The History of History

SIX • Magda’s Face


The next day it rained. Margaret did not set foot outside. Several times, however, she went to her window and looked down the Grunewaldstrasse, and each time there were the buildings, softly puckered, pink and tan and breathing under the raindrops. She threw open the window as the sun went down; she looked for the cool shadow. The chill, wet, autumn air blew into the apartment. Winter was coming. Some of the younger buildings had become pinker with edges chapped; older buildings—that was the majority—looked red in harsher tones, as if they were bursting into flame. The vague, soft scent of flesh, stronger than the smell of coal dust, had already become easily recognizable.

Yesterday was repeating in a flashing loop in her mind. It was drawing her into a repetitive circle. Instead of swaddling her memory in sleep and slipping it away as was her custom, Margaret was sifting through the day before with both hands.

The hawk-woman with the ax. Margaret knew very well who the woman was. It was Magda Goebbels. Magda Goebbels—Joseph’s wife.


That evening, she began to read a biography of Magda Goebbels. She had read this particular biography once before, but she was reading it now with new eyes.

And it was that evening as well that she had the first of what she would later call an episode.

It began about thirty pages into the book. She had a sensation as if a bright light had been switched on, or as though she were drunk on red wine and a searchlight were coming in through the window. And whereas she usually read with systematic attention, tonight her interest was untamed and frantic, full of desire, like the need to scratch an itch that has already been scratched to blood. She was making some unsteady attempts at note-taking as she read, but again and again she stood up from her chair, went out of the room, brought herself back, and just as soon was ready to run out of the room again. There came a horrible pleasure, a pleasure that was laced with a kind of shame—her heart was overflowing. Even her handwriting changed: it was crabbed, controlled only by its extreme miniaturization and intense pressure of the pen. She came to a description of Magda Goebbels’s corpse when the Russians found it after her suicide, and the thing struck her so—she felt the need to copy the entire passage into her notebook. Each time she tried, however, the gremlin of her gaze went wild: she mangled sentences, unable to concentrate for the time it took to move her eyes from book to notebook. But still she would not, indeed could not, leave off and let well enough alone, and so five times—each time more desperately than the time before—she began to copy the following.

Berlin, May 3, 1945

On May 2, 1945, in the center of Berlin, on the premises of the bunker of the German Reich Chancellery, several meters from the entry door to said bunker, Lieutenant Colonel Klimenko and the Majors Bystrov and Chasin (in the presence of Berlin residents—the German Lange, Wilhelm, cook of the Reich Chancellery, and Schneider, Karl, garage superintendent of the Reich Chancellery) at 17:00 hours found the charred bodies of a man and woman; the body of the man was of short stature, the foot of the right leg was in a half-twisted position (club-foot) in a charred metal prosthesis; on it lay the remains of a burnt party uniform of the NSDAP and a singed party badge; near the burnt body of the woman was discovered a singed golden cigarette etui, on the body a golden party badge of the NSDAP and a singed golden broach. Near the heads of the two bodies lay two Walther pistols Nr. 1 (damaged by fire).

On the third of May 1945 Platoon Leader of the Russian Defense Department SMERSH of the 207th Protection Division, Lieutenant Colonel Iljin, found in the bunker of the Reich Chancellery in a separate room on several beds the corpses of children (five girls and a boy) from the ages of three to fourteen. They were dressed in light nightgowns and showed signs of poisoning.



As she finished the copying, Margaret grabbed her head in her hand.

Achtung! (Margaret wrote to herself in the notebook.)

Regarding the children:

Their ages, at the time of their deaths, were between four and twelve, not three and fourteen as the Soviets say here.

They were taken by SMERSH to the prison of Plötzensee, where the bodies were viewed by more Germans, for the sake of identification. And by more Russians, for the sake of the press, and the lurid sight of the enemy’s surrender of even its children.

Regarding the photographs:



Margaret held the pictures up to the light and considered whether or not she could sketch what she saw on the page, but she felt nauseous.

Instead, she wrote,

The children look fresh in death. They can be seen in the photographs—mortuary pictures from Plötzensee—still in the clean, white cotton nightgowns they wore to bed, blond hair still in braids, color in their cheeks, the apotheosis of everything the National Socialists meant by the word Heimat. Their heads are turned toward the camera, each in turn, held erect by a young Russian coroner in a butcher’s apron, round tortoiseshell glasses, and long, black rubber gloves.



A few moments later, Margaret was still on red alert. She recalled that once, she had read a letter Magda Goebbels wrote with her own hand. It was reproduced in its entirety in a book that she knew was very likely still somewhere in the flat. It quickly became shining and irresistible. She went to the shelf and began to page through several books. She couldn’t remember exactly where she had read it, that was the trouble. She went into the hall and knocked over two piles of books and rummaged.

