The Girl from the Well

I have ridden on ships and sails. I have taken to the air on steel wings. I have schooled myself in the languages of those I hunt, their culture of contradictions. I have burrowed into the skins of those who know the dark ways, those who welcome the trespass of body. I have crawled out from the thickness of blood, from the salt of the dying.

I can possess, however briefly, those close to death, or those who have known death intimately and escaped. I have learned to move among people in a hundred different ways, to linger in numerous places at once and still keep my sense of being. But today I am drifting, aimless in this moment, basking in the afterglow of the night before.

And when there is nothing else, I count.

I allow the whim to carry me farther down the street, where a lone peddler sells food from a metal stand (one). A cat on the other side of the road (one) arches its back and hisses at me, yowling its temerity, though its tail quivers and the hairs along its back bristle. People walk past, eating and tossing empty wrappers into bins. I count them: thirteen, fourteen, fifteen.

A young man in a tan suit stops in mid-bite to stare directly at me. Slices of bread slide unnoticed to the ground, and he begins to tremble. I move, retreating as a group of students run past (seven), laughing and giggling, and flicker out of his vision. I am occasionally seen by those cursed with a peculiar sight they themselves are rarely aware of, but I have grown skilled at evading their scrutiny once discovered. I have no quarrel with the young man, who dashes away pale and frightened, though I am sorry he sees more than he ought.

But something else commands my awareness. It is a teenage boy in a car driving past this intersection of roads. He is of average countenance, perhaps fifteen years old, with bright blue eyes and straight black hair that shoots out unnaturally from his head like spikes. He is staring out the window with a surly demeanor I have found common in many boys of this time.

But neither his features nor his behavior arrest my attention. There is something that throbs and moves from inside his clothes, restless movements both repugnant and familiar. An unnatural glow sets around him. And in his mind I taste the sweetness of home, the land of my once-birth, thousands of miles away.

The boy does not notice all this. His eyes look out on the world and pass over me, unseeing, as the car turns a corner into a smaller lane.

It stops in front of a large house where several men are moving furniture out of a large truck that says “Picking’s Movers” on its side. Tables and chairs and many more items litter the yard outside the house (sixteen). Some of these men (ten, a perfect number) are moving more in: two wooden beds, one vanity stand, sixteen assortments of electric devices, and many boxes. One mirror.

The boy gets out of the car, still scowling, with an older man of the same blue eyes, though his hair is a dirty yellow. They watch as the men move their furniture inside. I count the boxes: one, two.

“What do you think, Tark?” the older man finally asks.

The boy doesn’t answer. Ten, eleven.

“It’s nicer than our old house in Maine, don’t you think?” the man continues, ignoring the silence. “You’ll get your own room, of course—bigger, with more windows. We’ve got enough space to put up a rec room, maybe a swimming pool in the backyard once we’re done settling in. It’s only two blocks from Callie’s place, too.” Seventeen, eighteen.

Still the boy does not answer. He continues to watch the movers. The strange light persists around him, a queer dimness that radiates more than it shines.

“And we can go visit Mom next week. Dr. Aachman says she’s been feeling a lot better than the last time, and that we can go to the hospital whenever we’re ready. And now that we’re only twenty minutes from Remney’s, we can visit as often as you want.” Twenty-five, twenty-six.

A peculiar shift crosses the boy’s face, and I see emotion in him for the first time. The jaws tighten, the eyes harden, the mouth curves down. He folds his arms across his chest and a sleeve rides up, exposing a black tattoo on his forearm. Thirty-three boxes.