I grit my teeth.
“You cannot kill Moretti,” I hear Victor say, but his voice sounds far off because I’m in such deep thought. “Under no circumstances can you allow your emotions, your anger, or your need for vengeance, to get in the way of this mission. If Moretti is not taken to the drop-off location where she can be transported to the client, there will be no payday and the entire mission will be a wasted effort—she cannot be killed.”
I feel Nora’s eyes on me, but I don’t look at her.
“Is that why you told me the personal story about the client and his daughter?” I ask, already knowing that I’m right about this. “I remember what you told me on the plane to L.A. when you took me on my first mission to kill Arthur Hamburg’s wife locked in that secret room: ‘The less you know about their personal lives, the less of a risk there is for you to become emotionally involved’—did you tell me about Olivia Bram and her mother’s suicide and her father’s vendetta, because you want to see if I can get through this mission without being clouded by my emotions?”
Victor nods.
“The best way to learn to overcome is to face your weakness head-on,” he says, and then his gaze hooks mine. He leans forward a little in his chair and with silent determination and devotion he adds, “Izabel, you becoming a great operative is not the only reason I want you to overcome your weaknesses—I also want you to overcome them so they cannot haunt you anymore.”
His words fill my heart with warmth, but still I’m incapable of smiling. I just nod, slow and subtle, and I know that he understands how much I appreciate his concern for me. If anything, it has only intensified my need to prove myself, to myself.
I can do this.
Then something suddenly occurs to me.
“I guess it’s obvious how much I despise people like Francesca Moretti, people like Javier and Izel and anyone who had anything to do with them—I can’t hide it, can I?”
Victor never answers my question, but he doesn’t need to.
“Think of this mission as preparation for Mexico,” Nora finally comments. “You may not be on the inside with me when we get there, but I imagine it’ll still be quite the emotional rape just being there in Mexico where the worst things that ever happened to you occurred.” Her eyes hold mine, and for a brief moment I sense something pass between us—a secret that only she and I share about the child I had with Javier.
I look away from her and back at Victor.
But Nora’s right: being in that place is an emotional rape—there’s no other way of putting it. When I went back to Mexico with Victor, Dorian, Niklas and Fredrik, after Victor promised me he would help me have my revenge and we killed all of those men, I was a different person. I was a rage-filled killer, controlled by vengeance. When I slid my blade across the throats of Javier’s brothers, Diego and Luis, I did so with a sick mind. I enjoyed it; I all but got off on the sticky, warm blood as it flowed through my fingers; I smiled—I enjoyed it. That’s not being in control of my vengeance, that’s being controlled by it.
I can’t be that person on this mission to Italy—I won’t.
“You may not get to kill Moretti yourself,” Victor adds, knowing I’d love to, “but I can assure you, she will be dead before you leave there.”
“I will do whatever I have to, Victor”—I look at them both, but then only at Victor—“even if it’s something I don’t want to do, I’ll do it. Whatever it takes.”
Nora nods at me when my eyes pass over hers.
“Good,” he says. “Because there may come a time when you have to do something you’d never do otherwise—nothing about this profession is easy.”
The table gets quiet. I ponder: the mission to Italy, Mexico; I wonder how this meeting turned out to be mostly about me and my ‘weakness’, but then I brush it all aside and get back to what’s important.
“OK, so what are we supposed to do when we get to Italy, exactly?” I ask. “Are we pretending to be buyers, or what?”
Victor pauses and says, “No, actually you will be undercover as another man’s property.”
All the color drains from my face.
Izabel
“Victor, wait a second,” I speak up after the stun wears off. “If this woman is just a madam and we’re going to some kind of high-class…brothel, or whatever you want to call it, then why do we need to go as some man’s property? Why can’t we just go as buyers?”
“Because Francesca Moretti hates women,” Victor answers. “And it is rumored that she’s killed women she felt threatened her beauty.”
I laugh. “Mirror, mirror on the wall. Seriously?” I laugh again, shaking my head.
But Victor doesn’t find the humor in it.
Instead he says, “And because the brothel isn’t the only business that Moretti runs. She’s also a seller in the sex slave trade.”