I dip my brush in red paint and put my headphones on as Art 2 kids fill the room. I try not to feel their stares.
It might be my best work, and it might be my worst. At two o’clock, I barely look at it. I find a cardboard box and set it inside and walk it out to the courier. I have felt the strange sensation of being the focus of the collective student body’s gaze today already, and the fact that there is a black town car with a man standing in a suit outside of it holding a sign that reads KATE CLEARY doesn’t exactly normalize things.
“Hey,” I say.
“Good afternoon.”
“So, um, the paint is still wet. So if you could just, you know…”
He takes the box from my hands. He looks inside.
“I can assure you that the utmost care will be taken,” he says.
“Thank you.”
“Is there anything else I can do for you at this time?” he asks.
Teach me how to talk to my best friend again, I want to say. Keep me from fucking things up with the girl I’ve been waiting for. Tell me what to say to someone whose heart has been broken. Because by now, I know that Mark is not being punished for having great sex last night. It was a nice theory, but the harsher truth has been seeping in and soon I’m going to have to face him and do my best to be the friend he needs me to be.
I may not know how to help myself, but I hope I’ll know how to help him.
The courier waits in patient expectancy for my answer.
“Nothing,” I say.
He nods. When he drives away, he takes the speed bumps in slow motion.
*
After a period spent feeling the emptiness of Mark’s desk next to me, I look up directions to his house and then head over. He lives on the other side of town from me, in a modest ranch house similar to my own. Instead of the generic green lawn, it’s expertly landscaped with succulents and flowers and vines. As I walk up to the door, I pass a few Adirondack chairs around a tiled outdoor table with a cut-flower centerpiece.
I knock on the door. Wait. Ring the bell. Wait.
Desperate, I try the knob, and it opens.
So now I’ve let myself in, which I never would do under normal circumstances, and I make my way through the tastefully decorated living room and down the hall, in search of Mark’s room. It isn’t difficult to tell which is his: Only one of the doors is decorated with a baseball jersey.
I knock lightly.
“I’m trying to sleep!” he calls from the other side.
“It’s Kate,” I say.
He’s quiet at first. Then, “Kate?”
I open the door. It’s dark inside, so it takes me a moment to focus on him, curled on his bed.
“You found me,” he says.
“Well, yeah, I was desperate. I’ve been trying to reach you all day.” I sit next to him on the edge of the bed. “Way to keep a girl guessing.”
He turns his face toward mine, and my breath catches.
I expected real sadness, but I did not expect this: His face is puffy with crying; his eyes are pink and swollen. I see none of his easy charm, or even his hurt or his worry.
I see no resemblance to the boy who has become my friend.
“I’m sorry I couldn’t text.”
“No,” I say. “Please don’t say you’re sorry.”
“I hid my phone in my hamper. I didn’t want to know if he called me. Or if he didn’t.”
“That makes sense.”
“Katie,” he says.
“Yeah?”
“It was terrible.”
I lift my hand from the bed. We haven’t touched many times, but once I lower my hand onto his arm it feels right.
“I’m so sorry,” I whisper. “It was our fault.”
“It wasn’t anybody’s fault. It was only the truth.”
“I didn’t think it would go that way.”
He’s quiet for a long time.
“Neither did I,” he says.
There’s a window over his bed and I want to let the light in. He’s still in his clothes from last night and he’s all sweaty from crying.
“Have you eaten anything?”
“My mom made me breakfast.”
“It almost four. You need something.”
I head to the kitchen to make him a PB&J. On the way I pass the television and a case of his parents’ DVDs, arranged in alphabetical order. I choose one at random. Before entering his room again, I check my phone. Brad texted me a picture of a flier with my name listed directly below Lin Chin’s. Post to Insta ASAP, he’s instructed. I think of her beautiful cranes, so delicate. I once read an interview with her where she described learning how to fold origami from her friend’s mother. She said that they didn’t speak the same language, so they spoke through the paper and the folds and the figures they created.
Then I think of my paintings next to her pieces, and my stomach drops.
I knock on Mark’s doorframe and step into his room again. “I thought we could watch something,” I say, handing him his sandwich.
He’s sitting up now, running his hand through his bedhead.
“Your show,” he says. “I can’t believe I spaced. I need to get ready.”
“The reception doesn’t start until six thirty. We have time.”
“But we should leave by five, then.”
“I can be fashionably late.”