnham's sparse eyebrows shot up. "So far as I know, she has the normal share of high spirits, and a young and pretty girl's desire to flirt and trifle more than is modest, to play the game dangerously from time to time. That is no more than healthy. Let us say she is not tedious and leave it at that?"

Monk laughed in spite of himself. The evening had been most enjoyable, and as far as he could see of no use whatever to Rathbone. He thanked Mr. Burnham sincerely and remained another half hour listening to irrelevant stories, then went home without removing the cat hairs, in case it should offend Mr. Burnham, and considered his tactics for the morrow.

He spent Sunday morning equally fruitlessly. He called upon two or three acquaintances, who merely confirmed what he had already heard. One of them owned a gambling house in the less-reputable part of the West End and occasionally loaned money to gentlemen temporarily embarrassed in a financial way. He usually knew who owed money, and to whom. He was expert in assessing precisely what any given man was worth. He was better at it than many a legitimate banker. He had never heard of Killian Melville, and he knew of Barton Lambert only by repute. Neither of them owed a halfpenny to anyone, so far as he was aware. Certainly neither of them gambled heavily.

Another acquaintance, who owned a couple of brothels in the Haymarket area and was familiar with the tastes and weaknesses of many of the leading gentlemen in society, also knew neither man.

By early afternoon Monk was irritable, chilly in the intermittent showers of rain, and profoundly discouraged. It appeared Killian Melville was simply a young man who had made a rash offer of marriage, perhaps in a moment of physical passion, and now regretted it and was foolish enough to believe he could walk away unscathed. Perhaps he had prevailed upon her virtue and now despised her, wondering if he were the first or would be the last. It was a shabby act, and Monk had little patience with it. If one wished to satisfy an appetite, there were plenty of women available without using a respectable girl who believed you loved her. She would be ruined in reputation, whatever her emotional distress or lack of it. Melville must know that as well as anyone.

And yet as Monk fastened his coat more tightly at the neck and put his head down as the rain grew harder, he could not think that the man who had designed the building he had walked through yesterday, so full of soaring lines and radiant light, would be such a hypocrite or a coward as to run away from responsibility for his own acts. Could a man be of such a double nature?

Monk had no idea. He had never known a creative genius. Some people made excuses for artists, poets and composers of great music. They believed such men did not have to live by the standards of ordinary people. That thought provoked in him a deep disgust. It was fundamentally dishonest.

Was it possible Melville was merely naive, as he had told Rathbone, and had been maneuvered into a betrothal he had never intended? Was the marriage really unbearable to him?

Monk stepped off the pavement over the swirling gutter and ran across the cobbled street as a hansom driver came around the corner at a canter and swore at him for getting in the way. The wheels threw an arc of water over his legs, soaking his trousers, and he swore back at the man fluently.

He reached the far side and brushed the excess water and mud off himself. He was filthy.

How would he feel in Melville's place? Suddenly his imagination was vivid! He would no longer have any privacy. He could not do so simple a thing as decorate his room as he wished, have the windows open or closed according to his own whim, eat what and when he liked. And these things were trivial. What about the enormous financial responsibility? And the even greater emotional commitment to spend the rest of his life with one other human being, to put up with her weaknesses, her foibles, her temper or occasional stupidity, to be tender to her needs, her physical illness or emotional wounds and hungers! How could any sane person undertake such a thing?

But then the other person would also promise the same to him. It would be better than passion, stronger than the heat of any moment, more enduring. It would be the deepest of friendships; it would be the kindness which can be trusted, which need not be earned every day, the generosity which shares a triumph and a disaster with equal loyalty, which will listen to a tale of injury or woe as honestly as a good joke. Above all it could be closeness to one who would judge him as he meant to be, not always as he was, and who would tell him the truth, but gently.

He was walking more and more rapidly. He was now in Woburn Place, and the bare trees of Tavistock Square were ahead of him. The sky was clearing again. A brougham swept by, horses stepping out briskly. Two young women walking together laughed loudly and one clasped the other by the arm. A small boy threw a stick for a black-and-white puppy that went racing after it, barking excitedly. "Casper!" the boy shouted, his voice high with delight. "Casper! Fetch!"

Monk turned into Tavistock Square and stopped at number fourteen. Before he could give himself time to reconsider, he pulled the bell.

"Good evening," he said to the parlormaid who answered. "My name is Monk. I should like to call upon Miss Latterly, if she is in and will receive me. That is, if Lieutenant Sheldon will permit?"