The passage was nowhere to be found.

Back at the desk, she grabbed her forehead in her hand again. Her mind pulsed. All at once, like a word on the tip of the tongue bubbling up after sleep, she knew after all which book it was. She plunged her hand to the shelf and withdrew a dust-covered book: The Death of Adolf Hitler. She paged through it, and there indeed was the facsimile.

She could feel hives blooming on her neck. She was so excited—it was as if someone else’s body were moving under her head. Her heart beat, and it was hardly her own heart.

My beloved son! Now we have been here in the Führerbunker for six days—Papa, your six little siblings, and I—in order to give our National Socialist lives the only possible honorable finish. Whether you will receive this letter I don’t know … You must know that against his wishes I have stayed by Papa’s side, that even last Sunday the Führer wanted to help me to get out of here. You know your mother—we have the same blood, for me there was no question of it. Our heavenly idea is going to pieces—and with it everything beautiful, awe-inspiring, noble, and good that I have known in my life. The world that will come after the Führer and National Socialism is no longer worth living in, and therefore I have brought the children here with me. They are too good for the life that will come after us, and the merciful Lord will understand me when I give them salvation myself. You will live on, and I have one request of you: Don’t forget that you’re a German, never do anything that is against your honor, and take care that through your life our death was not in vain.

The children are wonderful. Without any assistance they help each other in these more than primitive conditions. Whether they sleep on the floor, whether or not they can wash, whether they have something to eat or not, never a word of complaint or tears. The bombardments shake the bunker. The older ones protect the younger ones, and their presence here is already a blessing in that every now and then they manage to bring a smile to the Führer.

Be true! True to yourself, true to humanity, and true to your country. In each and every regard! … Be proud of us and try to hold us in proud and joyous memory. Everyone has to die sometime, and isn’t it more beautiful, honorable, and brave to die young than to live a long life under shameful conditions? The letter must go out—Hanna Reitsch is taking it with her. She’s flying out again! I embrace you in closest, warmest, motherly love! My beloved son, live for Germany!

Yours, Mother



By the time Margaret finished, her hands were shaking and her eyes were wet; she thought they were bleeding, but it was only a few tears. Magda’s strange idea gripped her—this choosing of death over shame.

Margaret made herself ready and went to bed. For a long time she lay still under the covers. It was raining out and there came a tapping. The panes shook.

Margaret could not sleep. She began to read a second time, now with heavier eyes. She read about Magda Goebbels’s high marks in Gymnasium; about the details of her relationship with the Zionist Arlosoroff; about Magda’s own efforts on behalf of the Zionist movement as a young woman. Regarding the Soviet inquest, she learned that Magda killed her children with the help of a doctor, that none of the children had struggled, except the oldest girl, who, according to the coroner’s report, had bruises on her body and so apparently had been held down. No one was sure exactly what the poison was, as the Russian coroner had not been able to ascertain, but it left the tips of the children’s fingers yellow. When Margaret read this, she was very quiet inside, her thoughts slowing and then stopping altogether, her head pulsing.


It was almost morning. Margaret got out of bed. She had a thick twist of energy in her chest.

She took a gesso board out of the closet. She flipped through the biography of Magda, to its glossy centerfold pictures. She propped the book up on the desk. Over the gesso board, her hands moved. She was surprised at herself, and frightened. Her fingers were of steel, and she applied so much pressure to the stick of charcoal that twice she broke it. Finally she drew with only a nub. She watched as Magda Goebbels’s face bloomed in black lines. Magda Goebbels’s face rose up, in the form of a glamour shot taken in Magda’s youth. It was a young face, from the time before she had given birth to any of her six children with Goebbels.

The image of the face held Margaret and mesmerized her. It had traces of all the later forms of ugliness that came to dominate—the low, heavy brow bone; the snideness of the lines between the wing of the nose and outer corner of the lip; the thin mouth; the priggish tilt of the forehead. And yet—and here is where Margaret dragged her charcoal back and forth, craving the curve: something, something in the young face was still bleeding, still searching for metaphysics, and Margaret carefully traced every softness and hardness. She felt her disgust stretching, becoming a concentration that was almost tenderness.

Later she took out oils. She brought in color. One corner of the face became so vivid, it seemed ready to move. Margaret, possessed by some devil, produced a large, cold face, with silver-blond, salon-waved hair—a face glaring out at her with civilized eyes and callousness. Margaret brought in the squeezed-out bits of light and dark, setting the woman’s hair to gleaming, the shadows of her nostrils to deepening. And finally, Magda Goebbels stared out at Margaret Taub, pert and quizzical.


As dawn broke, Margaret was in bed. The last thing she remembered before falling asleep was that she could feel the heat of a bird at the window, the slash of its wings against the glass—although it may have been nothing more than the rain grown violent.