27
Sullivan, once more in possession of his fiddle and bow, shared the cart with three fellow vagrants, who like himself were being passed on to the nearest county border. They were set down just north of the Tees, a day’s walk from Darlington, and from here they went their separate ways.
On the outskirts of Darlington Sullivan came upon a cattle market and a few stalls offering eggs and cheeses for sale. There were a good number of people about and he decided to give them a song or two. He took up a position at a good distance from the compound where the beasts were herded and the auctioneer was shouting, and began with “Ned of the Hill,” a lyric he had always been partial to.
Oh dark is the evening and silent the hour.
Oh who is that minstrel by yon shady tower
Whose harp is so tenderly touching with skill
Oh who could it be but young Ned of the Hill?
And he sings, “Lady love, will you come with me now,
Come and live merrily under the bough.”
Lingering tunes and words of love stopped people in their tracks sometimes, as he had learned early; they could work just as well as a more lilting start. And he liked this song because he could feel at one with the sentiment as he sang; he was the outlaw minstrel, the words of invitation were his and he put a lot of feeling into them.
As the time passed, there was a scattering of farthings on his spread waistcoat, and he kept a close eye on them; it was not unknown for a fiddling man to have his earnings scooped up and fled away with if he got too lost in his music. He was so near his goal now, there had been so many mishaps along the way; he was resolved to be careful, make no mistakes, keep a guard on his money. He was not quite sure what he would do when his vow was fulfilled and his compact with the Holy Mother carried faithfully through. He would then be like the wrestler he had met on the road, of whom he sometimes thought, wandering from place to place, getting older. He might lay his fiddle aside and seek work on a coaster, carrying freight down south or across the sea to Holland. But the Liverpool Merchant had given him enough of the sea to last a lifetime. He was well past his first youth and did not really care for the idea of hauling on the ropes again and risking a rupture.
It took him four days to reach the village of Thorpe, place of his pilgrimage, and he was never to forget his first sight of it. He approached through high, moorland country, and a turn in the road brought him in late afternoon to a sudden view of the village lying below him. This, then, was where Billy Blair had come from, this was what he had run away from. Four streets, seventy or eighty low-built, crouching houses with gray slate roofs. The sulfurous smoke from coal fires lay like a mist over the whole village, hanging motionless under an overcast sky. He saw what looked like a store at the crossing of the streets, and close to this a stone-built tavern. Beyond the shrouded houses he saw the vaporous gleam of salt pans, and the sour smell of heated brine carried to him. Seen thus from above, it seemed like a vision of the inferno to Sullivan, with in the far distance the dark silver, luminous strip of the sea, like a land of the blessed, a promise lost forever to these souls succumbing amid the smoke. It was as if this dark cluster of houses had been set down within the fields to live in eternal malodor, and for no other reason.
The sight of the sea brought him a sort of reversed memory: standing off the coast of Africa, looking from sea to land, the smoke rising from the shore fires, first sign of life, announcing that there were slaves for sale. Then the fumes of smoke from the deck, like an answer, rising from the braziers where they were bringing the branding irons to red heat.
As he descended the long slope and drew nearer to the village, he heard the hiss and clank that came from the shafts of the mine, and saw here and there, approaching the village from the fields beyond, figures walking slowly, as if summoned by these noises. He saw with something of a shock that their faces were black. He was an impressionable man, and he had never seen a mining village before. He was so taken with the sooty, infernal looks of the returning miners that it did not occur to him to ask himself what these people would make of a wild-haired, staring, shambling man with a fiddle over his shoulder. He had cause to do this, however, not much later. As he came to the foot of the slope, where the ground leveled out and the moor gave way to rough pastureland, he saw the figures of children running this way and that in the field next to the one he was crossing. Five or six small figures he made out. He could see no pattern in their movements at first, they seemed aimless; then he saw the dip and rise of some fluttering creature struggling to be free, flying trammeled in a way no bird could have flown, and he realized, as he drew nearer, that the boys were flying a kite, diamond-shaped, with long, trailing streamers.
