After I beat Aech at three rounds of Tron: Deadly Discs, he threw down his Intellivision controller in disgust and grabbed a magazine off the floor. It was an old issue of Starlog. I recognized Rutger Hauer on the cover, in a Ladyhawke promotional photo.
“Starlog, eh?” I said, nodding my approval.
“Yep. Downloaded every single issue from the Hatchery’s archive. Still working my way through ’em. I was just reading this great piece on Ewoks: The Battle for Endor.”
“Made for TV. Released in 1985,” I recited. Star Wars trivia was one of my specialties. “Total garbage. A real low point in the history of the Wars.”
“Says you, assface. It has some great moments.”
“No,” I said, shaking my head. “It doesn’t. It’s even worse than that first Ewok flick, Caravan of Courage. They shoulda called it Caravan of Suck.”
Aech rolled his eyes and went back to reading. He wasn’t going to take the bait. I eyed the magazine’s cover. “Hey, can I have a look at that when you’re done?”
He grinned. “Why? So you can read the article on Ladyhawke?”
“Maybe.”
“Man, you just love that crapburger, don’t you?”
“Blow me, Aech.”
“How many times have you seen that sapfest? I know you’ve made me sit through it at least twice.” He was baiting me now. He knew Ladyhawke was one of my guilty pleasures, and that I’d seen it over two dozen times.
“I was doing you a favor by making you watch it, noob,” I said. I shoved a new cartridge into the Intellivision console and started up a single-player game of Astrosmash. “You’ll thank me one day. Wait and see. Ladyhawke is canon.”
“Canon” was the term we used to classify any movie, book, game, song, or TV show of which Halliday was known to have been a fan.
“Surely, you must be joking,” Aech said.
“No, I am not joking. And don’t call me Shirley.”
He lowered the magazine and leaned forward. “There is no way Halliday was a fan of Ladyhawke. I guarantee it.”
“Where’s your proof, dipshit?” I asked.
“The man had taste. That’s all the proof I need.”
“Then please explain to me why he owned Ladyhawke on both VHS and LaserDisc?” A list of all the films in Halliday’s collection at the time of his death was included in the appendices of Anorak’s Almanac. We both had the list memorized.
“The guy was a billionaire! He owned millions of movies, most of which he probably never even watched! He had DVDs of Howard the Duck and Krull, too. That doesn’t mean he liked them, asshat. And it sure as hell doesn’t make them canon.”
“It’s not really up for debate, Homer,” I said. “Ladyhawke is an eighties classic.”
“It’s fucking lame, is what it is! The swords look like they were made out of tinfoil. And that soundtrack is epically lame. Full of synthesizers and shit. By the motherfucking Alan Parsons Project! Lame-o-rama! Beyond lame. Highlander II lame.”
“Hey!” I feigned hurling my Intellivision controller at him. “Now you’re just being insulting! Ladyhawke’s cast alone makes the film canon! Roy Batty! Ferris Bueller! And the dude who played Professor Falken in WarGames!” I searched my memory for the actor’s name. “John Wood! Reunited with Matthew Broderick!”
“A real low point in both of their careers,” he said, laughing. He loved arguing about old movies, even more than I did. The other gunters in the chat room were now starting to form a small crowd around us to listen in. Our arguments were often high in entertainment value.
“You must be stoned!” I shouted. “Ladyhawke was directed by Richard fucking Donner! The Goonies? Superman: The Movie? You’re saying that guy sucks?”
“I don’t care if Spielberg directed it. It’s a chick flick disguised as a sword-and-sorcery picture. The only genre film with less balls is probably … freakin’ Legend. Anyone who actually enjoys Ladyhawke is a bona fide USDA-choice *!”
Laughter from the peanut gallery. I was actually getting a little pissed off now. I was a big fan of Legend too, and Aech knew it.