The History of History

TWO • The Glass Globe


Margaret Taub was her name, and she worked at Hello, Berlin! as a walking-tour guide. Every day she marched a gaggle of tourists across the length of Berlin—around Hackescher Markt and over the Museum Island, in single file down Unter den Linden, through the Brandenburg Gate, south beyond the dust-white construction sites, and along the path of the disappeared Wall. Later they cut through vacant lots to the remains of the Nazi ministries, and ended finally sometimes at the buried bunker of Adolf Hitler, sometimes at Checkpoint Charlie. It all depended on the tour’s theme.

Along the way, Margaret told the customers about the comedies and tragedies of Berlin: the erstwhile cabarets on the Friedrichstrasse and the tirades of Honecker; the night in 1989 when the Wall fell and the night in 1938 when the synagogues burned; the afternoon in 1967 when the students came out for the Shah’s visit; the night in 1919 when Freikorps soldiers clubbed Rosa Luxemburg with rifle butts and threw her into the canal to die.

In the weeks after her emergence from the Grunewald forest, Margaret gave the tours as she always had, and in some ways it was like old times. But the days grew colder, the trees wept their leaves, and—who could say why—she grew strange. She no longer made eye contact with her customers. And whereas before, if she had avoided their gaze, it was because she was either cocky or the reverse of cocky, something like a child frightened of its own precocity, now the inner mechanism had changed. When Margaret’s eyes slid off toward the far horizon these days, it was without a trace of flirtation.

The fact was this—she was entering a kind of trance. Walking the city, she encouraged the events she spoke of to crowd up against her eyes, and everything glimmered. Flames blackened the Reichstag when she looked over to it; on Friedrichstrasse there were nothing but dancing girls in nude tableaux; at the Pergamon, day after day, Peter Weiss was creeping in on his way to clandestine meetings with his fellow socialists, and it was all vivid, and it was all a balm.

Even the so-called present was unnaturally animated. On the street once called Hermann-Göring-Strasse, they were clearing a site for a giant memorial during the months of her “convalescence,” and every time she went by it with the tourists, the site had changed a little and seemed to be growing like a garden. All the pictures of the stages of its growth came together as she walked along its flank, and played before her eyes with the whirring breeze of a flip book.

As for her customers—not looking at them, it became possible not to notice a single one. Sometimes a bolder of their number, usually a gregarious Australian, would trot beside Margaret from site to site, and ask what she, Margaret, an American, was doing in Berlin. It was not that Margaret failed to answer, but these days she replied by rote, almost as if it were part of the official tour script. She had moved to Berlin six years ago to study history at the Freie Universität, she would say. No, she never went back to her native New York. To which the customer would show surprise. She was so young, never going home—what about her family? Didn’t they miss her?

At this, a strange transaction would occur. Margaret would fix the customer with a gaze of the profoundest curiosity and pity, as if the customer had not asked a question but rather confessed to some rare and grotesque character trait. A moment later, her face would change very abruptly again, and it would become apparent that the look of curiosity had been an act. Although there was no hint of malignance or mockery in the deception, the piece of theater would strike the customer, who had merely been trying to be friendly, as somehow cruel. This was the only sort of unkindness that Margaret ever served up, but it was something she did more and more.

And the customer, downright uncomfortable then, because after the disappearance of all expression, Margaret’s face gaze was likely traveling—with a bird as it crossed the sky, or flipping back and forth together with a flag at the top of a ministry as it rattled in an oceanic wind—the customer might continue to chatter, voluble and embarrassed, still banging on the same pot. But oh, were her parents still in New York? Didn’t she go home for the holidays at least? No, she would reply, somewhat dreamily. She never went “home” (you could hear the quotation marks in her voice); she did not get along with her mother. And her brothers and sisters? She did not have any. At which point, if it had reached such a point, Margaret would turn and pull back, her face white, and make a quick head count before leading the group further on to the next site, or beginning to lecture in her large, artificial voice.

If there had ever been a time when the customers might have made another type of miscalculation and assumed Margaret was one of those alert and artistic young expatriates of the kind that showed up in such numbers in Berlin in the 1990s—to open galleries in bombed-out ruins, found clubs under manhole covers, form neo-glam bands and squat in abandoned apartment houses as the ill-used city rose caper-some, a recovered invalid, from its long stay in the hospital bed of the twentieth century—there was something about the smell of Margaret Taub, something sour and somnolent and quieted out, that suggested that she, no—this one had never belonged to that happy swelling. And she knew it, and they knew it, and maybe she even knew that they knew it.


