Requiem (Delirium #3)

“Tomorrow?” Pippa repeats. She and Tack exchange a look. Julian squeezes my hand. I feel a pulse of anxiety. “Why so soon? If we had more time to plan—”

“And more time to eat,” Raven cuts in. “Half our number is practically starving. They won’t put up a very good fight.”

The sandy-haired man spreads his hands. “It wasn’t my decision. We’ve been coordinating with our friends on the other side. Tomorrow is our best chance for getting in. A large portion of security will be busy tomorrow—there’s a public event down by the labs. They’ll be pulled away from the perimeter to guard it.”

Pippa rubs her eyes and sighs. My mother puts in, “Who’s going in first?”

“We’re still working out the details,” he says. “We didn’t know whether Resistance got the word out. We didn’t know whether we could expect any help.” When he speaks to my mom, his whole manner changes—he becomes more formal, and more respectful, too. I see his eyes skate down to the tattoo on her neck, the one that marks her as a former prisoner of the Crypts. He obviously knows what it means, even if he has not spent time in Portland.

“You have help now,” my mother says.

The sandy-haired man looks out over our group. More and more people are pushing out of the woods, flowing into the clearing, huddling together in the weak morning light. He starts slightly, as though he has only just become aware of our number. “How many of you are there?” he asks.

Raven smiles, showing all her teeth. “Enough,” she says.





Hana

The Hargroves’ house is blazing with light. As our car turns into the drive, I have the impression of a massive white boat run aground. In every single window, a lamp is burning; the trees in the yard have been strung with miniature white lights, and the roof is crowned with them as well.

Of course, the lights are not about celebration. They are a statement of power. We will have, control, possess, even waste—and others will wither away in the dark, sweat in the summer, freeze as soon as the weather changes.

“Don’t you think it’s lovely, Hana?” my mother says as black-suited attendants materialize from the darkness and open up the car door. They stand back and wait for us, hands folded—respectful, deferential, silent. Fred’s work, probably. I think about his fingers tightening around my throat. You will still learn to sit when I tell you. . . .

And the flatness of Cassandra’s voice, the dull resignation in her eyes. He poisoned cats when he was little. He liked to watch them die.

“Lovely,” I echo.

She turns to me in the act of swinging her legs out of the car, and frowns slightly. “You’re very quiet tonight.”

“Tired,” I say.

The past week and a half has slipped away so quickly, I can’t remember individual days: Everything blurs together, turns the muddled gray of a confused dream.

Tomorrow, I marry Fred Hargrove.

All day I have felt as though I am sleepwalking, seeing my body move and smile and speak, get dressed and lotioned and perfumed, float down the stairs to the waiting car and now drift up the flagstone path to Fred’s front door.

See Hana walk. See Hana stepping into the foyer, blinking in the brightness: a chandelier sending rainbow-shards of light across the walls; lamps crowding the hall table and bookshelves; candles burning in hard sterling candlesticks. See Hana turning into the packed living room, a hundred bright and bloated faces turning to look at her.

“There she is!”

“Here comes the bride . . .”

“And Mrs. Tate.”

See Hana say hello, wave and nod, shake hands, and smile.

“Hana! Perfect timing. I was just singing your praises.” Fred is striding across the room toward me, smiling, his loafers sinking soundlessly into the thick carpet.

See Hana give her almost-husband an arm.

Fred leans in to whisper, “You look very pretty.” And then: “I hope you took our conversation to heart.” As he says it, he pinches my arm, hard, on the fleshy inside just above my elbow. He gives his other arm to my mother, and we move into the room while the crowd parts for us, a rustle of silk and linen. Fred steers me through the crowd, pausing to chat with the most important members of city government and his largest benefactors. I listen and laugh at the right moments, but all the time I still feel as though I am dreaming.

“Brilliant idea, Mayor Hargrove. I was just saying to Ginny . . .”

“And why should they have light? Why should they get anything from us at all?”

“. . . soon put an end to the problem.”

My father is already here; I see that he is talking to Patrick Riley, the man who took over as the head of Deliria-Free America after Thomas Fineman was assasinated last month. Riley must have come up from New York, where the group is headquartered.

I think of what Cassandra told me—that the DFA worked with the Invalids, that Fred has too, that both attacks were planned—and feel as if I’m going crazy. I no longer know what to believe. Maybe they’ll lock me in the Crypts with Cassandra and take away my shoelaces.