The maid looked less surprised than he had expected, then he remembered that Rathbone would have been there only the day before. Somehow that irritated him. He should not have come without a better reason, but it was too late to retreat now without looking ridiculous.

"I shall understand, of course, if she is occupied," he added.

But she was not, and less than ten minutes later she came into the small library where he was waiting. She looked neat and efficient, and a little pale. Her hair was pulled back rather too tightly. It was no doubt practical, and she might have done it in a hurry, but it was less than flattering to her strong, intelligent face and level eyes.

She regarded him with surprise. Obviously she had not expected to see him. He was now acutely aware of being wet and his trousers splashed with filth.

"How are you?" he asked stiffly. "You look tired."

Her face tightened. It was apparently not what she wished to be told.

"I am quite well, thank you. How are you? You look cold."

"I am cold!" he snapped. "It is raining outside. I'm soaked."

She regarded his trousers, biting her lip.

"Yes, I can see that. You would have been better advised to take a hansom. You must have walked some distance."

"I was thinking."

"So I see," she observed. "Perhaps you should have been watching where you were going." A tiny flicker of amusement touched the corner of her mouth.

"You have been nursing too long," he criticized. "It has become a habit with you to tell people what to do for their welfare. It is extremely unattractive. You remind me of one of the more miserable type of governess. Nobody likes to be ordered around, even if the person doing it is correct."

Two spots of color burned on her cheeks. He had hurt her, and he saw it. There were times when her composure bordered on arrogance, and this was one of them. He was aware of having stepped in front of the hansom without looking. He was actually fortunate not to have been run over.

She lifted her eyebrows in sarcasm. "Is that what you waded through the gutter to tell me?"

"No, of course it isn't!" He had not meant to quarrel with her. Why did he allow her to make him feel so defensive? He would not have spoken to any other woman that way. The very familiarity of her face, the curious mixture of vulnerability, bravado and true strength, made him aware of how much she had woven herself into the threads of his life, and it frightened him. She could not leave without tearing it apart, and that knowledge left him open to more hurt than he had armor to deal with. And yet he was driving her out himself.

He breamed in and out slowly, making an effort to control his temper. Even if she could not do that, he could.

"I came because I thought you might be of some assistance in the case I am investigating for Rathbone," he explained. "The trial continues tomorrow, and he is in considerable difficulty."

Her concern was immediate, but who was it for, himself or Rathbone?

"You mean the architect who broke his word? What are you trying to learn?"

"The reason for it, of course," he replied.

She sat down, very straight-backed. He could imagine some governess in her childhood had come and poked the middle of her spine with a sharp ruler. She sat now as if there were a spike behind the padding of the chair.

"I meant what is wrong with him, or wrong with her," she explained patiently, as though he were slow-witted.

"Either," he answered. "He takes precedence, so if there is anything, at least Rathbone can be forewarned-if there is any defense." He sat down on the other chair.

She stared at him solemnly. "What did you learn?"

He was ashamed of his failure. The expectancy in her eyes stung him. She had no idea how difficult it was to acquire the sort of information Rathbone needed. It could take weeks, if it was possible at all. He was seeking the most intimate details of people's lives, things they told no one. It had been a hopeless request in the first place.

"Nothing that is not in the public domain," he replied with an edge to his voice. "I might know if Rathbone had asked me a month ago. I don't know what possessed him to take the case. He has no chance of winning. The girl's reputation is impeccable, her father's even better. He is a man of more than ordinary honor."

"And isn't Melville, apart from this?" she challenged.

"So far as I know, but this is a very large exception," he returned. He looked at her very directly. "I would have expected you to have more sympathy with a young woman publicly jilted by a man she had every reason to suppose loved her."

The color drained from her face, leaving her white to the lips.

He was overtaken with a tide of guilt for his clumsiness. The implication was not at all what he had intended; he had meant only that she was also a young woman. But it was too late to say that now. It would sound false, an artificial apology. He was furious with himself. He must think of something intelligent to say to contradict it, and quickly. But it must not be a retreat.

"I thought you might be able to imagine what she might have done to cause him to react this way," he said. He wanted to tell her not to be so idiotic! Of course he did not think she had been in this position herself. Any man who would jilt her this way was a fool not worthy of second thought, still less of grief, and certainly not worthy of her! If she applied an atom of sense to the matter, she would know what he had meant. And even if he thought it, he would not have said so. It was completely unjust of her even to entertain such an idea of him.

