Chimes at Midnight

“I knew they were assassinated.” I grimaced. “Wasn’t Oleander already known here?”


“There had been sightings,” said Tybalt. “There was some effort made to blame the deaths on her, but nothing could be proven before she disappeared. It was fifty years before she darkened these shores again.”

“Even dead, she can ruin my day.” Oleander de Merelands had been a paid assassin and major threat right up to the day I killed her. I didn’t want to kill her, but she didn’t leave me any choice, and I’d do it again in a heartbeat if it would keep her from hurting the people I loved.

“Well, she ruined Gilad’s pretty good, too. He was King in the Mists from 1800 until he died in the 1906 earthquake. His knowe was lost at the same time. Um . . . he never married, and there was concern the Kingdom would have to petition the High King to have a new monarch officially recognized when the current Queen appeared, said she was Gilad’s daughter, and took the throne. She had the backing of a lot of local nobles, and I guess they just sort of decided it was easier not to involve the High Court in a matter of local succession.”

“Not all the local nobles backed her claim,” said Tybalt. “She was a haughty thing even then, and she put up the hackles of many of the landholders. Most of them are gone now, fled for kinder political climates.”

“Or buried in shallow graves,” I guessed.

Tybalt nodded grimly. “Nothing has ever been proven, of course.”

“Naturally.” I turned onto a side street, listening to the engine whine as we climbed one of San Francisco’s many hills.

“Where are we going?” asked Quentin. “Home’s the other way.”

“Yes, and Goldengreen is this way.”

“Ah,” said Tybalt. He sounded approving. “The Lordens?”

“The Lordens,” I confirmed. The San Francisco Art Museum houses the doors to Goldengreen, the knowe held once by Countess Evening Winterrose, and once by me, before I weaseled out of my promotion. I’d passed my lands and title to Dean Lorden, eldest son of the Duchess of Saltmist, our local Undersea neighbor. His parents, Patrick and Dianda, were also contemporaries of King Gilad. The old King had been an attendant at their wedding—and if there was a way to speak to them without going into the Undersea, it was by visiting their son.

“A good choice,” Tybalt said. “Your liege knew Gilad, but he was not part of the royal Court. Patrick Lorden was, before he met his lady wife, and Dianda Lorden was a contemporary who spent a great deal of time in Gilad’s halls.”

“I’m glad you approve.” I started down the winding road to the San Francisco Art Museum, a series of white stone buildings right at the edge of a cliff. Maybe some cities would have looked at the priceless treasures housed in the museum and thought, “Hey, let’s put these where a single bad storm can’t destroy everything,” but not San Francisco. We’re a coastal city, and if that means a few expressionist artists get their oeuvres ruined by tsunamis, so be it.

“I just want to see what Dean’s done with the place,” said Quentin. He sounded almost normal, which I took as a good sign. The more stable we all were, the better.

It was almost three in the morning, and while it wasn’t dawn yet, the night was rapidly fading. The museum grounds were deserted. Nothing moved save for the three of us, making our way across the parking lot to a small footpath that led down the gentle slope of the grounds toward the edge of the cliff.

“Are you sure we can’t use one of the entrances that doesn’t involve jumping into empty space?” asked Quentin.

“This is one of the public entrances, which means we don’t need a key to use it,” I said. “It also means we’re not being rude by coming in without an invitation. Come on. I was in charge of this knowe long enough to know where the doors are.”