Beautiful World, Where Are You

However: Jesus teaches us not to judge. I can’t approve of unforgiving puritanism or of moral vanity, but I am hardly perfect in either regard. All my mania for culture, for

‘really good’ things, for knowing about jazz recordings and red wine and Danish furniture, even about Keats and Shakespeare and James Baldwin, what if it’s all a form of vanity, or even worse, a little bandage over the initial wound of my origins? I have put between myself and my parents such a gulf of sophistication that it’s impossible for them to touch me now or to reach me at all. And I look back across that gulf, not with a sense of guilt or loss, but with relief and satisfaction. Am I better than they are?

Certainly not, although maybe luckier. But I am different, and I don’t understand them very well, and I can’t live with them or draw them into my inner world – or for that

matter write about them. All my filial duties are nothing but a series of rituals on my part designed to shield myself from criticism while giving nothing of myself away. It was touching what you said in your last message about our civilisation collapsing and life going on afterwards. And yet I can’t imagine my life that way – I mean whatever goes on, it won’t be my life anymore, not really. Because in my deepest essence I am just an artefact of our culture, just a little bubble winking at the brim of our civilisation.

And when it’s gone, I’ll be gone. Not that I think I mind.

PS – I hate to ask, but since Simon says he’s coming along with you – should I make up two bedrooms or one?





19


On Friday morning it rained and Eileen took the bus to work. She had finished The Karamazov Brothers by then and was reading The Golden Bowl, standing up on the bus with one hand gripping the yellow upright rail and the other holding a copy of the novel in paperback. After alighting she put her scarf over her head and walked a couple of minutes to the office on Kildare Street in the rain. Inside, her colleagues were laughing at a satirical video about the Brexit negotiations. Eileen stood at the computer where they were gathered to watch it, looking over their shoulders at the screen, as the rain slid softly and noiselessly down the outer panes of the office windows. Oh, I’ve seen this one, she said. It’s funny. After that she made a pot of coffee and sat down at her desk.

She checked her phone and saw a message from Lola about a ‘cake tasting’ later that week. I’m busy tomorrow evening but otherwise free, Eileen wrote back. Let me know what works. Lola replied within a couple of minutes.

Lola: What are you doing tomorrow

Eileen: I have plans

Lola: Heh heh

Lola: Are you seeing someone??

Eileen glanced around the office, as if to check that no one was watching, and then, returning her attention to her phone, she began typing again.

Eileen: no comment

Lola: Is he tall

Eileen: none of your business

Eileen: but yes he’s 6’3”

Lola: !!

Lola: Did you meet him on the internet?

Lola: Is he a serial killer?

Lola: Still if he’s 6’3 I suppose it’s swings and roundabouts Eileen: this interview is terminated

Eileen: let me know about the ‘cake tasting’

Lola: Do you want to bring him to the wedding?

Eileen: that won’t be necessary

Lola: Why not??

Eileen put her phone away and opened a new browser window on her work computer.

For a moment she paused, staring at the search engine on the home page, and then quickly and lightly she tapped out the words ‘eileen lydon’ and hit the return key. A

page of results showed on-screen, with a set of images displayed at the top. One was a photograph of Eileen herself, sandwiched between two black-and-white historical images. The other results were chiefly social media profiles belonging to other people, along with some obituaries and professional listings. At the bottom of the page, a link to the magazine’s website read: Eileen Lydon | Editorial Assistant. She clicked the link and a new page opened. No photograph was included, and the text simply read: Eileen Lydon is an editorial assistant and contributor at the Harcourt Review. Her essay on the novels of Natalia Ginzburg appeared in Issue 43, Winter 2015. The final part of the sentence was hyperlinked and Eileen clicked it, leading to a page on which the magazine issue could be purchased online. She closed the tab then and opened up her work email account.

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