"Did you?" she said coldly. "I'm surprised. You never gave the impression you thought I had led a colorful life... in that respect. In fact, very much the opposite."

He lost his temper. "For heaven's sake, Hester, don't be so childish! I never thought of your early life, painted scarlet or utterly drab! I thought that as a woman you might understand her feelings better than I, that's all. But I can see that I was clearly-" He stopped as the door opened and a burly, muscular man came in, his face agitated. He closed the door behind him, ignoring Monk and turning to Hester.

She stood up, Monk forgotten. The anger fled out of her eyes, her mouth, and was instantly replaced by concern.

"Is something wrong?"

The large man's eyes flickered at Monk.

"This is Mr. Monk," Hester said, introducing him perfunctorily as he too rose to his feet. "Mr. Athol Sheldon." She gave them no time to speak to each other but hurried on. "What is wrong? Is it Gabriel?"

Athol Sheldon relaxed a fraction, his powerful shoulders stopped straining his jacket and he let out his breath in a sigh. Apparently, having found her he already felt better, as if somehow the problem were in control.

"Yes-I'm afraid he fell asleep and seems to have had a nightmare. He is-quite unwell. I... I don't know what to do for him, and poor Perdita is dreadfully upset." He half swiveled on his foot to acknowledge Monk. "I am sorry to intrude," he said briefly; it was lip service to courtesy. He looked back instantly to Hester. It was not necessary to request she come; she was already moving towards the door.

Monk followed her because he could not simply ignore what was obviously an emergency of some sort. It was an unbecoming curiosity to go with them, and callous indifference to stay. The former was instinctive to him.

Athol led the way across the hall and up the stairs. If he found Monk's presence odd he was too involved in his own concern to remark it. There was a maid standing at the top of the stairs, a woman of perhaps forty or so, her thin face creased with worry, her eyes going swiftly not to Athol but to Hester. A younger woman with a lovely, frightened face stood a yard away from her, her cheeks pale, her lips trembling. She twisted her hands together, the light catching the gold of her wedding ring. She too looked at Hester desperately. She seemed on the verge of tears.

The door ahead of them was ajar, and Hester went past them after only the briefest hesitation, not as if she was undecided, certainly not afraid, but simply allowing herself time to be reassured. Then she went into the room, and Monk could see over her shoulder a wide bed with a young man lying crumpled over in it, his fair hair tousled, his face buried in the pillow. It was a moment before Monk realized his left sleeve was empty.

Hester did not speak at first. She sat on the bed and put her arms around her patient, her cheek against his hair, holding him tightly. It was a gesture which startled Monk; there was a spontaneity in it and a tenderness he had never seen in her before. She did not wait to be asked. It was a response to his need, not to any touch or plea he had made. It moved the whole scene to a new level of gravity.

Beside Monk, Athol Sheldon was also taken aback, but he seemed embarrassed. He cleared his throat as if about to speak, then changed his mind and said nothing. He shifted his weight from one foot to the other and back again.

"Gabriel," Hester said quietly, as if she were unaware of the group outside the open door. "Was it James Lovat again?"

Gabriel nodded.

Perdita looked questioningly at Athol.

"I've no idea," Athol said. He moved forward at last. "Really, my dear chap," he said to his brother, addressing the back of his head where he half lay in Hester's arms. "You must put all this behind you. It is a tragedy which cannot be helped now. You did your part, splendidly. Put it from your mind."

Hester looked up at him, her eyes wide and bright.

"One cannot forget at will, Mr. Sheldon. Some memories have to be faced and lived with."

"I think not," Athol contradicted, his voice firm. He stood very square on the balls of his feet.

"Then if it should happen to you, Mr. Sheldon," Hester said without flinching, "we shall know what best to do for you. But for Gabriel we shall do as he wishes."

"Gabriel is ill!" Athol said angrily. He was frightened by emotion he could neither understand nor share; it was sharp in his voice. He had no idea what demons were in his brother's head. He was afraid of them for himself, and he did not want anyone to have to look at them. "It is our duty, as well as our- our love for him to make decisions in his interest. I would have thought as a nurse you would have perceived that!" That was an accusation.

Monk drew breath to defend Hester, then saw her face and realized it was her battle and she needed no assistance. She understood Athol better than he understood himself.

"If we want to help, we will listen to him," she answered, equally levelly. "Grief for the death of a friend should not be smothered. You wouldn't say that if James Lovat had died in an accident here in England instead of from gangrene in Cawnpore."

