Whiteout

5:45 AM

 

KIT stared in fear at the Diablerie bottle on the kitchen table. But the glass had not smashed; the top had not fallen off; the double plastic bags had stayed intact. The lethal fluid remained safely inside its fragile container.

 

But now that Nigel and Daisy had pulled guns, they could no longer pretend to be innocent victims of the storm. As soon as the news from the laboratory got out, they would be connected with the theft of the virus.

 

Nigel, Daisy, and Elton might escape, but Kit was in a different position. There was no doubt who he was. Even if he escaped today, he would be a fugitive from justice for the rest of his life.

 

He thought furiously, trying to devise a way out.

 

Then, as everyone stood frozen, staring at the vicious little dark gray pistols, Nigel moved his gun a fraction of an inch, mistrustfully pointing it at Kit, and Kit was seized by inspiration.

 

There was still no reason why the family should suspect him, he realized. He might have been deceived by the three fugitives. His story that they were total strangers still stood up.

 

But how could he make that clear?

 

Slowly, he raised his hands in the traditional gesture of surrender.

 

Everyone looked at him. There was a moment when he thought the gang themselves would betray him. A frown passed over Nigel's brow. Elton looked openly startled. Daisy sneered.

 

Kit said, "Dad, I'm so sorry I brought these people into the house. I had no idea ..."

 

His father gave him a long look, then nodded. "Not your fault," he said. "You can't turn strangers away in a blizzard. There was no way you could have known"— he turned and gave Nigel a look of scorching contempt—"just what kind of people they are."

 

Nigel got it immediately and jumped in to back up Kit's pretense. "I'm sorry to return your hospitality this way. . . Kit, is it? Yes. . . You saved our lives in the snow, now we're pointing guns at you. This old world never was fair."

 

Elton's expression cleared as he grasped the deception.

 

Nigel went on: "If your bossy sister hadn't poked her nose in, we might have left peacefully, and you would never have found out what bad people we are. But she would insist."

 

Daisy finally understood, and turned away with a scornful expression.

 

It occurred to Kit that Nigel and the gang might just kill his family. They were willing to steal a virus that would slaughter thousands, why would they hesitate to gun down the Oxenfords? It was different, of course: the notion of killing thousands with a virus was a bit abstract, whereas shooting adults and children in cold blood would be more difficult. But they might do it if they had to. They might kill Kit, too, he realized with a shudder. Fortunately, they still needed him. He knew the way to Luke's cottage and the Toyota Land Cruiser. They would never find it without him. He resolved to remind Nigel of that at the first opportunity.

 

"What's in that bottle is worth a lot of money, you see," Nigel finished.

 

To reinforce the simulation, Kit said, "What is it?"

 

"Never you mind," said Nigel.

 

Kit's mobile phone rang.

 

He did not know what to do. The caller was probably Hamish. There must have been some development at the Kremlin that the inside man thought Kit needed to know about. But how could he speak to Hamish without betraying himself to his family? He stood paralyzed, while everyone listened to his ring tone playing Beethoven's ninth symphony.

 

Nigel solved the problem. "Give me that," he said.

 

Kit handed over his phone, and Nigel answered it. "Yes, this is Kit," he said, in a fair imitation of a Scots accent.

 

The person at the other end seemed to believe him, for there was a silence while Nigel listened.

 

"Got it," he said. "Thanks." He hung up and pocketed the phone. "Someone wanting to warn you about three dangerous desperadoes in the neighborhood," he said. "Apparently the police are coming after them with a snowplow."

 

* * *

 

CRAIG could not figure Sophie out. One minute she was painfully shy, the next bold to the point of embarrassment. She let him put his hands inside her sweater, and even unfastened her bra when he fumbled with the hooks; and he thought he would die of pleasure when he held both her breasts in his hands—but then she refused to let him look at them in the candlelight. He got even more excited when she unbuttoned his jeans, as if she had been doing this sort of thing for years; but she did not seem to know what to do next. Craig wondered whether there was some code of behavior that he did not know about. Or was she just as inexperienced as he? She was getting better at kissing, anyway. At first she had been hesitant, as if not really sure whether she really wanted to do it; but after a couple of hours' practice she was enthusiastic.

 

Craig felt like a sailor in a storm. All night he had ridden waves of hope and despair, desire and disappointment, anxiety and delight. At one moment she had whispered, "You're so nice. I'm not nice. I'm vile." And then, when he kissed her again, her face was wet with tears. What are you supposed to do, he wondered, when a girl starts crying while you've got your hand inside her panties? He had started to withdraw his hand, feeling that must be what she wanted, but she grabbed his wrist and held him there. "I think you're nice," he said, but that sounded feeble, so he added: "I think you're wonderful."