Intent on watching the erratic plunges and soarings of the kite, the children did not see him until he was through the gate in the hedge and halfway across the field where they were. “Hey, lads!” he shouted, raising his right arm in greeting. For some moments they stared at him across the decreasing distance. Then, without the slightest pause or consultation among themselves, three of them took flight in the direction of the first houses of the village.
The boy managing the kite was Percy Bordon, and he could not run without letting go of the bobbin that held the string and so consigning the kite to the final freedom of the skies. For a moment or two, as alarmed as his mates by this apparition with a mane of hair and a stump growing out of his shoulder, he thought of doing this. But the kite was precious to him, and he was heartened by the fact that Billy had stayed by him and not run off with the others, though nothing had impeded him from doing so.
Then, as the stranger drew nearer, both boys saw that he was not deformed with an extra limb but was merely carrying something slung over one shoulder. And Sullivan, for his part, having understood that he was a fearsome figure, stopped at a distance of some yards and did not come any closer.
“I had no wish to startle you,” he said. “That is a fine kite.”
“My da made it,” Percy said. “He made it an’ he give it me.”
“Did he so? I see well that you are a lucky boy. What might your name be?”
“Percy Bordon.”
“An’ your friend here that stayed beside you when the others ran away?”
“He is Billy Scotland.” Emboldened by the gentleness of the stranger’s voice, he added, “He is my best friend. We are the same age—him an’ me are gannin’ doon the pit together this year.”
“It is a great blessin’ to have a faithful friend,” Sullivan said.
Billy now spoke for the first time. “A was waitin’ my turn for the kite,” he said. “Tha talks funny.”
“Well, so do you for that matter. Do you know if there is someone by the name of Blair livin’ here in the village?”
The answer to this was delayed, because the kite, which Percy had taken his eyes off during this conversation, now encountered some mischievous downward current and after struggling some moments took a sharp tilt and came to rest on the ground, where it lay disheveled, its streamers still fluttering slightly, like an expiring bird, while Billy ran to retrieve it.
“Kites will not hurt themselves when they fall,” Sullivan said, and a vague memory came to him of his boyhood in Galway, helping to fly a kite that never belonged to him, always to someone else. “Me father made me a kite once,” he lied.
“My uncle John has Blair for his name,” Percy said. “That is my mother’s brother an’ he lives in our street.”
Sullivan looked at the boy with a sudden closer scrutiny. The cropped hair and snub nose, the blue eyes and fair lashes, something pugnacious in the small face—he could see, or persuaded himself that he could see, a resemblance. This was Billy’s nephew, then. Billy would have been proud of the lad.
“Well now, Percy,” he said, “I see you are a good boy as well as a lucky one. I am not the man to go intrudin’ into people’s homes, causin’ disconcertment an’ disarray. When you go home now, will you tell your mother that there is a travelin’ man with news of her long-lost brother, name of Billy Blair, who run away to sea. Perhaps she would ask her man to come over an’ have a word with me. I will be waitin’ in the alehouse. There is an alehouse, as I believe? It is a poor place indeed that has niver an alehouse.”
“Yes,” Percy said. “They call it the Miner’s Home.”
“Well, it will be home to a fiddlin’ man for the time bein’. Will you do that for me now? Will you promise to tell me words to your good mother?”
“Yes, a s’ll tell her soon as a get home,” Percy said. “What is that hangin’ on yor shoulder?”
Sullivan did his best to explain what a fiddle was but did not meet with much success, so he took up the instrument and played the tune of “I’ll Away No More.” This had a strong effect on both boys, and in fact it was what Percy began with when he got back home and spoke to his mother. The music and the way the man moved his elbow, now quick, now slow, and the strange look of him and his strange way of talking. Only after this did he remember to pass on Sullivan’s message, and when he did so he saw his mother’s face change. She reached and took a grip on his shoulder. “He said he had news of our Billy?”
“He said so.” His uncle Billy was something more than a name to him, but not much; a figure in a distant story, a lad who had run away from the coal. He was taken aback by this seriousness of his mother’s, and could think of nothing more to say than what he had said already. “He had long hair an’ he seemed to be lookin’ at sommat else all the time an’ he talked funny an’ he said that it was us who talked funny but it was him that did, an’ then he played sommat on this fiddle he was carryin’, there is strings stretched over an’ tha scrapes across with a stick.”
