The Refugees

“Hush.” Parrish frowned. “Why not be helpful and take Liem’s bag?”

With Marcus carrying the duffel bag and trailing behind, Parrish guided Liem through the terminal, hand on elbow. “It must seem very overwhelming to you,” Parrish said, waving in a way that took in the crowds, the terminal, and presumably all of San Francisco. “I can only imagine how strange this all appears. Coming here from England was enough of a culture shock for me.”

Liem glanced over his shoulder at Marcus. “You come from England, too?”

“Hong Kong,” Marcus said. “You could say I’m an honorary Englishman.”

“In any case,” Parrish said, squeezing Liem’s elbow and bending his head to speak more confidentially into Liem’s ear, “you must have had an awful time of it.”

“No, not very bad.” Liem spoke with nonchalance, even though the prospect of rehearsing his story one more time flooded him with dread. In the four months since he’d fled Saigon, he’d been asked for his story again and again, by sailors, marines, and social workers, their questions becoming all too predictable. What was it like? How do you feel? Isn’t it all so sad? Sometimes he told the curious that what had happened was a long story, which only impelled them to ask for a shorter version. It was this edited account that he offered as Marcus drove the car through the parking garage, into the streets, and onto the freeway. Casting himself as just one more anonymous young refugee, he recounted a drama that began with leaving his parents in Long Xuyen last summer, continued with his work in a so-called tea bar in Saigon, and climaxed with the end of the war. Even this brief version tired him, and as he spoke he leaned his forehead against the window, watching the orderly traffic on the wide highway.

“So,” he said. “Now I am here.”

Parrish sighed from the front seat of the sedan. “That war wasn’t just a tragedy,” he said, “but a farce.” Marcus made a noise in his throat that might have been an assent before he turned up the volume on the radio a few notches. A woman was uttering an encomium to a brand of furniture polish, something to bring out the luster without using a duster. “You’ll find the weather here to be cold and gray, even though it’s September,” Marcus said. “In the winter it will rain. Not exactly the monsoon, but you’ll get used to it.” As he drove, he pointed to passing landmarks, the standouts in Liem’s memory being Candlestick Park with its formidable walls, and the choppy, marbled waters of the bay. Then, as traffic from another freeway merged with theirs and the car slowed down, Parrish lowered the volume on the radio and said, “There’s something you need to know about Marcus and myself.”

A white passenger van, accelerating on the right, blocked Liem’s view of the bay. He turned from the window to meet Parrish’s gaze. “Yes?”

“We’re a couple,” Parrish announced. Out of the corner of his eye, Liem saw the white van edging forward, past the shrinking blot of moisture left by his forehead on the window. “In the romantic sense,” Parrish added. Liem decided that “in the romantic sense” must be an idiomatic expression, the kind Mrs. Lindemulder had said Americans used often, like “you’re killing me” and “he drives me up the wall.” In idiomatic English, a male couple in the romantic sense must simply mean very close friends, and he smiled politely until he saw Marcus staring at him in the rearview mirror, the gaze sending a nervous tremor through his gut.

“Okay,” Liem said. “Wow.”

“I hope you’re not too shocked.”

“No, no.” The small hairs on his arms and on the back of his neck stiffened as they’d done before whenever another boy, deliberately or by chance, had brushed his elbow, sometimes his knee, while they walked hand-in-hand or sat on park benches with their arms slung over each other’s shoulders, watching traffic and girls pass by. “I am liberal.”

“Then I hope you’ll stay with us.”

“And open-minded,” he added. In truth he had no other refuge but Parrish’s hospitality, just as there was nowhere else for him to go at the end of the day in Saigon but a crowded room of single men and boys, restless on reed mats as they tried to sleep while breathing air humidified with the odor of bodies worked hard. “Do not worry.”

Viet Thanh Nguyen's books