‘Please,’ I say. ‘The clasp of my swimsuit – I can’t seem to unfasten it.’
There is something that very few people understand about him. He has been described on numerous occasions as a man of unusual self-possession. But what isn’t known is that he is also bound by certain potent appetites. I step out of the swimsuit, knowing that his eyes are on me. On the skin I have revealed, tightening in the spring breeze from the balcony. This is one of the few times in which I feel the balance shift towards me, in which I become powerful.
By the time he steps out onto the balcony, and I after him, there is no sign of the man I knew in Rome. I could almost bring myself to believe – to hope – that he had disappeared.
*
Hal
Showered and dressed, Hal is summoned to breakfast. The terrace in front of the house, which the night before had supported the band and the bar, is now set with a table bearing breakfast fare. A whole salmon glistens – rather raw and naked-looking in the strong light – beside dishes of charcuterie and cheese, a cornucopia of fruit: strawberries, oranges, grapes; a basket of burnished brioche loaves and other delicacies. There is champagne, but Hal gives this a wide berth. He loads his plate with food, feeling hollowed with hunger after his swim. As he lifts his fork to his mouth it shakes slightly; his body still electric with adrenaline.
Signor Gaspari is there, his little dog on his lap, and next to him sits the photographer, Aubrey Boyd. Hal gestures to the seat next to Aubrey.
‘May I?’
‘By all means.’ Aubrey’s plate, balanced on his lap, bears five segments of grapefruit, fanned out in a bloom-like pattern. He probes one with a fork, speculatively.
‘Not hungry?’
‘Oh, I can never take much in the morning – and I intend to wear a thirty-two until I die.’ Aubrey appraises Hal. ‘You certainly seemed to enjoy yourself last night.’
‘Yes,’ he says, queasily remembering the final drink. Something about a chicken.
Aubrey Boyd watches him, amused. ‘I saw you disappear off into the gardens late on. So I think you missed Giulietta Castiglione dancing in little more than her bathing suit. Spontaneous, apparently. That little white dress simply happened to disappear at some point and then – pouf – there was a great deal more of Giulietta. I got some excellent shots.’ He sips his water. ‘You’ll get to meet her properly on the trip, of course. I’ll introduce you – I took the promotional shots for A Holiday.’
‘Thank you,’ Hal says. ‘In fact,’ he says, with careful disinterest, ‘there was someone else, too. I met her this morning – though I didn’t see her last night.’ He decides not to mention the previous encounter. ‘I wonder if you know her?’
‘Describe her to me.’
‘Her name’s Stella. I don’t know her surname. She’s blonde …’ he is about to say beautiful, but stops himself in time. ‘Short hair,’ he says, instead. ‘American.’
Aubrey frowns. And then he seems to think of something. ‘An odd accent, though?’
‘Yes.’
‘Oh yes,’ Aubrey says, slowly – with something slightly cruel in his look. ‘In that case I think you have met Mrs Truss.’
It takes several seconds for Hal to digest this. ‘Mrs Truss? She’s …’
‘That American investor’s wife? Yes, old chap.’
‘You’re sure?’
‘I don’t know her first name, but I rather think it must be her, from your account. Ever so glamorous. Hair the colour of money. She’s quite something, is she not?’
Suddenly, certain elements fall into place. Her reticence in telling him anything about herself, her haste in leaving the following morning. Her horror at seeing him on the jetty.
‘Oh,’ Aubrey says. ‘Why – there she is now.’
Hal looks up. There she is indeed, looking quite different to the person of a couple of hours earlier. A white shirtdress, heeled sandals, her hair combed. She is well suited to him, the elegant man appearing behind her in his blue suit. They are a matched pair, he realizes: they make more sense together than apart. His hand at her back – a caress, or possibly a steer.
So he was the one-time adventure, the penniless young man in his garret. He thinks of the smallness and shabbiness of the studio, and wonders if that was part of the thrill. He should have known, then, seeing the wealth she wore about her. Hair the colour of money, indeed.
He watches her, compelled in spite of himself. He thinks that his eyes would be drawn to her even if he did not know her: there is something innately watchable about her; the unique grace with which she moves. It does not appear affected. But who is he to tell? He knows even less of her than he thought.