After a little research, I procured a record from the jukebox of one of the Saigon bars popular with white soldiers. “Hey, Good Lookin’” was by the famous Hank Williams, the country music icon whose nasal voice personified the utter whiteness of the music, at least to our ears. Even someone as exposed to American culture as I shivered a little on hearing this record, somewhat scratchy from having been played so many times. Country music was the most segregated kind of music in America, where even whites played jazz and even blacks sang in the opera. Something like country music was what lynch mobs must have enjoyed while stringing up their black victims. Country music was not necessarily lynching music, but no other music could be imagined as lynching’s accompaniment. Beethoven’s Ninth was the opus for Nazis, concentration camp commanders, and possibly President Truman as he contemplated atomizing Hiroshima, classical music the refined score for the high-minded extermination of brutish hordes. Country music was set to the more humble beat of the red-blooded, bloodthirsty American heartland. It was for fear of being beaten to this beat that black soldiers avoided the Saigon bars where their white comrades kept the jukeboxes humming with Hank Williams and his kind, sonic signposts that said, in essence, No Niggers.
It was with confidence, then, that I chose this song to be played on an endless loop in the prisoner’s room except for the times when I was in it. Claude had assigned me to be the chief interrogator, the task of breaking the prisoner my graduation exam from his interrogation course. We kept the prisoner in the room for a week before I even saw him, nothing interrupting the constant light and music except the opening of a slot in his door three times a day, when his meal was shoved through: a bowl of rice, one hundred grams of boiled greens, fifty grams of boiled meat, twelve ounces of water. If he behaved well, we told him, we would give him the food of his choice. I watched him on the video feed as he ate his food, as he squatted over his hole, as he washed himself from his bucket, as he paced his room, as he lay on his bed with his forearm over his eyes, as he did push-ups and sit-ups, and as he plugged his ears with his fingers. When he did so, I turned up the volume, forced to do something with Claude standing by my side. When he took his fingers out of his ears and I lowered the volume, he looked up at one of the cameras and shouted in English, Fuck you, Americans! Claude chuckled. At least he’s talking. It’s the ones who don’t say anything you really have to worry about.
He was the leader of cell C-7 of terrorist unit Z-99. Based in the secret zone of Binh Duong Province, Z-99 was collectively responsible for hundreds of grenade attacks, minings, bombings, mortarings, and assassinations that had killed a few thousand and terrorized Saigon. Z-99’s trademark was the dual bomb attack, the second designed to kill the rescuers who came to help the victims of the first. Our prisoner’s specialty was the adaptation of wristwatches as triggering devices for these improvised bombs. The second and hour hands were removed from a watch, a battery wire was inserted through a hole in the crystal, and the minute hand was set to the desired delay time. When the ticking minute hand touched the wire, the bomb detonated. Bombs were built from landmines, stolen from US supplies, or bought on the black market. Other bombs were assembled from TNT that was smuggled into the city in small quantities—hidden in hollowed-out pineapples and baguettes and the like, even in women’s bras, which led to endless jokes among the Special Branch. We knew Z-99 had a watchmaker, and before we had known exactly who he was we called him the Watchman, which was how I thought of him.
The Watchman regarded me with amusement the first time I entered his room, a week after we began his treatment. It was not the reaction I expected. Hey, good lookin’, he said in English. I sat on his chair and he on his bed, a tiny, shivering man with a full head of coarse hair, shockingly black in the white room. I appreciate the English lesson, he said, grinning at me. Keep playing that music! I love it! Of course he didn’t. There was a glint in his eye, the briefest hint of unwellness, although that might have come from being a graduate of philosophy from the University of Saigon and the eldest son of a respectable Catholic family who had disowned him for his revolutionary activities. Watchmaking of the legitimate kind—for that was indeed his profession before he became a terrorist—was simply to pay the bills, as he told me during our initial conversation. This was small talk, get-to-know-you kind of stuff, but lurking underneath the flirtation was our mutual awareness of our roles as prisoner and interrogator. My awareness was compounded by knowing that Claude was watching us on the video monitor. I was thankful for the air-conditioning. Otherwise I would have been sweating, trying to figure out how to be both enemy and friend to the Watchman.
I laid out the charges against him of subversion, conspiracy, and murder, but emphasized that he was innocent until proven guilty, which made him laugh. Your American puppet masters like to say that, but it’s stupid, he said. History, humanity, religion, this war tells us exactly the reverse. We are all guilty until proven innocent, as even the Americans have shown. Why else do they believe everyone is really Viet Cong? Why else do they shoot first and ask questions later? Because to them all yellow people are guilty until proven innocent. Americans are a confused people because they can’t admit this contradiction. They believe in a universe of divine justice where the human race is guilty of sin, but they also believe in a secular justice where human beings are presumed innocent. You can’t have both. You know how Americans deal with it? They pretend they are eternally innocent no matter how many times they lose their innocence. The problem is that those who insist on their innocence believe anything they do is just. At least we who believe in our own guilt know what dark things we can do.
The Sympathizer
Viet Thanh Nguyen's books
- The Bourbon Kings
- The English Girl: A Novel
- The Harder They Come
- The Light of the World: A Memoir
- The Wonder Garden
- The Wright Brothers
- The Shepherd's Crown
- The Drafter
- The Dead Girls of Hysteria Hall
- The House of Shattered Wings
- The Nature of the Beast: A Chief Inspector Gamache Novel
- The Secrets of Lake Road
- The Dead House
- The Appearance of Annie van Sinderen
- The Blackthorn Key
- The Girl from the Well
- Dishing the Dirt
- Down the Rabbit Hole
- The Last September: A Novel
- Where the Memories Lie
- Dance of the Bones
- The Hidden
- The Darling Dahlias and the Eleven O'Clock Lady
- The Marsh Madness
- The Night Sister
- Tonight the Streets Are Ours
- The House of the Stone