The Viscount and the Witch (Riyria #1.5)

The Viscount and the Witch (Riyria #1.5)

Michael J. Sullivan




Author’s Note



Welcome to this first installment in the Riyria Chronicles, a short story that tells a tale about the early days of Royce and Hadrian, before they became the notorious pair known as Riyria. For those who are unfamiliar with my larger epic series The Riyria Revelations, fear not. This story is perfect for you as it is a standalone tale that will provide a wonderful introduction to the world of Elan and a pair of characters that thousands have come to know and love.

I’d like to take a moment to discuss my Riyria Revelations series and why I’m releasing this short now. This is an interesting time for me as a writer. I feel like I’m graduating from a college where I spent the last thirty years. Writing for a living is not an easy career choice, and if I had any say in the matter, I wouldn’t have selected it. But you see, I can’t stop the stories from filling my head and putting them down on paper is really the only way to stop the voices. So I have to do this or go mad, and I’m opting for door number one. It’s unfortunate that so many authors have nightmarish war stories of what they went through to “make it” and my own path is no exception. In fact, I became so disheartened in my years of struggling to get published that I quit and vowed never to write creatively again. But never is an incredibly long time.

My hiatus lasted ten years, and when I finally relented I decided to write something that had been building in my head all that time, something just for me—well me, my wife, and my then thirteen-year-old daughter. I had no intention of publishing it…that way just led “to the dark side.” Totally free, I could do whatever I wanted. I could resurrect the heroic tales I fell in love with in my youth. I could start the story simply and build it slowly, adding layers to characters such that we come to know them over a span of time. I wanted self-contained books, with their own conflict and resolution but also be able to weave an overarching mystery throughout the series.

Somewhere along the way, I started thinking, “I just might have something here. Maybe it’s worth taking a shot at publishing again.” While I continued to write, my wife started working on the business side of things: writing queries, getting an agent, finding a publisher. That process is a long tale, and I’ll leave that for another day. The short version is that it took years, which worked out because by then I had become fixated with the notion of finishing the entire series before publishing the first book.

I can’t emphasize enough just how crazy this is. Writing a single book is a herculean task writing six is just plain nuts. But there simply was no other choice. I was weaving a complex tale and often found myself having to insert something back in book one or two based on what I was writing in book four or five. I would have regretted being in a position where I couldn’t have added an important plot point because the books were already “out there.”

While I got my first book published through a small press, 2008 took its toll and they had no funds to print the second. They informed me of this fact just weeks before the scheduled release—a release that already had book club readings and store signings scheduled. The only way to make the deadline was to produce the book ourselves, so my wife, an exceptional businesswoman and entrepreneur, formed Ridan Publishing.

We adopted a schedule to put out the next book every six months, and even though they were all written, we were hard pressed to meet each deadline. What took so long? We could have just performed a bit of copy editing and then release them, but that would have been a disservice to both the books and the fans. So each book was carefully revised to make them as strong as possible. Just like a film’s cutting room floor, entire scenes were discarded and new ones written. The story remained the same, but how it was revealed changed.

Slowly I started to find an audience, mainly due to Robin’s tireless efforts at spreading the word. At the end of two years, I was selling a respectable 1,000 books a month spread over four titles. Nothing stellar or earth shattering, but I was happy with what we had achieved. At that time, October 2010, Robin started noticing that my name was turning up on Amazon’s cross-selling lists (the ones compiled for authors) for industry giants such as Abercrombie, Weeks, Rothfuss, and dozens of others. This made her wonder whether we could use this fact, and my sales record, to get some traction with a New York publisher.

We contacted an agent who had helped with a sale to the Czech Republic and she put together a proposal and sent it to just seventeen select publishers. To be honest, Robin and I thought that it would take a year or more to hear anything, which was fine with us as we had just released the fifth book, Wintertide, and the last book was scheduled for April 2011. To our surprise she had seven publishers expressing an interest immediately, and Orbit moved quickly to put together a pre-emptive bid for the series.

Both Robin and I had been very impressed with Orbit. They were not the biggest, nor the most well known, but they picked quality titles and already had an established track record for making the New York Times Bestseller List and many of their titles were getting industry award nominations and wins. Their covers were of the highest quality, and it appeared that they were doing the right things to grow their author’s careers. We accepted their generous six-figure offer (much higher than the standard five to ten thousand dollars for most debut fantasy authors) in mid November 2010. They have taken the six book series and turned it into a trilogy which will be released in three consecutive months starting in November 2011. The breakdown is as follows:



Theft of Swords: contains The Crown Conspiracy & Avempartha

Rise of Empire: contains Nyphron Rising & The Emerald Storm

Heir of Novron: contains Wintertide & Percepliquis