 

Although he felt bewildered, he was also intensely happy. He had never felt so close to a girl. He was bursting with love and tenderness and joy. When he heard the noise from the kitchen, they were talking about how far to go.

 

She said, "Do you want to go the whole way?" Do your

 

"I do if you do."

 

Craig nodded. "I really want to."

 

"Have you got condoms?"

 

"Yes." He fumbled in his jeans pocket and took out the little packet.

 

"So you planned this?"

 

"I didn't have a plan." It was half-true: he hadn't had much of a plan. "I was hoping, though. Ever since I met you I've been thinking about, well, seeing you again, and so on. And all day today . . ."

 

"You were so persistent."

 

"I just wanted to be with you like this."

 

It was not very eloquent, but it seemed to be what she wanted to hear. "All right, then. Let's do it."

 

Are you sure?

 

"Yes. Now. Quickly."

 

"Good."

 

"Oh, my God, what's that?"

 

Craig had been aware of people in the kitchen below. He had vaguely heard the murmur of voices, then someone had clattered a saucepan, and he had smelled bacon. He was not sure what the time was, but it seemed early for breakfast. However, he had taken no notice, confident that no one would interrupt them here in the attic. Now the sounds could not be ignored. First he heard Grandpa shout—an unusual event in itself. Nellie started barking like a fiend; there was a scream that sounded remarkably like Craig's mother; then several male voices yelled at once.

 

Sophie said in a frightened voice, "Is this normal?"

 

"No," he replied. "They have arguments, but not shouting matches."

 

"What's going on?"

 

He hesitated. Part of him wanted to forget the noise and act as if he and Sophie were in a universe of their own, lying on the old sofa under their coats. He could have ignored an earthquake to concentrate on her soft skin and hot breath and moist lips. But another part of him felt that the interruption was not entirely unwelcome. They had done almost everything: it might even be nice to postpone the ultimate, so that there was something else to look forward to, a further delight to anticipate.

 

Below them, the kitchen went quiet as suddenly as it had burst into sound.

 

"Strange," he said.

 

"It's spooky."

 

Sophie sounded frightened, and that made up Craig's mind. He kissed her lips once more, then stood up. He pulled up his jeans and stepped across the attic to the hole in the floor. He lay down and looked through the gap in the floorboards.

 

He saw his mother, standing up with her mouth open, looking shocked and frightened. Grandpa was wiping blood off his chin. Uncle Kit had his hands in the air. Three strangers were in the room. At first he thought they were all men, then he realized one was an ugly girl with a shaved head. The young black man was holding Nellie's collar, twisting it hard. The older man and the girl held guns.

 

Craig murmured, "Bloody hell, what's happening down there?"

 

Sophie lay beside him. After a moment she gasped. "Are those things guns?" she whispered. Yes.

 

"Oh, my God, we're in trouble."

 

Craig thought. "We have to call the police. Where's your phone?"

 

"I left it in the barn."

 

"Damn."

 

"Oh, God, what can we do?"

 

"Think. Think. A phone. We need a phone." Craig hesitated.

 

He was frightened. He really wanted to lie still and shut his eyes tightly. He might have done that, were it not for the girl beside him. He did not know all the rules, but he knew that a man was supposed to show courage when a girl was frightened, especially when they were lovers, or nearly. And if he was not feeling brave, he had to pretend.

 

Where was the nearest phone? "There's an extension beside Grandpa's bed."

 

Sophie said, "I can't do anything, I'm too scared."

 

"You'd better stay here."

 

"Okay."

 

Craig stood up. He buttoned his jeans and buckled the belt, then went to the low door. He took a breath, then opened it. He crawled into Grandpas suit cupboard, pushed at the door, and emerged into the dressing room.

 

The lights were on. Grandpa's dark brown brogue-style shoes were side by side on the carpet, and the blue shirt he had been wearing yesterday lay on top of a pile of clothes in the linen basket. Craig stepped into the bedroom. The bed was unmade, as if Grandpa had just got out of it. On the bedside table was a copy of Scientific American magazine, open—and the phone.

 

Craig had never dialed 999 in his life. What were you supposed to say? He had seen people do it on television. You had to give your name and location, he thought. Then what? "There are men with guns in our kitchen." It sounded melodramatic—but probably all 999 calls were dramatic.

 

He picked up the phone. There was no dial tone.

 

He put his finger on the cradle and jiggled it, then listened again. Nothing.

 

He replaced the handset. Why were the phones out? Was it just a fault—or had the strangers cut the wires?

 

Did Grandpa have a mobile? Craig pulled open the bedside drawer. Inside he saw a flashlight and a book, but no phone. Then he remembered: Grandpa had a phone in his car, but did not carry a mobile.

