The Art of Not Breathing

“Who says anything about going down? As soon as you’re under, that’s it.”


Frustrated, I push away from him, slightly out to sea, and launch myself down to the bottom. It’s not that deep, but as soon as I get to the seabed I grab a rock and hold myself, belly down, on the floor. The seconds tick by. I brace myself for the memories to flood my mind. The rocks down here are jagged and dig into my hands, but I grip them tight. Some of them are covered in a wispy kind of seaweed that looks like parsley, not at all like the big bits of kelp along the shore and in the harbor. The parsley swishes about in the current. There are shells, too, stuck to the rocks, purple ones, black ones, and white speckled ones. The images don’t come, and I’m annoyed but also relieved. Down here, I’m not a loser. I’m also a lot lighter. I move my head from side to side, swishing my hair about. I pop a couple of bubbles from my mouth and watch them float up.

When I burst through the surface, Tay is there, clapping.

“Two minutes. You’re almost as good as me.”

We swim out a bit farther. I’m starting to get cold, but I don’t want to leave.

“What’s the deepest you’ve gone?”

Tay tilts his head back into the water. “I don’t know. Why is everyone so obsessed with how deep?”

“Isn’t that what it’s about?”

He lifts his head and flicks water in my face on purpose.

“No. Not at all. Come on—let’s dive.” He grabs my shoulder.

“How deep is it here?”

Tay sighs. “About twelve meters, but we’re not going to the bottom.”

From here I can see the lighthouse on the Point. I can just about make out small dots on the beach. Dolphin watchers.

“What about out there?” I ask, pointing toward the bit of water just away from the lighthouse, where Dillon used to swim, where the dolphins show off.

I feel Tay’s fingers tighten around my shoulder.

“Deeper,” he says. “There’s a drop-off. It goes to about forty-three meters.”

I shiver. “Ever been?”

“Nah, nothing to see down there. Right—enough talking. Let’s go under.”

The drop-off. The very bottom of the bay. I picture the seabed gently sloping away from the shore and then suddenly falling away. That’s where I need to go. That’s where Eddie would have gone.

“Elsie, come on.”

I notice I’ve been holding my breath. I let it out and tear my eyes away from the Point, refocusing my attention on Tay. It’s not that hard. I could look at him all day.

I take three deep breaths, like Tay does, then dive down. I kick and kick, but I seem to move only horizontally. I give up and wait on the surface for Tay. I watch his shadow dart about and count three minutes, and I don’t even know how long he was down before I started counting. When he surfaces, he looks like he’s been on some kind of magical experience. His eyes are glazed and shiny. He puts his arms around me and kisses me on the mouth. He tastes of salt.

“Come on, El,” he says into my neck. “Let’s go to the boathouse and warm up.”

I love how he just called me El—I feel so much older.

On the way back to Fortrose, I try to ask Tay for diving tips, but he ignores my questions and tells me about all the different rocks that can be found on the Black Isle.

“Did you see all the different-colored layers?” he says, pointing to the shoreline. “There’s sandstone, black shale, limestone. Sandstone is what the Pictish people used to carve their sculptures. If you look carefully on the beach, you can sometimes find bits of their artwork. You can find fossils, too.”

“Why are there so many layers?” I ask, feigning interest.

Tay kicks a pebble. “The passing of time, I guess. Earthquakes causing the land to shift. Do you ever think about all the people who’ve walked along this beach before you?”

“Not really,” I say. “Isn’t that a bit morbid?”

“No. It’s history. It’s amazing what you can find on the beach if you look hard enough.”

“And under the water?”

“Yes, but most of the interesting stuff ends up on the beach.”

He bends down to pick up a small flat black rock. “See? It’s a fossil.”

“Why don’t you like talking about diving?” I ask him. “Especially when you’re so good at it.”

Immediately I feel annoyed at myself for giving him a compliment, but at the same time I want to know.

“That’s the beauty of it,” Tay says. “I don’t need to talk about it. It’s just something I do, like breathing.”

I grin. “You mean it’s like not breathing.”

He smiles slowly at me, like he’s just realizing something.

“You’re right. And I’m glad I get to not breathe with you.”



Sarah Alexander's books