The Refugees

Was it ironic, then, that I made a living from being a ghostwriter? I posed the question to myself as I lay in bed in the middle of the day, but the women with their black eyes and black teeth heard me. You call what you have a life? Their teeth clacked as they laughed at me. I pulled the covers up to my nose, the way I used to do in my early years in America, when creatures not only lurked in the hallway but also roamed outside. My mother and father always peeked through the living room curtains before answering any knock, afraid of our young countrymen, boys who had learned about violence from growing up in wartime. “Don’t open the door for someone you don’t know,” my mother warned me, once, twice, three times. “We don’t want to end up like that family tied down at gunpoint. They burned the baby with cigarettes until the mother showed them where she hid her money.” My American adolescence was filled with tales of woe like this, all of them proof of what my mother said, that we did not belong here. In a country where possessions counted for everything, we had no belongings except our stories.

When knocking woke me, it was dark outside. My watch said 6:35 in the evening. The knock came again, gentle, tentative. Despite myself, I knew who it was. I had locked the bedroom door just in case, and now I pulled the covers over my head, my heart beating fast. I willed him to go away, but when he started rattling the doorknob, I knew I had no choice but to rise. The fine hairs of my body stood at attention with me as I watched the doorknob tremble with the pressure of his grip. I reminded myself that he had given up his life for me. The least I could do was open the door.

He was bloated and pale, hair feathery, skin dark, clad in black shorts and a ragged gray T-shirt, arms and legs bony. The last time I had seen him, he was taller by a head; now our situations were reversed. When he said my name, his voice was hoarse and raspy, not at all like his adolescent alto. His eyes, though, were the same, curious, as were his lips, slightly parted, always prepared to speak. A purple bruise with undertones of black gleamed on his left temple, but the blood I remembered was gone, washed away, I suppose, by salt water and storms. Even though it was not raining, he was water-soaked. I could smell the sea on him, and worse, I could smell the boat, rancid with human sweat and excreta.

When he said my name, I trembled, but this was a ghost of someone whom I loved and would never harm, the kind of ghost who, my mother had said, would not harm me. “Come in,” I said, which seemed to me the bravest thing I could say. Unmoved, he looked at the carpet on which he was dripping water. When I brought him a clean T-shirt and shorts, along with a towel, he looked at me expectantly until I turned around and let him change. The clothes were my smallest but still a size too large for him, the shorts extending to his knees, the T-shirt voluminous. I motioned him in, and this time he obeyed, sitting on my rumpled bed. He refused to meet my gaze, seemingly more fearful of me than I was of him. While he was still fifteen I was thirty-eight, no longer an exuberant tomboy, reluctant to talk unless I had a purpose, as was the case when I interviewed Victor. Being an author, even one of the third or fourth rank, involved an etiquette I could live up to. But what does one say to a ghost, except to ask why he was here? I was afraid of the answer, so instead I said, “What took you so long?”

He looked at my bare toes with their bare nails. Perhaps he sensed that I was not good with children. Motherhood was too intimate for me, as were relationships lasting more than one night.

“You had to swim. It takes a long time to go so far, doesn’t it?”

“Yes.” His mouth remained open, as if he wanted to say more but was uncertain of what to say or how to say it. Perhaps this apparition was the first consequence of what my mother considered my unnatural nature, childless and single. Perhaps he was not a figment of my imagination but a symptom of something wrong, like the cancer that killed my father. His was also a good death, according to my mother, surrounded by family at home, not like what happened to her son and, nearly, to me. Panic surged from that bottomless well within myself that I had sealed with concrete, and I was relieved to hear the front door opening. “Mother will want to see you,” I said. “Wait here. I’ll be right back.”

When we returned, we found only his wet clothes and the wet towel. She held up the gray T-shirt, the same as he had worn on the blue boat with the red eyes.

“Now you know,” my mother said. “Never turn your back on a ghost.”

The black shorts and gray T-shirt stank of brine and were heavy with more than just water. When I carried them to the kitchen, the weight of the clothes in my hands was the weight of evidence. I had seen him wear these clothes on dozens of occasions. I remembered them when the shorts were not black with grime but still pristine blue, when the shirt was not gray and ragged but white and neat. “Do you believe now?” my mother said, lifting the lid of the washing machine. I hesitated. Some people say that faith burns inside them, but my newfound faith was chilling to me. “Yes,” I said. “I believe.”

The machine hummed in the background as we sat for dinner at the kitchen table, the air anointed with star anise and ginger. “That’s how come it took him so many years,” my mother said, blowing onto her hot soup. Nothing had ever daunted her appetite or dented her cast-iron stomach, not even the events on the boat or the apparition of her son. “He swam the entire distance.”

“Aunt Six lived hundreds of miles away and you saw her the same day.”

Viet Thanh Nguyen's books