"Did you hear that? She's performing!" Mallory grabbed her mom's hand. "We have to stay."
"We can't," Mrs. Armstrong told her. "We have to be at the women's center at one thirty for group."
"Mom," Mallory groaned. "Please not today. Please?"
"We have a mother-daughter discussion group," Mrs. Armstrong explained to me. "Once a week, we get together, six moms and six girls, and discuss issues that are pertinent to our personal growth. The group is led by this wonderful women's studies professor from the university, Boo Connell? It's really—"
"So totally boring," Mallory finished for her. "Last week I fell asleep."
"Which was very unfortunate, because the topic was menstruation," Mrs. Armstrong said. "It's a manifestation of many changes and beginnings for women… The discussion was really fascinating."
Mallory gasped. "Mom! You are not talking about getting your period with Annabel Greene!"
"Menstruation is nothing to be embarrassed about, sweetie," her mom said as Mallory flushed a deeper shade of pink. "I'm sure even models get their periods."
Mallory put a hand to her face. "Oh," she said, "my God." Then she closed her eyes, as if she wanted to disappear, or maybe was pretending she already had.
"I should go," I said, the voice coming over the loudspeaker again. "It was, um, nice to meet you."
"You, too," Mrs. Armstrong said.
I smiled at Mallory, who was still standing there looking mortified. "See you later," I said.
She nodded. "Okay. Bye, Annabel."
I started back toward the conference room. I'd only taken a couple of steps, though, when I heard Mallory hiss, "Mom, I can't believe you did that to me."
"Did what?"
" Humiliated me like that," Mallory said. "You owe me an apology."
"Honey," Mrs. Armstrong said, sighing, "I'm really not clear on what the problem is. Maybe if you…"
I didn't get to hear the rest, as I was passing through the cosmetics department, where a mob of women were getting makeovers, and their voices drowned everything out. When I reached the conference room, though, I turned back to see Mallory and her mom were still where I'd left them. Mrs. Armstrong had squatted down in front of her daughter and was listening, nodding occasionally, as Mallory spoke.
Inside the conference room, I could hear Mrs. McMurty telling everyone to quiet down, that it was time to get started. Still, I stayed where I was a moment longer, watching as Mrs. Armstrong finally stood and she and Mallory started toward the exit. Mallory didn't look particularly happy, but when, after a few steps, her mom reached down for her fingers, she didn't pull away. Instead, she wrapped her hand around her mom's, quickening her pace, and they walked out the doors together.
When I got home later that afternoon, Whitney was out on the front steps. There was a row of four small flowerpots lined up in front of her, a bag of potting soil beside them, and she was sitting there, a small shovel in one hand, with an annoyed expression on her face.
"Hi," I said as I headed up the walk toward her. "What are you doing?"
She didn't answer me at first, instead just ripping open the potting-soil bag and plunging the shovel in.
But then, as I stepped around her, toward the door, she said, "I have to plant herbs."
I stopped walking. "Herbs?"
"Yeah." She scooped some thick soil out of the bag, dropping it into one of the tiny pots with a thunk, some spilling over the sides. "For my stupid therapy group."
"Why herbs?"
"Who knows?" She filled another pot, just as messily, then reached up, wiping her face. "This is what Mom and Dad are paying Moira Bell one fifty an hour for, to tell me to grow some freaking rosemary."
She picked up a stack of seed packets from beside her foot, flipping through them. "And basil. And oregano. And thyme. Money well spent, right?"
"It does seem kind of weird," I said.
"Because it is," she replied, scooping out more dirt for the third pot. "It's also stupid and a waste of time and not going to work. It's almost winter. You can't grow stuff in winter."
"Did you tell her that?"
"I tried to. But she doesn't care. She doesn't care about anything except making sure she makes you look like an ass." She dumped dirt into the last pot, making it wobble, but it didn't fall over. "'You can grow them inside,' she said, all chirpy. 'Just find a sunny window.' Yeah, right. I'll kill these things in days.
And even if I don't, what the hell am I supposed to do with a bunch of herbs?"
I watched as she picked up the basil packet, ripping it open, and dumped out some seeds into her hand.
"Well," I said, "you can use them to cook, or something."
She'd been about to plant the seeds, but now she looked up at me, her expression flat, unreadable.
"Cook," she repeated. "Right."
I felt my face flush. Again, I'd managed to say something wrong, even when I hadn't really thought I'd said anything at all. Thankfully, the phone began to ring inside, and I headed to get it, grateful for a reason to shut a door between us.
By the time I reached the kitchen, the machine had already picked up. There was a beep, and then Kirsten came on.
"Hello?" she said, her voice loud, as always. "Anybody there? It's me, pick up if you are… God, where is everyone? And I had good news, too…"
I picked up the receiver. "What good news?"
"Annabel! Hi!" Her voice jumped a couple of octaves, a marked contrast to Whitney's flat monotone. I sat down, getting comfortable—if Kirsten's messages were long, actually being on the phone with her could kill an entire afternoon. "I'm so glad you're home, how are you?"
"Okay," I said, sliding my chair a bit to the right. Looking across the dining room, I could see Whitney shaking seeds into a flowerpots, her brow wrinkled as she concentrated. "How are you?"
"Fabulous." Of course she was. "You know that filmmaking class I was telling you about? The one I'm taking this semester?"
"Yeah," I said.