The Last Star (The 5th Wave, #3)
Rick Yancey
Let no one despair,
even though in the darkest night
the last star of hope may disappear.
—Christoph Martin Wieland
THE GIRL WHO COULD FLY
MANY YEARS AGO, when he was ten, her father had ridden a big yellow bus to the planetarium.
There the ceiling above him exploded into a million glimmering shards of light. His mouth dropped open. His small fingers clamped down on the edge of the wooden bench upon which he sat. Over his head, pinpricks of white fire spun, pure as the day the Earth emerged as a blackened, pockmarked rock, an average planet orbiting an average star at the edge of an average galaxy in a limitless universe.
The Big Dipper. Orion. Ursa Major. The droning monotone of the astronomer’s voice. The children’s faces lifted up, open mouths, unblinking eyes. And the boy feeling infinitesimally small beneath the immensity of that artificial sky.
He would not forget that day.
Years later, when his daughter was very young, she would run to him, pudgy toddler legs wobbling, solid little arms lifted up, eyes burning with anticipation and joy, crying, Daddy, Daddy, stubby fingers spread wide, reaching for him, reaching for the sky.
And she would leap, a fearless launch into empty space, because he wasn’t just her father—he was Daddy. He would catch her; he would not let her fall.
Crying: Fly, Daddy, fly!
And up she would go, rocketing toward the immensity of the unbounded sky, arms open to embrace the infinite, her head thrown back, rushing to that place where terror and wonder meet, her squeals the distilled hilarity of being weightless and free, of being safe in his arms, of being alive.
Cassiopeia.
From that day at the planetarium, when her life lay fifteen years in the future, there was no doubt what name he would give her.
1
“I WILL SIT WITH YOU”
THIS IS MY BODY.
In the cave’s lowermost chamber, the priest raises the last wafer—his supply has been exhausted—toward the formations that remind him of a dragon’s mouth frozen in mid-roar, the growths like teeth glistening red and yellow in the lamplight.
The catastrophe of the divine sacrifice by his hands.
Take this, all of you, and eat of it . . .
Then the chalice containing the final drops of wine.
Take this, all of you, and drink from it . . .
Midnight in late November. In the caves below, the small band of survivors will remain warm and hidden with enough supplies to last until spring. No one has died of the plague in months. The worst appears to be over. They are safe here, perfectly safe.
With faith in your love and mercy, I eat your body and drink your blood . . .
His whispers echo in the deep. They clamber up the slick walls, skitter along the narrow passage toward the upper chambers, where his fellow refugees have fallen into a restless sleep.
Let it not bring me condemnation, but health in mind and body.
There is no more bread, no more wine. This is his final Communion.
May the body of Christ bring me to everlasting life.
The stale fragment of bread that softens on his tongue.
May the blood of Christ bring me to everlasting life.
The drops of soured wine that burn his throat.
God in his mouth. God in his empty stomach.
The priest weeps.
He pours a few drops of water into the chalice. His hand shakes. He drinks the precious blood commingled with water, then wipes clean the chalice with the purificator.
It is finished. The everlasting sacrifice is over. He dabs his cheeks on the same cloth he used to clean the chalice. The tears of man and the blood of God inseparable. Nothing new in that.
He wipes clean the paten with the cloth, then stuffs the purificator into the chalice and sets it aside. He pulls the green stole from his neck, folds it carefully, kisses it. He loved everything about being a priest. Loved the Mass most of all.