"I should not encourage dwelling on it!" Athol argued, his face pink. "But that is beside the point. He didn't die here, poor fellow. The whole matter of the Indian Mutiny is better not dwelt upon, and the siege of Cawnpore and its atrocities especially so." His voice was final, as if what he said were an order, but he did not move away. Suddenly Monk realized Athol depended upon Hester. He might condescend to her, his conscious mind might think of her as a woman and necessarily of inferior intellect and ability in almost everything, but he knew there was a strength in her to meet and deal with the horror and tragedies of life greater than anything within himself.

A ripple of ridiculous pride surged through Monk.

"Mr. Sheldon"-Hester let go of Gabriel gently and rose to her feet, straightening her rumpled skirts with one hand-"if it had been Gabriel who had died in Cawnpore, or a wife or child of yours-and there were hundreds of women and children among the dead-what would you think of their friends who chose to forget them?"

"Well, I-I think I would understand if it was to save their own minds from nightmare-" Athol began to answer.

"Oh, it's not to save Gabriel," she interrupted. "It is because you don't wish to hear about it... and because you think we don't."

"Nonsense!" he said too quickly. "I want Gabriel to get well, to be able to take up his life again here at home-at least... at least, as much as he can. And I want to protect Perdita from horrors no woman should have to know about. Really, Miss Latterly." His voice was growing stronger, his confidence gathering. He squared his shoulders. "We have discussed this before. I thought we had reached an understanding. This house is to be a refuge from the ugliness and violence of the world, a place where Gabriel, above all, will be at peace, may heal his mind and body from the tragedies of war and its barbarities, where he may feel utterly safe..." He was becoming enthusiastic now; his face was composed again, his body easily balanced. He even had the shadow of a smile on his lips. "It is Perdita's calling most properly to establish and master that, and ours to be of whatever assistance to her we may." He swung around and looked at Perdita, his lips parted, his eyes brighter. "And you may rest assured, my dear, we shall be equal to it!"

"Thank you, Athol," she said helplessly. It was impossible to judge from her expression whether she was relieved or terrified.

The maid beyond her was still looking at Hester.

Monk swiveled back to her.

The man in the bed was sitting up, turned towards them. His skin was flushed, his face appallingly disfigured. Monk felt a rush of pity for him that was almost physical.

"I know you will, Mr. Sheldon." Hester's voice was soft but very clear, very insistent. "And it will be a very safe place..."

"Good-good..." he began.

"But it will not help if you try to force Gabriel into it before he is ready," she continued. "A prison is simply a place you don't want to be and from which you cannot escape."

"Really! Miss Latterly-" Athol protested.

"Stop speaking about me as if I am not here, Athol."

Gabriel had spoken for the first time. His face was damaged beyond healing, but his voice was still beautiful, clear and of unusual character and timbre.

"I've lost an arm, not my wits. I don't want wrapping away from reality as if I were a case of nervous collapse or hysteria. Pretending Cawnpore never happened isn't going to take the nightmares out of my sleep, and I don't want to forget my friends as if they never lived or died. It would be a betrayal. They don't deserve that. God knows, they don't!" Suddenly the anger and the overwhelming pain drenched his voice and was raw in the room, silencing even Athol.

Only Hester had seen war as he had. Monk knew even he was excluded, for all the poverty and death and daily intolerable misery he had seen in the city slums not more than a mile from where they stood. But he felt grateful for it, not angry, not put aside.

He looked at Hester, not smiling at her with his lips, but willing her to understand that he knew what she was doing, and that she was right, and that he admired her intensely for it. Gabriel Sheldon must need desperately to speak openly to someone. One can wrap the truth in palatable euphemisms for only so long, then it chokes in the throat and the lies suffocate. One ends in hating those who force the deceit by their expectancy, their fear, their cowardice, their sheer lack of understanding of the reality of pain and loss.

"Perhaps we should go downstairs?" Monk said aloud. "I am sure the matters about which I consulted Miss Latterly can wait a while longer."

"Oh..." Athol had apparently forgotten who he was. "Good... good. Yes, perhaps we should. Talk about something else, what? Would you like a glass of whiskey, Mr..."

"Monk. Thank you." He turned and followed Athol across the landing and towards the stairs. He wanted to stay and talk to Hester, but he knew it was impossible now.

However, she surprised him. He had barely closed the withdrawing room door, and Perdita asked the butler to bring the decanter, when Hester came in as well.

"Is he all right?" Perdita said immediately, her voice rapid, the decanter forgotten.