“An’ he said he would be waitin’ at the alehouse?”
“Aye.”
“Well,” Nan said, “he can bide where he is for a bit. A s’ll have to wait for Bordon. A canna gan there on my own an’ he canna come here till Bordon is back from work an’ washed an’ ready.”
And so it came about that Sullivan waited longer at a quiet time of day and drank rather more ale than he had foreseen, which was fortunate in various ways. It led to a franker conversation with the keeper of the alehouse than might otherwise been the case, and it led to his getting a good look at a widow woman named Sally Cartwright, who served there.
The keeper had nothing to do with the mining of the coal; he was a tenant of the company, to which he paid a fixed monthly sum, all the proceeds over that going into his own pocket. When he learned that Sullivan’s total resources, once he had paid for the beer he had drunk, would amount to only fourpence, and that he had no further travels presently in mind, he served up a pint free of charge and asked for a tune.
Sullivan obliged with a lively rendering of “The Galway Piper” and followed this with the first lines of the song:
Every person in the nation
Or of great or humble station
Holds in highest estimation
Piping Tim of Galway.
The keeper rubbed his nose reflectively for a moment or two, then said, “Do you know any of the songs from round here, the miners’ songs?”
“No, niver a one. I know some of the Irish songs an’ some of the seagoing songs an’ bits of songs that I picked up in Liverpool, but that is the sum of it. I was niver in these parts before.”
“Well, but you could learn some. There is Sally, who does some serving round the tables. She is a local woman, she knows some songs, she sings to herself as she goes about.”
He went across the taproom as if to call down to the kitchen, three steps below. But before he could do so a woman came in, drying her hands on her apron. “That was a nice bit o’ singin’,” she said. “It was you, was it?” She smiled at Sullivan.
“This is Sally Cartwright,” the keeper said. “She could teach you some songs if she chose.”
She was brown-haired and brown-eyed and buxom. She said nothing more, but she gave Sullivan a smile he found distinctly beguiling. “I dare say she could,” he said.
“An Irish fiddler,” the keeper said. “Playing and singing. That would be something different. There is not another tavern between here and Hartlepool that would have the match of it. It would bring the lads in, and maybe the lasses too. Listen now, I’ll tell you what. You get board, and a bed in the outhouse and a shilling a week and a quart of ale a day, and you entertain the company in the mornings after eleven and in the afternoons starting at around four and going on while there are people to listen. What do you say?”
Sullivan was never afterward sure whether it was Sally’s smile and the promise of such a teacher or the prospect of bed and board and a regular shilling that swayed him, but it did not take him long to make up his mind. “I’m your man,” he said. And I would not mind being yours, he thought, glancing again at Sally. Subject to there being no one else in the offing … “Shillin’ in advance?” he said.
“No, I cannot go so far as that. With a traveling man, trust has to be built up gradual-like.”
So all was settled, and Sullivan’s prospects had undergone a radical change by the time the company arrived. This was more numerous than he had envisaged. There was Nan and Bordon and their three sons; there was Nan’s brother, John Blair, and his wife and their two daughters and two sons. And there were several hangers-on who had got wind of the business, among them, much to Bordon’s irritation, Arbiter Hill.
Sullivan had requested the loan of a comb and had done something to restore order to the wildness of his hair. He had washed the dust of the road from his face and laid aside fiddle and bow. So it was a modified version of the apparition that Percy Bordon saw now. He was reassured, however, to find that the sounds that came from the man’s mouth were as strange as ever.
Women did not come very often to the tavern and the landlord had nothing that might meet the needs of more delicate palates except gin, so this was mixed with water and, after some expressions of reluctance, proved acceptable. The men had ale in pint pots, and Sullivan allowed his pot to be refilled. When all were seated in the taproom—Sally among them, he was glad to see—and when the lamps had been lit and hung on the walls, he began his tale.
So grateful had he been to the Virgin for securing his release from prison, so set had he been on carrying out his vow, unfaltering through all the trials and tribulations that had beset him during the weeks of his journey, that he had not paused to give much thought to the mode of his narrative, the way it should be presented. He began confidently enough with the relation of how he and Billy had seen and recognized each other in a dockside tavern in Liverpool.