Should Margaret have tried to discover what sinister chain had wrapped her life?

Perhaps she should have, but she did not.

The night in the forest and everything around it was an elementary blank. If pressed (of course, she was never pressed), she might have simply said: “Lately, I’m a little uneasy.” With no one did she mention how the city’s past was dancing before her eyes, nor any of her more alarming symptoms, which had begun to pop up, one after the other.

Margaret returned to her classes at the university in these weeks, but there she did not speak to anyone either. She rode the U-Bahn down to the dying meadows of the Freie Universität and sat by herself in the library. She wore an assortment of men’s dress clothing: moth-eaten woolen trousers and broadcloth shirts grown brittle with age, and always a particular grease-smeared topcoat that looked to be several decades older than the rest. And she wore a felt hat—perhaps to disguise that she was not in the habit of washing her hair. The effect belonged to no subculture anyone knew of, and gradually rebuffed the other students.

Margaret did not mind. During lectures she sat well away from them, deep in her own thoughts, taking methodical notes from her perch at the back of the hall—notes which, not long after having been made, their blue, reptilian ink already fading, seemed foreign to her, not of her own hand. She memorized dates, causes and effects, uprisings and assassinations, theories and countertheories—this was for the sake of the tours in the city, where, if the customers quizzed her, it was distasteful to be caught out.

But she did not register for examinations that might propel her toward a degree, nor make any other frantic efforts on behalf of semester deadlines. She ignored the early notes she had made for her master’s thesis, which had been on the topic of Karl Liebknecht and the Spartacists.

Margaret was leaving something behind. She no longer suffered from ambition. Information was fodder for the tours, nothing more. She studied avidly but always remaining in place, and the university was large and remote as an unjealous god, and took no notice of her treadmill existence.

And though the calendar appeared to be continuing its slow plod whenever she checked it, Margaret was dogged by a peculiar sensation. She felt that somehow, somewhere along the way when she had not been paying careful attention (and how could she have been so heedless?), time had come to an end. Now it was only a matter of a short interval before the world faded out entirely. Sometimes she was even gripped by a strange suspicion, unlikely as it seemed, that every last thing was already gone. All that now met her ears and eyes was a vestigial flare or after-impression, like the shape of the sun burnt on the retina.

So in that case, the logical (and yet also illogical) conclusion was this: the more she looked, the less there was left to see. To observe was to eat. She had to ration.

This was difficult, as everything burned terribly brightly. The Berlin street came shining to her, whore for attention that it was, offering up this face, that reference, and it was all a magic lantern show, cheap and profligate. She began to feel, in a hallucinatory kind of way, that brightness and time were competing siblings, tugging resentfully at each other’s realms. Brightness was winning. The brighter the city burned, the more time as a linear ray exhausted its last dregs and died. And conversely, the more time narrowed and dropped off for reasons of its own, the brighter everything became.

It all filled Margaret with dread. She tried to control the terror of the conquering brightness. First with the tours in the mornings, in this period of convalescence, the twinkling past was an opiate. But afterward, in the afternoons, the dread returned, and she was forced to distract herself.

Distract herself she did. She bought flowers for the side table in the long hallway of her cavernous, echoing apartment in Schöneberg. She cooked lentils. She went for a beer now and then, sat outside during the last of the lukewarm days, and as it grew colder, in smoky corners of pubs. Sundays, she walked around the Berliner flea markets, buying this or that or anything at all—a chalky pot for the kitchen, a flower box for the sill.

After that strange and terrible night in the Grunewald forest, the weeks went by and became months. And then the months flew by and became two years. Time will pass very quickly, if you are convinced it is already over. Two years rolled away, never to be seen again.

By the time autumn of 2004 pulled around, Margaret was so solitary, she was an almost unrecognizable version of herself.

She had used the purgatory well, however. The dread that had been her constant companion—it was close to gone. At the end of two years, the terror was swaddled and buried; it hardly had a heartbeat. A mirror to the lips of the sleeper clouded so slightly, it might be thought nothing at all.

And this is where the real story begins.