"Yes," Hester assured her with a softness around her mouth which was almost a smile. "Don't worry for him. These memories are bound to intrude at times. They would with all of us."

Athol frowned and took half a step forward, but Perdita seemed unaware of him; her attention was entirely upon Hester.

"It isn't in me," She whispered. "I've never seen anything really terrible. I feel a thousand miles away from him, as if there were an ocean between us and I don't know how to cross it. I don't even understand. I don't have nightmares."

"Don't you?" Hester looked doubtful. "Didn't you feel shattered, terrified, broken inside-"

"Miss Latterly!" Athol said sharply.

"No!" Monk put his hand on Athol's arm, his fingers gripping hard enough to silence him.

"... when you saw Gabriel for the first time after he came home?" Hester finished.

"Well..." The memory was so clear in Perdita's face, her mouth pulled as if the pain were physical inside her. She struggled for words and did not know which to choose. "Well... I..." Her eyes rilled with tears. "Yes... I felt... just like that."

"Haven't you forgotten sometimes, and woken up as if it were all just the same as before, then remembered?" Hester asked. "And had to live it all over again?"

"Yes!" Suddenly Perdita knew; she grasped the reality of it as if it could save her from drowning. "Yes, I have."

"Then you know what nightmares are like," Hester assured her. "It is that same shock of seeing and feeling all over again, just as sharp as the first time, only it happens again and again."

"Poor Gabriel. Do you think if I read"-she looked at Hester with desperate earnestness, stumbling towards knowledge-"if I read the history of India, as you said, that I shall be able to listen to him and be of some use?"

"I really don't think-" Athol began.

Perdita swung around on him. "Oh, be quiet!" she said sharply. "I don't want to hear about all their tortures and deaths. I'd much rather imagine the world is all as safe as we are here and nothing really unspeakable ever happens. But it isn't true, and in my heart I know that. If I try to stay a child forever, I shall lose Gabriel."

"Nonsense, my dear-"

"Don't tell me it's nonsense!" She stood still with her hands straight by her sides, her fists clenched. "He has to be able to speak properly to survive. If it isn't to me, it will be to Hester. It certainly won't be to you! You don't know anything more about India than I do! Not about the reality of it, the heat and dust and disease, the flies and the cruelty, the death. You don't know what happened to him. Neither do I... but I'm going to find out!"

"You are overtired," Athol said, nodding with assurance. "It is hardly surprising. You have had a most distressing time. Any woman wouUi-"

"Stop it!" she said loudly, her voice cracking she was so close to tears. "Stop talking at me as if I were feeble! I am! I know I am! Hester has been out to the Crimea and nursed dying men, faced bullets and swords, seen atrocities we haven't even read about in our nice ironed newspapers the butler brings us on a tray. And what have I done? Sat at home painting silly pictures and stitching samplers and mending the linen. Well, I refuse to stay useless! I'm-I'm terrified!"

Athol was appalled. He had no idea what to say or do. He stared at her, then at Hester with a mixture of anger and appeal. He loathed her for precipitating this crisis, and yet he needed her to cope with it, which he resented profoundly.

Monk was waiting for Hester to show her impatience with Perdita. She was quite right; she was useless and had been hiding from reality like a child.

"Being terrified doesn't matter," Hester said confidently, walking forward to stand beside Perdita. "So are most of us. It isn't what you feel, it's what you do that counts. Gabriel won't mind you being frightened, then he'll know you understand at least something of it. Nobody understands it all."

"You do."

Hester laughed. "Nonsense! I simply know what it feels like to see pain you can't help, to be terrified yourself, overwhelmed and hideously uncomfortable in body, and so tired you haven't even the strength to weep. If you haven't felt that yet, one day you will." She took her by the arm. "Now have a stiff sherry or something and go up to him."

"But it's you he wants to talk to," Perdita protested. "You understand. He doesn't want to have to explain to someone who knows nothing." There was reluctance in every line of her.

"Frightened?" Hester said with a smile.

"Yes!" Perdita pulled back physically.

"So now is the time to have courage," Hester pointed out. "Imagine how much worse soldiers must feel at the order to charge. What is the worst that can happen to you? Your husband will think less of you? You will still have all your arms and legs. You will not bleed or-"

"That's enough!" Athol said sharply. "You exceed yourself, Miss Latterly!"

Perdita gulped and then swung around very deliberately and glared at him.

