The City of Mirrors (The Passage #3)

The next morning, back from his morning swim, Logan sees Nessa’s article in the paper. Page 1, below the fold; it is neutral, as these things go. The conference and his opening address, mention of the protestors and “the ongoing controversy,” snippets of their conversation in his office. Curiously, this disappoints him. His words seem wooden and performed. The article contains a perfunctory stiffness; Nessa has described him as “professorial” and “reserved,” both of which are true enough but feel reductive. Is that all he is? Is that what he’s become?

For two days the conference occupies him utterly. There are panels and meetings, lunches and, in the evenings, gatherings for drinks and dinner. His moment of triumph, and yet he feels a growing depression. Some of this is Race’s announcement; Logan does not like to think of his son abandoning his accomplishments to eke out a living in the middle of nowhere. Headly cannot even be said to be a proper town. There is a mercantile, a post office, a hotel, a farm supply store. The school, which includes all grades, is housed in a single, ugly building made of concrete and possesses neither playing fields nor a library. He thinks of Race wearing a broad-brimmed hat, a sweat-sodden kerchief encircling his neck and insects buzzing around his face, shoving a spade into the unforgiving earth while his wife and children, bored beyond measure, fidget in the house. Scenes of provincial life: Logan should have sold the place years ago. It is all a terrible mistake he is powerless to correct.

On Thursday night, his conference duties concluded, he returns to the courtyard apartment where he has lived since his divorce. It was, like many things in life, meant to be temporary, but six years later, here he is. It is compact, tidy, without much character; most of the furniture was purchased in haste during the confusing early days of separation. He makes a simple dinner of pasta and greens, sits down to eat in front of the television, and the first thing he sees is his own face. The footage was taken immediately after the conference’s closing ceremonies. There he is, microphones hovering around his head, his face washed to corpselike whiteness by the harsh glare of the television crew’s lights. “STUNNING REVELATIONS,” the banner at the bottom of the screen reads. He turns it off.

He decides to call Olla, his ex-wife. Perhaps she can shed some light on their son’s perplexing plans. Olla lives at the edge of the city in a small house, a cottage really, that she shares with her partner, Bettina, a horticulturalist. Olla insisted that the relationship did not overlap with the marriage, that it began later, though Logan suspects otherwise. It makes no difference; in a way, he is glad. That Olla should take up with a woman—he had always known her to be bisexual—has made things easier for him. It would be more difficult for him if she were married to a man, if a man were in her bed.

Bettina is the one who answers. Their relationship is wary but cordial, and she fetches Olla to the phone. In the background Logan can hear the chirps and squawks of Bettina’s collection of caged birds, which is voluminous—finches, parrots, parakeets.

“We just saw you on TV,” Olla starts off.

“Really? How did I look?”

“Quite dashing, actually. Confidence-inspiring. A man at the top of his game. Bette, wouldn’t you agree? She’s nodding.”

“I’m glad to hear it.”

This light, easy banter. Very little has changed, in a way. They were always friends who could talk.

“How does it feel?” Olla asks.

“How does what feel?”

“Logan, don’t be modest. You’ve made quite a splash. You’re famous.”

He changes the subject. “By any chance, have you talked to Race lately?”

“Oh, that,” Olla sighs. “I wasn’t really surprised. He’s been hinting at it for a while, actually. I’m surprised you didn’t see it coming.”

Just one more thing he has missed. “What do you make of it?” he says, then adds, jumping the gun, “I think it’s a huge mistake.”

“Maybe. But he knows his own mind—Kaye, too. It’s what they want. Are you going to sell it to them?”

“I didn’t really have a choice.”

“There’s always a choice, Logan. But if you’re asking my opinion, you did the right thing. The place has been sitting there too long. I always wondered why you didn’t let it go. Maybe this was the reason.”

“So that my son could toss his career away?”

“Now you’re being cynical. It’s a nice thing, what you’re doing. Why not let yourself just look at it that way?”

Her voice is even, careful. Her words, not rehearsed exactly, are nonetheless things that have been imagined in advance. Logan has the unsettling sense, yet again, that he is a step behind everyone, a quantity to be managed by those who know better than he does.

“Your feelings are complicated, I know that,” Olla goes on, “but a lot of time has passed. In a way, it’s not just a new start for Race. It’s a new start for you.”

“I wasn’t aware I needed one.”

A pause at the other end of the line; then Olla says, “I apologize. That didn’t come out right. What I mean to say is that I worry about you.”

“Why would you worry about me?”

“I know you, Logan. You don’t let go of things.”

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