The Women in the Castle
Jessica Shattuck
Prologue
Burg Lingenfels, November 9, 1938
The day of the countess’s famous harvest party began with a driving rain that hammered down on all the ancient von Lingenfels castle’s sore spots—springing leaks, dampening floors, and turning its yellow fa?ade a slick, beetle-like black. In the courtyard, the paper lanterns and carefully strung garlands of wheat drooped and collapsed.
Marianne von Lingenfels, niece-in-law of the countess, labored joylessly to prepare for their guests. It was too late to call off the party. Now that the countess was wheelchair-bound, Marianne had become the de facto hostess; a hostess who should have listened to her husband and canceled the party last week. In Paris, Ernst vom Rath lay in a hospital bed, the victim of an attempted assassination, and in Munich the Nazis were whipping the country into a frenzy for revenge. Never mind that prior to the event no one had even heard of vom Rath—an obscure, midlevel German diplomat—and that his assassin was a boy of seventeen, or that the shooting was itself an act of revenge: the assassin’s family was among the thousands of Jews huddled at the Polish border, expelled from Germany, barred entry by Poland. The Nazis were not deterred by complex facts.
All the more cause to gather reasonable people here at the castle, away from the madness! Marianne had argued just yesterday. Today, in the rain, her argument seemed trite.
And now it was too late. So Marianne supervised the placement of candles, flowers, and table linens and managed the soggy uphill transport of champagne, ice and butter, potted fish and smoked meats, potable water and canisters of gas for the cookstove. Burg Lingenfels was uninhabited for most of the year, with no running water and a generator just strong enough to power the countess’s Victrola and a few strings of expensive electric lights. Hosting the party was like setting up a civilization on the moon. But this was part of what kept people coming back despite yearly disasters—minor fires and collapsed outhouses, fancy touring cars stuck in the mud, mice in the overnight-guest beds. The party had become famous for its anarchic, un-German atmosphere. It was known as an outpost of liberal, bohemian culture in the heart of the proper aristocracy.
By midafternoon, to Marianne’s relief, the wind began to blow, chasing away the day’s gloom with gusts of clear and promising air. Even the stone walls and the moat’s sinewy water looked fresh and clean scrubbed. The mums in the courtyard glistened under racing patches of sun.
Marianne’s spirits rose. In front of the bakehouse, an architect acquaintance of the countess’s had transformed an old carriage horses’ drinking trough into a fountain. The effect was at once magical and comic. The castle was an elephant dressed to look like a fairy.
“Albrecht,” Marianne called as she entered the long, low library, where her husband was seated at the imposing desk that had once been the count’s. “You must come and see—it’s like a carnival!”
Albrecht looked up at her, still composing a sentence in his head. He was a tall, craggy-faced man with a high forehead and unruly eyebrows that often gave him the appearance of frowning when he was not.
“Only for a moment, before everyone gets here.” She held out her hand. “Come. The fresh air will clear your head.”
“No, no, not yet,” he said, waving her off and returning his attention to the letter he was writing.
Oh, come on, Marianne would have normally chided, but tonight, on account of the party, she bit her tongue. Albrecht was a perfectionist and workaholic. She would never change this. He was drafting a letter to an old law school acquaintance in the British Foreign Office and had sought her opinion on alternate sentence constructions many times. The annexation of the Sudetenland will only be the beginning. I urge you to beware of our leadership’s aggression versus If we are not vigilant, our leader’s aggressive intentions will only be the beginning . . .
Both ways make your point was Marianne’s response. Just pick one. But Albrecht was a deliberator. He did not even notice the irritation in her tone. His own emotions were never complicated or petty. He was the sort of man who contemplated grand abstractions like the Inalienable Rights of Man or the Problems of Democracy while shaving. It rendered him oblivious to everyday things.
Marianne restrained herself to a demonstrative sigh, turned, and left him to his work.
Back in the banquet hall, the countess scolded one of her young disciples from her wheelchair: “Not Schumann,” she said, “God forbid! We might as well play Wagner . . . no, something Italian. Something decadent enough to shock any Brownshirt idiot who comes tonight.”
Even in her old age, the countess was a rebel, followed at all turns by young artists and socialites. French by birth, German by marriage, she had always been a controversial figure. As a young woman, she had hosted evening salons famous for their impromptu dancing and intellectual arguments on risqué subjects like modern art and French philosophy. Why she had married the proper, fusty old count, a man twenty years her senior and famous for falling asleep at the dinner table, was the subject of much not-very-kind speculation.
For Marianne, who was the product of an oppressively proper Prussian upbringing, the countess had always been an object of admiration. The woman was unafraid to step beyond the role of mother and Hausfrau into the fray of male power and intellectual life. She spoke her own mind and did things her own way. Even from their first meeting years ago, when Marianne was a young university student dating her professor (Albrecht), she had wanted to become a woman like the countess.
“It looks wonderful out there,” Marianne said, gesturing toward the courtyard. “Monsieur Pareille is a magician.”
“He is an artist, isn’t he?” the countess proclaimed.
It was nearly six o’clock. Guests would begin arriving at any moment.
Marianne hurried upstairs to the chilly hall of bedrooms where her girls were holed up in an ancient curtained bed, a relic from the castle’s feudal past. Her one-year-old son, Fritz, was at home in Weisslau with his nurse, thank God.
“Mama!” Elisabeth, age six, and Katarina, age four, shrieked with delight. Elfie, their sweet, mild-mannered au pair, glanced up at Marianne with a beleaguered expression.
“Isn’t it true that Hitler is going to take back Poland next?” Elisabeth asked, bouncing on the mattress.
“Elisabeth!” Marianne exclaimed. “Where did you get this idea?”
“I heard Herr Zeppel saying it to Papa,” she said, still bouncing.
“No,” Marianne said. “And why would you think that was anything to be excited about? It would mean war!”