"She is quite right! I am going up to see Gabriel. Please don't wait for me. I don't know when I shall be down." And without stopping to see his response, or Hester's, she marched out of the room and they heard her feet cross the hall floor, sharp and determined.

"Have some whiskey," Monk suggested to Athol, although it sounded like an offer. He felt enormously proud of Hester, as if he had had some part in her actions, which was absurd. But they were friends, closer in ways than many a man and wife. They had shared extraordinary triumphs and disasters; they knew each other, both the best and the worst. He trusted her above anyone else. There was a way in which friendship was the deepest and the best of bonds.

Athol took the whiskey and drank it, then poured himself another. He did not think to offer Monk one. It was not rudeness, he was simply too lost in his own perplexity.

Hester turned to Monk. She had not the slightest idea what had been going through his mind or his heart.

"Do you still care to discuss the case which concerns you?" she asked as if they had only just left the subject a few moments ago.

He did not. There was really nothing to say. But on the other hand, he did not want to leave yet.

"If you can spare the time, I should," he answered.

"Certainly." She turned to Athol. "I shall be upstairs if I am needed, Mr. Sheldon, but I think I will not be, at least until bedtime."

"What? Oh. Yes, I think you have done quite enough for one day." He was displeased, and he intended her to know it.

Monk watched her closely and saw no sign of embarrassment or doubt in her face.

She led the way out of the room and up the stairs to the small sitting room she shared with the gaunt lady's maid, Martha Jackson. They sat in the deep, chintz-covered armchairs and he told her about his fruitless search for information which might help Rathbone, mentioning that apparently Melville had studied abroad, because no one in England knew of him until about five years ago. He also told her the story of Barton Lambert and the unnamed lord who had been involved with the flawed building plans.

None of it mattered insofar as he expected her to offer any helpful remark; it was simply good to clear his own thoughts by putting them into words, and he was comfortable sitting with her.

It was almost an hour later when Martha Jackson came in. At first Monk was annoyed. It was an intrusion. But she was an agreeable woman. There was an honesty to her which pleased him, and he sensed the quiet courage to bear sorrow without complaint that seemed marked in the lines of her face. There was no bitterness in her mouth, no self-pity.

It was Hester who raised the subject of Martha's brother's children and their deformities-and the fact that no one now knew their whereabouts.

"How long ago?" Monk asked, turning to Martha.

"Twenty-one years," she replied, the hope she had allowed for a moment dying out of her eyes. She had been living in the past, telling him about it, talking as if it were only recently, when it was still possible to do something. Now it was foolish even to think of it.

He was startled. Samuel would have been an elder brother. It was a hard thing. He felt for her as he watched her tired face with the grief washing back into it and the realization of pain lost in the past, irretrievable now, children who could not be found, helped or given the love which had been missed too long ago.

He looked quickly at Hester. She was watching him steadily, her eyes so direct he had the feeling she was seeing his mind and his heart as clearly as anyone else might have seen his outward features. Surprisingly, it was not an intrusion and he did not resent it in the slightest.

What he resented was the fact that he would let her down.

He could not do what she wanted, and he knew it as exactly as if he had heard the words.

Martha looked down at her hands, knotted in her lap. Then she made herself smile at Monk. "It wouldn't matter even if I could find them," she said quietly. "What could I do to help? I couldn't take them then, and I couldn't now. I just wish I knew. I... I wish they knew that they had somebody... that there was someone who belonged to them, who cared."

"I'll look into it," Monk said quietly, knowing he was a fool. "It may not be impossible."

Hope gleamed in Martha's eyes. "Will you?" Then it faded again. "But I have very little money saved..."

"I don't think I can succeed," he said honestly. "And I wouldn't charge for failure," he lied. He avoided Hester's eyes although he could feel her gazing at him, feel the warmth as if it were sunlight, hot on his cheek. "Please don't hope. It is very unlikely. I'll simply try."

"Thank you, Mr. Monk," Martha said as levelly as she could. "It is very good of you... indeed."

He stood up. It was not good at all, it was idiotic. Next time he saw Hester, he would tell her just how ridiculous it was in the plainest terms.

"Save your thanks till I bring you something useful," he said rather less generously. He felt guilty now. He had done it for Hester, and he would never be able to help this woman. "Good day, Miss Jackson. It is past time I was leaving. I must report to Sir Oliver. Good night, Hester."

She stood up and moved closer to him, smiling. "I shall accompany you to the door. Thank you, William."

He shot her a glance which should have frozen her and seemed to have no effect whatever.