The Sympathizer

When the Auteur arrived the next week, he threw himself a welcome party replete with barbecue, beer, burgers, Heinz ketchup, and a sheet cake big enough to sleep on. The prop department fashioned a fake cauldron from plywood and papier-maché, stocked it with dry ice, and plopped in a couple of strippers with bleached blond hair from one of the bars around Subic Bay, their job to play white women boiled alive by natives. A handful of obliging young local men played the natives, wearing loincloths and shaking nasty-looking spears also concocted by the prop department. With the Vietnamese extras not due for another day, I was the lone representative of my people wandering among the more than a hundred actors and crew members, with an additional hundred or so Filipino laborers and cooks. These locals thought it was a gas to go up to the cauldron and slice carrots into the stripper soup. I could see the film shoot was going to generate tales of the movie people from Hollywood that would be passed on for decades, stretched ever taller for each succeeding generation. As for the extras, the boat people, they would be forgotten. No one remembered the extras.

Although I was neither one of the extras nor one of the boat people, the tide of sympathy pulled me toward them. The current of alienation simultaneously pushed me away from the movie people, even though I was one of them. In short, I was in a familiar place, the place of feeling unfamiliar, which I responded to in my usual fashion by arming myself with a gin and tonic, my first of the evening. I was sure to be defenseless after my fourth or fifth such drink at this party, which took place under the stars as well as under a huge thatched pavilion that served as the canteen. After trading jokes with Harry, I watched the men of the crew crowd around the few white girls on the set. Meanwhile, a blond-wigged band from Manila pounded out a perfect cover of Diana Ross’s “Do You Know Where You’re Going To,” and I wondered if it had perhaps been one of the same Filipino bands that had played in Saigon’s hotels. On the edge of the dance floor sat the Auteur, chatting with the Thespian, while Violet flirted with the Idol at the same table. The Thespian was playing Captain Will Shamus; the Idol was Sergeant Jay Bellamy. While the Thespian had started his long career off Broadway, the Idol was a singer who had flashed to fame with a bubble-gum pop hit so sweet my teeth hurt just on hearing it. The Hamlet was the first movie role for the young man, who had shown his commitment by shaving off the evanescent hairdo much imitated by teenage boys into a GI haircut, then submitting himself to the military drilling required for his role with the enthusiasm of a sexually repressed fraternity initiate. Leaning back on his rattan chair, sporting a white T-shirt and khakis, his perfect ankles exposed because he wore no socks with his boat shoes, he was cool as ice cream even in the tropical weather. That was why he was an Idol, fame his natural aura. Rumor had it that he and the Thespian did not get along, the Thespian being an actor’s actor’s actor who not only stayed in character the entire time but kept his uniform on as well. The GI fatigues and combat boots he wore were the same set he’d donned three days before, when he arrived and became possibly the first actor in history to demand a pup tent instead of his air-conditioned trailer. Since frontline soldiers did not shower and shave, neither had he, and as a result he had begun to give off the aroma of slightly less than fresh ricotta. On his web belt was a holstered .45, and while all the other guns on the set were empty of ammunition or had blanks, his packed real bullets, or so went another rumor that I am fairly certain originated with the Thespian. He and the Auteur discussed Fellini while Violet and the Idol reminisced about a Sunset Strip nightclub. No one paid any attention to me at all, so I sidled over to the next table, where the Vietnamese actors sat.

Or, to put it more accurately, the actors playing the Vietnamese. My notes to the Auteur had actually effected some change in how we were represented, and more than simply how the screams were now all rendered as AIEYAAHHH!!! The most crucial change was the addition of three Vietnamese characters with actual speaking parts, an older brother, a younger sister, and a little brother whose parents had been slaughtered by King Cong. Older brother Binh, nicknamed Benny by the Green Berets, was filled with hatred of King Cong. He loved his American rescuers and served as their translator. Along with the one black Green Beret, he would meet the grisliest of deaths at the hands of King Cong. As for the sister, Mai, she would fall in love with the young, handsome, idealistic Sergeant Jay Bellamy. She would then be kidnapped and raped by King Cong, which served as the justification for the Green Berets utterly annihilating every last trace of King Cong. As for the little boy, he would be crowned with a Yankees cap in the final scene and airlifted into the heavens, his ultimate destination being Jay Bellamy’s family in St. Louis, where he would be given a golden retriever and the nickname Danny Boy.