“We had sailed together,” he said. “A ship called the Sarah. Long years before, but when you have been shipmates together, haulin’ on the ropes together for the best part of a year, you niver forget a man’s face, for good or bad. I was playin’ me fiddle for the dancin’ when Billy came in. He was off a ship, purse full of money.” Skin full of rum, he remembered, but he said nothing of this to the assembled company.
Darkness had fallen outside, and the faces of the listeners were ruddy in the lamplight, their bodies motionless. No sound came from them.
“Billy was tricked out of his money. They threatened him with prison for debt unless he agreed to sign on for this ship that was gettin’ ready to sail—she was due to cast off with the tide next mornin’. He could not pay his score, d’you see, his purse was robbed out of his pocket. They were all in it together. Billy put up a fight an’ I got in the middle of it an’ got knocked on the head. The long an’ short of it all was that we both ended up aboard the ship, an’ she was a slaver, she was bound for the Guinea Coast.”
It was as he pronounced these last words and looked at the unchanging faces that the first shadow of doubt came into his mind. What could the Guinea Coast mean to them, what kind of picture could it conjure up? They could have no more of idea of it than the inhabitants of that coast could have of a Durham pit village. He saw suddenly, and with a sinking heart, that his story, which he had looked forward to telling in fulfillment of his vow, was dressed in the wrong colors. “That was the Windward Coast of Africa,” he said. “We traded for slaves there, an’ when we had number enough to cram the space below decks, we set off for the island of Jamaica, where it was purposed to sell them an’ buy sugar with the money.”
He paused now as if he had come to a wall with no gate in it. Silence descended on the room, broken after some moments by John Blair, Billy’s brother, though not much resembling him to Sullivan’s eye, being taller and longer-faced and having eyes closer set.
“Billy was workin’ in Sunderland before he run off to sea, a know that for a fact. He was workin’ in the shipyard.”
“No,” another man said, “it was South Shields where he went, he was loadin’ coal on the freighters. A was told that by a lad that worked there alongside him.”
Arbiter Hill now intervened, seizing, as was his wont, on the difference of opinion. “There is some as says Sunderland, there is some as says South Shields, depending on witnesses and memory. There might be others as would say something different again—Hartlepool, for example. With the time that has passed we will not obtain the final answer, we will have to box on without it.”
“What the hell does it matter?” Bordon said with sudden violence, and Sullivan saw the woman beside him lay a hand on his arm. He spoke again, but more quietly now. “Yor listenin’ to the story of what befell my wife’s brother, yor hearin’ talk of Africa an’ Jamaica, an’ you gan on with tittle-tattle about Hartlepool an’ Sunderland.”
This was the husband, Percy’s father, he who had made the kite. Sullivan found himself being regarded with eyes of a singular intensity, even shadowed as they were by the brim of the cap, which he wore well pulled forward. Here was one at least under the spell of the story, and Sullivan’s spirits lifted with the perception of this. He had wanted his words to grip and enthrall, to crown his long journey, even though Billy’s death was contained in them. He was taking a risk and he knew it. It was not very likely that news of the part played by the crew of the Liverpool Merchant would have reached such a remote place—these men and women did not have the look of newspaper readers. But that it was possible he had known from the beginning. His vow had always involved this risk, and the miracle of his escape had made it worth taking. The interest written on Bordon’s face confirmed him in this feeling and gave him heart to go on.
“We niver got there,” he said. “We niver got to Jamaica at all. We were blown off course. The skipper was dead by this time. We were beached up on the coast of Florida.”
“Florida,” Bordon repeated, and his voice lingered on the name.
Sullivan did not try to describe the efforts they had made to haul the ship up the creek and so conceal all traces of it. “We had no choice but to stay there,” he said. “The ship was wrecked. We lived there twelve years, Billy an’ me an’ the others, white an’ black together, them that were left. We made a life for ourselves.”
