As my mother said, there are some losses we never get over.
Certain subjects remain completely off-limits. She doesn’t ask what compelled me to cross in the first place, and I don’t volunteer to tell her. I keep Alex’s note in a little leather pouch around my neck—a gift from my mom, procured from a trader earlier in the year—but it is a memento from a past life, like carrying the picture of someone who is dead.
My mother knows, of course, that I have found my way into loving. Occasionally, I catch her watching me with Julian. The look on her face—pride, grief, envy, and love commingled—reminds me that she is not just my mother, but a woman who has fought her whole life for something she has never truly experienced.
My dad was cured. And you can’t love, not fully, unless you are loved in return.
It makes me ache for her, a feeling I hate and am somehow ashamed of.
Julian and I have found our rhythm again. It’s as though we have skated over the past few weeks, skated over Alex’s long shadow, and landed neatly on the other side. We can’t get enough of each other. I’m amazed by every part of him again: his hands, his low, gentle way of speaking, all his different laughs.
At night, in the dark, we reach for each other. We lose ourselves in the nighttime rhythm, in the hoots and cries and moans from the animals outside. And despite the dangers of the Wilds, and the constant threat of regulators and Scavengers, I feel free for the first time in what feels like forever.
One morning I emerge from the tents and find that Raven has overslept, and it is instead Julian and my mom who have been stoking the fire. Their backs are turned toward me, and they are laughing about something. Faint wisps of smoke twist up into the fine spring air. For a moment I stand perfectly still, terrified, feeling as though I am on the brink of something—if I move at all, take a step forward or back, the image will break apart in the wind, and they’ll scatter into dust.
Then Julian turns and sees me. “Morning, beauty,” he says. His face is still bruised and swollen in places, but his eyes are exactly the color of early-morning sky. When he smiles, I think he is the most beautiful thing I have ever seen.
My mom grabs a bucket and stands. “I was going for a shower,” she says.
“Me too,” I say.
As I wade into the still-freezing stream, the wind raises goose bumps on my body. A cloud of swallows skates across the sky; the water carries a slight taste of grit; my mother hums downstream. This is not any kind of happiness that I imagined. It is not what I chose.
But it’s enough. It is more than enough.
On the border of Rhode Island, we encounter another group of about two dozen homesteaders, who are on their way to Portland as well. All but two of them are on the side of the resistance, and the two who don’t care to fight don’t dare to be left alone. We are nearing the coast, and the detritus of old life is everywhere. We come across a massive cement honeycomb structure, which Tack identifies as an old parking garage.
Something about the structure makes me anxious. It’s like a towering stone insect, outfitted with a hundred eyes. The whole group falls silent as we pass under its shadow. The hair on my neck is standing up, and even though it’s stupid, I can’t shake the feeling that we are being watched.
Tack, who is leading the group, holds up his hand. We all come to an abrupt stop. He cocks his head, obviously listening for something. I hold my breath. It’s quiet, except for the usual rustle of animals in the woods, and the gentle sighing of the wind.
Then a fine spray of gravel lands on us from above, as though someone has accidentally toed it out of one of the upper levels of the parking garage.
Instantly, everything is blur and motion.
“Get down, get down!” Max yells as all of us are reaching for weapons, unshouldering rifles, and dropping into the underbrush.
“Coo-ee!”
The voice, the shout, freezes us. I crane my head toward the sky, shielding my eyes from the sun. For a second, I’m sure I’m dreaming.
Pippa has emerged from the dark caverns of the honeycomb structure and stands on a sun-drenched ledge, waving a red handkerchief down at us, grinning.
“Pippa!” Raven cries out, her voice strangled. Only then do I believe it.
“Hey, yourself,” Pippa shouts down. And slowly, from behind her, more and more people edge into view: masses of skinny, ragged people, packed into all the different levels of the garage.
When Pippa finally makes it to the ground, she is immediately engulfed by Tack, Raven, and Max. Beast is alive too; he lopes out into the sunshine directly behind Pippa, and it seems almost too much to believe. For fifteen minutes, we do nothing but shout and laugh and talk over one another, and not a single word gets said that anyone understands.