The City of Mirrors (The Passage #3)

“You have a wonderful family,” she says sleepily.

It’s true, Logan thinks; he does. Even his ex-wife, who, despite their difficulties, has emerged at this late stage of life as an advocate for his happiness. Under the influence of the day he feels something long-clenched relaxing inside him. Life is not so bad, so purely dutiful, as he has thought. As they drive, his mind travels to the ranch. He has already spoken to his lawyer to set the paperwork in motion. Soon his son and his family will be there, infusing it with fresh life, fresh memories.

“I was thinking,” Logan begins, “perhaps I should drive out and have a look at the old place. I haven’t been there for years.”

Nessa nods dreamily. “I think that’s a good idea.”

“Would you like to come? It would only be for a couple of days. Next weekend, say.”

Nessa’s eyes are closed. Another mistake; he has gotten ahead of himself. She is drunk; he is taking advantage of this moment of warm feeling. Perhaps she has fallen asleep.

“It could be useful to you,” he offers quickly. “Another article, perhaps.”

“An article,” Nessa repeats neutrally. Another moment lapses. “So, just to be clear, you’re asking me to go away with you for the weekend to help me write an article.”

“Yes, I suppose. If that’s what you want.”

“Pull over.”

“Are you feeling ill?” The worst is upon him. The night is ruined.

“Please, just do it.”

He draws the car to the side of the road. He expects her to burst from the door, but instead she turns to face him.

“Nessa, are you all right?”

She seems about to laugh. Before he can utter another word, she takes his cheeks in her hands and draws him toward her, crushing his mouth with a kiss.

They have lunch together on Tuesday, see a film the following night, and on Saturday depart in the early morning. The city falls away as they drive deep into the heart of the country. The day is cool, with fat white clouds, though the temperature begins to rise as they make their way west, away from the sea.

It is just noon when they arrive in Headly. The town has improved somewhat. More commercial concerns now line the dusty main street, and the school has expanded. A new municipal hall stands at the top of the square. They check into the inn—Logan has booked separate rooms, not wanting to assume too much—and, with a picnic lunch, drive on to the ranch.

The sight is dispiriting. The land, untended for years, is weedy and wild; the barn has caved in, as well as many of the outbuildings. The house is only a little better—paint peeling, porch tipping to one side, gutters languishing off the eaves. Logan stands in silence for a moment, taking it in. The house was never large, but like all revisited places it seems a lesser version of the one held in memory. Its degraded condition disturbs him. Yet he also experiences an upwelling of emotion that he hasn’t experienced in years: the feeling of homecoming, of home.

“Logan? All right?”

He turns to Nessa. She is standing slightly apart from him. “Strange to be back,” he says and shrugs diffidently, though the word “strange,” hardly does the situation justice.

“It’s really not so bad, you know. I’m sure they can fix it up.”

He does not want to enter the house yet. They put their blanket on the ground and lay out their picnic: bread and cheese, fruit, smoked meat, lemonade. The site they have selected has a view of the parched hills; the sun is hot but clouds scud past, creating brief intervals of shade. As they eat, Logan points out the sites, explaining the history: the barns, the paddocks, the fields where horses once grazed, the thickets where he spent idle hours as a boy, lost in worlds of his own imagining. He begins to relax; the tension between what he remembers and what he now sees softens; the past flows forth, wanting to be told—though there is, of course, more to the story.

The moment comes when the house can no longer be avoided. Logan takes the key from his pocket—it has lain in his desk drawer, untouched, for years—and lets them in. The door opens directly onto the front parlor. The air is stale. Some of the furnishings remain: a couple of armchairs, shelves, the desk where his father did his accounts. A thick layer of dust coats every surface. They move deeper into the house. All the kitchen cabinets stand open, as if explored by hungry ghosts. Despite the staleness, smells assault him, tinged with the past.

They press on to the back room. Logan is drawn to it as if by a magnetic force. There, covered by a tarp, is the unmistakable shape of the piano. He pulls the cloth aside and raises the fall, exposing the keys, which are yellow as old teeth.

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