Out of duty to Billy’s memory, so they would understand the way he had lived as well as the way he had died, he tried to describe the life they had had, the ocean never far away, the lagoons and jungle hummocks and mangrove swamps, the alligators and snakes and deer, the great flocks of white herons that rose all together with a great beating of wings, flying up suddenly for no reason anyone could know or determine, settling again as if they were snow or big white petals.
“Twelve years,” he said again. “Billy came to his end there.”
“What end was that?” Nan said. “What happened to our Billy?”
“Unbeknown to us, the sojers were comin’. The man that owned the ship took some redcoats to get us. He said we had stole the ship an’ the slaves aboard her—in his way of thinkin’ they were still slaves, even after the years we had all lived together. The sojers were closin’ round us, but we niver knew it till they started shoutin’ for us to come out an’ give ourselves up. Billy wasn’t in the compound, he was outside, mebbe a mile away. He was fishin’ in the creeks with his mate, whose name was Inchebe, a man from the Niger. It was just getting’ light and these two were on the way back with the catch …”
He paused here, aware of having arrived at a difficulty but impelled still by the sense of duty, the need to do justice to Billy’s life in the settlement, all their lives. “These two were close,” he said, “because they were sharin’ the same woman. You see, there were more men than women, more than twice as many, so the women could have two if they were inclined that way, an’ mostly they were.”
“What, our Billy an’ another man sharin’ the same woman?” John Blair said. “A never heered of such a thing, it’s nay decent.”
“Tha’d rather have it t’other way round, woudn’t tha?” his wife said. “It would be decent enough then, a’ll be bound.” There had been a note of bitterness in this, as it seemed—some strain between them had been brought out by this revelation.
“Our Billy only done what the others was doin’,” Nan said. “A wouldna want two men mesen, one is enough for me.”
“More than enough sometimes,” Bordon said, and he smiled at her, the lines of tension on his face softening into tenderness.
“He shared a woman with a black man?” Michael Bordon said, but there was more curiosity than disapproval in his tone. He was wondering, though he did not say so, whether they ever came to blows over whose turn it was. How he would hate to share Elsie with anyone. Even another hand, touching her lightly …
“Yes, he did so, we all did. The woman was black too—all the women were black, d’you see, they were brought aboard as slaves.” This diversion about the sharing had distracted the people from his narrative, even as he was nearing the moment of Billy’s death. “We were there,” he said. “There were no churches an’ no priests. We niver chose to go there, we had to live as best we could.”
Bordon helped him forward again now. “What were they gannin’ to do, kill one another, fightin’ over it?” he said to Michael. “You an’ me is black a lot of the time, for the matter of that. So Billy was comin’ back with the catch, then?” he said to Sullivan.
“As they drew near, they came upon some of the redcoats, hidin’ there among the trees. Billy was in front an’ so he saw them first, an’ he shouted to warn Inchebe, an’ one of the sojers lost his head an’ he fired an’ the ball took Billy in the back as he was tryin’ to get away. Inchebe was caught with the rest of us, an’ he told us what befell, he told us on board the ship that was bringin’ us away. He said Billy took some steps before he fell, but he was a dead man before he come to the ground.”
He sought for some fitting way to close. The final words were the only ones that he had rehearsed in his mind while on the road, feeling that he owed it to Billy to give the death full detail and sum up the life at the same time. “It was a misty mornin’,” he said. “There was always strange sounds in among the trees at that time of the day—strange till you got used to them, I mean. The feller that shot him was full of fears, I dare say, an’ would niver had done it if he had been of sound mind. Billy wasn’t took with the rest of us an’ brought back in chains, he died there, where he had been happy and free for all them years. It would be misguided to feel sorry for him. We had a good life there till the sojers came. Everyone respected Billy an’ listened to what he had to say. He was plannin’ to come back here one day an’ see his folks again, but he died before he could do it, so I have come in his stead.”
No one made any answer to this, and after some moments people began to get to their feet preparatory to leaving. Nan took Sullivan by the hand. “Tha’s been a true friend to our Billy,” she said. “A’ll never forget the service tha’s done us. It always pained me, not knowing what became of him. A was only twelve when he ran off, an’ we never heered more of him from that day on. It comforts me to know that he didna forget us, that he was meanin’ to come back.”
