Requiem (Delirium #3)

She runs through this last speech quickly, tonelessly. I fish a pen from my bag and write Eleanor Latterly in the allotted position, praying she doesn’t ask to see my ID card. The visitor’s log is very slender. Only three visitors have come here in the past week.

My hands have begun to shake. I have trouble wrestling off my jacket after the security guards instruct me that it must go on the conveyor belt. My bag and shoes are also placed in trays for inspection, and I have to stand with my arms and legs spread, as the nurse did, as one of the men pats me down roughly, waving a wand between my legs and over my breasts.

“Clear,” he says, stepping aside to let me pass. Just past security is a small waiting area, outfitted with several cheap plastic chairs and a plastic table. Beyond that, I see various hallways branching, and signs pointing the way to different wards and portions of the complex. A TV is playing in the corner, muted: a political broadcast. I avert my eyes quickly, just in case Fred comes on the screen.

A nurse with tufts of black hair and a shiny, greasy face comes slapping down the hallway toward me, wearing blue hospital clogs and floral scrubs. Her name card reads JAN.

“You for Ward B?” she pants at me, when she comes close. I nod. Her perfume is vanilla, sickly sweet and too strong, but it still can’t completely conceal the other smells of the place: bleach, body odor.

“This way.” She pads in front of me to a heavy set of double doors, using a hip to bump them open.

Beyond the doors, the atmosphere changes. The hallway we’ve entered is sparkling white. This must be the new wing. The floors, walls, and even the ceiling are made of the same spotless paneling. Even the air smells different—cleaner and newer. It’s very quiet, but as we move down the hall, I hear the occasional sounds of muffled voices, the beeping of mechanical equipment, the slap-slap-slap of another nurse’s clogs down another hallway.

“Been here before?” Jan wheezes. I shake my head, and she shoots me a sidelong glance. “Thought not. We don’t get many visitors around here. What’s the point, I say.”

“I just found out that my aunt—”

She cuts me off. “Gonna have to leave your bag outside the ward.” Pant, pant, pant. “Even a nail file will do it in a pinch. And we’ll have to give you some clogs. Can’t have you wearin’ those laces in the ward. Last year one of our guys strung himself up to a pipe, quick as a flash, when he got hold of some laces. Dead as a doornail by the time we found him. Who’re you here for?”

She says all this so quickly, I can barely follow the thread of her conversation. An image flashes: someone swinging from the ceiling, laces knotted around the throat. In my mind, the person swings, revolving toward me. Weirdly, it’s Fred’s face I picture, huge and bulging and red.

“I’m here to see Melanea.” I watch the nurse’s face, see the name means nothing to her. “Number 2225,” I add.

Apparently, people go solely by their numbers in the Crypts, because the nurse lets out a noise of recognition. “She won’t give you no trouble,” she says conspiratorially, as though she’s sharing a great secret. “She’s quiet as a church mouse. Well, not always. I remember the first few months, she was shouting and shouting. ‘I don’t belong here! I’m not crazy!’” The nurse laughs. “’Course, that’s what they all say. And then you start listening, and they’ll run your ear off talking little green men and spiders.”

“She’s—she’s crazy then?” I say.

“Wouldn’t be here if she wasn’t, would she?” Jan says. She obviously doesn’t expect an answer. We’ve arrived at another set of double doors, this one marked with a sign that reads WARD B: PSYCHOSIS, NEUROSIS, HYSTERIA.

“Go on and grab yourself a pair of slippers,” she resumes cheerfully, pointing.

Outside the doors are a bench and a small wooden bookcase, on which several plastic-sheathed hospital slippers have been placed. The furniture is obviously old, and looks strange in the middle of all the gleaming whiteness. “Leave your shoes and your bag right here. Don’t worry; no one will take ’em. The criminals are in the old wards.” She laughs again.

I sit on the bench and fumble with my shoelaces, wishing I’d thought to wear boots or flats instead. My fingers feel clumsy.

“So she screamed?” I prompt. “When she first came, I mean.”

The nurse rolls her eyes. “Thought her husband was tryin’ to do her in. Shouted conspiracy to anyone who’d listen.”

My whole body goes cold. I swallow. “‘Do her in’? What do you mean?”