 

He heard a sound from the dressing room. Sophie poked her head out of the suit cupboard, looking frightened. "Someone's coming!" she hissed. A moment later, Craig heard a heavy footstep on the landing.

 

He darted into the dressing room. Sophie ducked back into the attic. Craig fell on his knees and crawled through the suit cupboard just as he heard the bedroom door open. He had no time to close the cupboard door. He wriggled through the low door, then quickly turned and closed it softly behind him.

 

Sophie whispered, "The older man told the girl to search the house. He called her Daisy."

 

"I heard her boots on the landing."

 

"Did you get through to the police?"

 

He shook his head. "The phone's dead."

 

"No!"

 

He heard Daisy's heavy tread in the dressing room. She would see the open cupboard door. Would she spot the low door behind the suits? Only if she looked carefully.

 

Craig listened. Was she staring into the open cupboard at this minute? He felt shaky. Daisy was not big—an inch or two shorter than he was, he guessed—but she looked absolutely terrifying.

 

The silence dragged out. He thought he heard her step into the bathroom. After a shorter pause, her boots crossed the dressing room and faded away. The bedroom door slammed.

 

"Oh, God, I'm so scared," Sophie said.

 

"Me, too," said Craig.

 

* * *

 

MIRANDA was in Olga's bedroom with Hugo.

 

When she left the kitchen she had not known what to do. She could not go outside—she was in her nightdress and bare feet. She had raced up the stairs with the thought of locking herself in the bathroom, but realized almost at once that that would be useless. She stood on the landing, dithering. She was so frightened that she wanted to vomit. She had to call the police, that was the priority.

 

Olga had her mobile in the pocket of her negligee—but Hugo probably had his own.

 

Frightened though she was, Miranda had hesitated for a split second outside the door. The last thing she wanted was to be in a bedroom with Hugo. Then she heard someone step out of the kitchen into the hall. Quickly, she opened Hugo's door, slid inside, and closed it quietly.

 

Hugo was standing at the window, looking out. He was naked, and had his back to the door. "Would you look at this bloody weather?" he said, obviously thinking his wife had come back.

 

Miranda was momentarily arrested by his casual tone. Obviously Olga and Hugo had made up their quarrel, after yelling at each other half the night. Had Olga already forgiven her husband for having sex with her sister? It seemed quick—but perhaps they had had this row before, about other women. Miranda had often wondered about Olga's deal with her flirtatious husband, but Olga had never spoken of it. Maybe they had a script: infidelity, discovery, quarrel, reconciliation, then back to infidelity.

 

"It's me," Miranda said.

 

He spun around, startled, then smiled. "And in deshabille-—what a lovely surprise! Let's get into bed, quick."

 

She heard heavy footsteps on the stairs, and at the same time noticed that Hugo's belly was much bigger than when she had gone to bed with him—he looked like a little round gnome—and she wondered how she could have found him attractive. "You have to phone the police right now," she said. "Where's your mobile?"

 

"Just here," he said, pointing to the bedside table. "What on earth is wrong?"

 

"People with guns in the kitchen—dial 999, quickly!"

 

"Who are they?"

 

"Never bloody mind!" She heard heavy footsteps on the landing. She stood frozen, terrified that the door would burst open, but the steps went by. Her voice became a kind of low scream. "They're probably looking for me, get on with it!"

 

Hugo came out of shock. He snatched up his phone, dropped it on the floor, picked it up, and jabbed at the "On" button. "Damn thing takes forever!" he said in frustration. "Did you say guns?"

 

"Yes!"

 

"How did the people get in?"

 

"Said they were stranded—what is the matter with that phone?"

 

"Searching," he said. "Come on, come on!"

 

Miranda heard the footsteps outside again. This time she was ready. She flung herself on the floor and slid sideways under the double bed just as the door flew open.

 

She closed her eyes and tried to make herself small. Feeling foolish, she opened her eyes again. She saw Hugo's bare feet, with hairy ankles, and a pair of black motorcycle boots with steel-tipped toes. She heard Hugo say, "Hello, gorgeous, who are you?"

 

His charm did not work on Daisy. She said, "Give me that phone."

 

"I was just—"

 

"Now, you fat fool."

 

"Here, take it."

 

"Now come with me."

 

"Let me put something on."

 

"Don't worry, I'm not going to bite your little cock off."

 

Miranda saw Hugo's feet step away from Daisy. She moved quickly toward him, then there was the sound of a blow, and he let out a cry. Both pairs of feet moved toward the door together. They passed out of Miranda's sight, and a moment later she heard them going down the stairs.

 

Miranda said to herself, "Oh, God, what do I do now?"

 

 

 

 

 

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