John Blair and his wife left without words, though whether it was disapproval that kept them silent or some sort of displeasure with each other, Sullivan could not tell. He was feeling spent—it had been a tiring day and he had eaten little—but he was not dissatisfied with the way he had told Billy’s story. He was thinking of trying to get a bite to eat in the kitchen and a word or two with Sally, who was rinsing out the tankards there, both of these things falling, as he felt, within the terms of his new employment, when he saw that Bordon, having accompanied the others out into the yard, had now returned to the taproom.
“There was sommat a meant to ask,” he said. “What did they live on there, what did the people do to keep alive?”
“There was fish in the creeks,” Sullivan said. “There was turtles, which can be partly consumed if you know the trick of it. There was game most of the year, quail, wild turkey, pigeons. There was deer you could get a shot at when they came to drink.”
“No, what a mean, did they grow veg’tables an’ such-like, did they work the ground?”
“Not to begin with. We had nothin’ in the world to plant. There was sea cabbage an’ acorns an’ berries an’ a kind of wild oats you could contrive to make porridge with. Then with time and lucky chance we came to be friendly with the Indians that lived along the coast. We made them gifts from the trade goods that had been left aboard the ship—kettles, beads, scraps of cotton. We never could fathom what use they were, but it was like a treasure to them. They brought us gifts in their turn. There was a root they knew of that you could grind an’ make cakes from, an’ there was yams an’ pumpkin seeds an’ tubers of sweet potato.”
Bordon listened intently to this and nodded several times when Sullivan had finished speaking. “You lacked for nothin’,” he said, “you had all you needed,” and Sullivan saw on his face the light of a vision and knew in that moment that he and this miner were fellow spirits. “We did so,” he said.
Bordon remained silent for a space of time, head lowered. He did not look at Sullivan when he spoke again, but kept his eyes on the stone flags at his feet.
“Tha made me a gift, comin’ here.”
Only the strangeness of such a visitor with his way of looking and talking, his tale of wanderings in far places, his wildness, could have brought Bordon to words like these, words safe to utter, inviolate, sealed off by the difference between the two of them. “A rare gift,” he said. “An’ a’m nay talkin’ only about Billy Blair.”
And Sullivan, who was quick to sense feelings in others, felt the gratitude and unhappiness in the words and experienced an urge to protect Bordon by shifting the talk before regret could enter into it. “Speakin’ of gifts,” he said, “that was a fine kite you made for your son.”
“My father made a kite for me when a was gannin’ on for seven years old, in the time just before a went down the mine. When a had sons of my own, a carried on with it. Now it’s Percy’s turn, he’ll be startin’ soon. Once they start down the mine they dinna play no more.”
He was looking squarely at Sullivan now, and something of a smile had come to his face, though there was no gladness in it. “They come to the end of playin’,” he said. “How did tha come to be a fiddler?”
“Me father was a fiddlin’ man an’ he passed it on to me. He traveled about, playin’ an’ singin’ at fairs an’ weddin’s. There were seven of us, brothers and sisters, we went beggin’ by the way, but I was the only one of them that had the power of music in me. He taught me how to find the notes. He always meant me to have the fiddle. He gave it to me when he was dyin’—he had not much more than that to leave, an’ it will be the same with me, ’cept that I have no sons to leave anythin’ to. Our children were all sold, along with the mothers.”
“What use did they have for a fiddler on board of a slave ship?”
“Well, I had been to sea before as an ordinary seaman, so I knew the work. But they like to get a fiddler on a slave ship because he can play an’ the slaves can dance to the music.”
“Dance to the music?” Bordon’s smile had disappeared. “Tha’s makin’ game of me,” he said. There was the beginning of anger in his voice, and Sullivan sensed in this quickness to take offense a battle more or less permanent against a world that showed him no mercy.
“No,” he said, “they needed to be danced because they were in chains, d’you see, they spent long hours cramped up below decks with scarce space enough to move a muscle. Without exercise they would get ill an’ melancholy an’ their value on the market would take a plunge. So they were brought up on deck an’ made to dance to the fiddle music.”
“Still in their chains?”
“Yes.”
“What if they didna have nay fancy for dancin’?”
“They would be flogged.”
Bordon was silent for a while, as if in reflection. Then he nodded, and the same smile came back to his face. “Not much choice,” he said. “Better to dance than to bleed.”
With this he made for the door, leaving Sullivan feeling that he had made a friend, though one of uncertain temper. Sally was still in the kitchen, and he made his way there now in the expectation of her smile and the hope of something to eat.
Bordon slept badly that night, assailed by dreams of snapping jaws and clanking chains. He saw the white birds rising up and stalked the deer through close-growing trees. Waking from this, lying wide-eyed in the dark with Nan breathing deeply beside him, he thought of the freedom of that life in Florida, taking the hours as they came, living in the open and the light of day, doing things because they needed doing, so that life could go on, not because you were summoned to do them, not because someone you never saw owned the labor of your body. He felt a deep sense of envy for that band of men and women, even for their toil, even for the dangers they must have faced.
Following upon the envy, softening it with a sort of consolation that he knew to have no basis in reason, there came thoughts of the plot of land by the streamside, in the Dene, the sheltered ground, the falling water, the fertile soil, two acres, perhaps a bit more … The apple trees, the green rows of vegetables, the laden pony following the path to the coast where he would set up his stall and sell his produce. Somehow, in a manner that defied logic, this wandering Irishman’s story had brought the possibility nearer.
The Quality of Mercy
Barry Unsworth's books
- As the Pig Turns
- Before the Scarlet Dawn
- Between the Land and the Sea
- Breaking the Rules
- Escape Theory
- Fairy Godmothers, Inc
- Father Gaetano's Puppet Catechism
- Follow the Money
- In the Air (The City Book 1)
- In the Shadow of Sadd
- In the Stillness
- Keeping the Castle
- Let the Devil Sleep
- My Brother's Keeper
- Over the Darkened Landscape
- Paris The Novel
- Sparks the Matchmaker
- Taking the Highway
- Taming the Wind
- Tethered (Novella)
- The Adjustment
- The Amish Midwife
- The Angel Esmeralda
- The Antagonist
- The Anti-Prom
- The Apple Orchard
- The Astrologer
- The Avery Shaw Experiment
- The Awakening Aidan
- The B Girls
- The Back Road
- The Ballad of Frankie Silver
- The Ballad of Tom Dooley
- The Barbarian Nurseries A Novel
- The Barbed Crown
- The Battered Heiress Blues
- The Beginning of After
- The Beloved Stranger
- The Betrayal of Maggie Blair
- The Better Mother
- The Big Bang
- The Bird House A Novel
- The Blessed
- The Blood That Bonds
- The Blossom Sisters
- The Body at the Tower
- The Body in the Gazebo
- The Body in the Piazza
- The Bone Bed
- The Book of Madness and Cures
- The Boy from Reactor 4
- The Boy in the Suitcase
- The Boyfriend Thief
- The Bull Slayer
- The Buzzard Table
- The Caregiver
- The Caspian Gates
- The Casual Vacancy
- The Cold Nowhere
- The Color of Hope
- The Crown A Novel
- The Dangerous Edge of Things
- The Dangers of Proximal Alphabets
- The Dante Conspiracy
- The Dark Road A Novel
- The Deposit Slip
- The Devil's Waters
- The Diamond Chariot
- The Duchess of Drury Lane
- The Emerald Key
- The Estian Alliance
- The Extinct
- The Falcons of Fire and Ice
- The Fall - By Chana Keefer
- The Fall - By Claire McGowan
- The Famous and the Dead
- The Fear Index
- The Flaming Motel
- The Folded Earth
- The Forrests
- The Exceptions
- The Gallows Curse
- The Game (Tom Wood)
- The Gap Year
- The Garden of Burning Sand
- The Gentlemen's Hour (Boone Daniels #2)
- The Getaway
- The Gift of Illusion
- The Girl in the Blue Beret
- The Girl in the Steel Corset
- The Golden Egg
- The Good Life
- The Green Ticket
- The Healing
- The Heart's Frontier
- The Heiress of Winterwood
- The Heresy of Dr Dee
- The Heritage Paper
- The Hindenburg Murders
- The History of History