No wonder Rick had gone mad.
She washed her face with the last of the water, ate numbly, then spread her weapons on the table, drawn to, and repulsed by, them in equal measure. She strapped an iron spike to her calf, returned the switchblade to her back pocket. The click of the clip sliding into the handgun sent an almost pleasant shiver through her. She thumbed the safety on and tucked the weapon into the back of her jeans. Out of sight, out of mind, she told herself, even as the metal kissed her spine. She hauled her bag back onto her shoulder, then threw the bolt and stepped out into the early morning light.
In daylight, the quiet was even worse, the green’s emptiness more unnerving than any number of people.
Rick’s shotgun lay on the sidewalk near the street, the only sign of the man save for a thin line of dried blood on the pavement. If there were any others in the neighborhood, they didn’t show themselves, and Kate didn’t go looking.
She needed to keep moving.
There were plenty of cars on the street, but cars made noise, and the last thing she wanted to do was let all of V-City know she was coming. Especially since she had no idea who—or what—would be there to greet her. Instead she trudged across several dew-wet lawns until she found a bicycle lying on its side in the grass, abandoned like everything else in the green.
Kate righted the bike, trying not to think about whoever it belonged to, or what had happened to the owner, as she swung her leg over the seat and pushed off, toward the yellow, and the red, and the waiting city.
The violin was a mess.
August sat on the edge of his bed, his fingers moving deftly over the steel as he loosened the pegs and pried the strings free. Next came the neck, the fingerboard, the tailpiece, the bridge.
Piece by piece, he dismantled the instrument, the way FTF soldiers dismantled their guns, scrubbing the blood and gore from every curve and crevice, cleaning and drying every piece before putting the violin back together.
He worked in silence, unable to shake the feeling he was rubbing the blood in, instead of getting it out, but when he was done, the weapon was whole again, ready for its next fight.
Like you, little brother.
He tucked the gleaming instrument back into its case beside the bow, and rose, stepping out into the hall.
He heard movement in the kitchen, the soft shuffle of steps, the whisper of something like sand, and when he rounded the corner he saw the cupboards open, a sack of sugar spilling across the counter and onto the floor.
None of the lights were on, but his sister stood at the island, hands dancing over piles of sugar, separating it into hills and valleys with her fingers while Allegro padded around her legs, leaving tiny paw prints in the white dust.
August took a cautious step forward, careful not to startle her. He kept his voice low.
“Ilsa?”
She didn’t look up, didn’t even register his presence. Ilsa lost herself sometimes, got stuck inside her head. Once, during these episodes, her thoughts had poured out in tangled ribbons of speech. Now she unraveled in silence, her lips pressed into a thin line as she swept her fingers through the sugar, and as August drew close, he realized what she was making. It was a shallow model—the loose sugar couldn’t form anything tall without losing its shape—but he recognized the snaking line of the Seam running down the center, the grid of streets and buildings to either side.
Ilsa had sculpted V-City.
Her hands slid to the island’s edge and she bent forward, bringing her face to the counter as if to peer between the walls of her creation.
And then she drew a deep breath, and blew.
The entire city scattered, the only sound the whoosh of Ilsa’s breath and the rain of sugar as it spilled onto the floor. She looked at him then, at last, her eyes wide, but not empty, not lost at all. No, she looked straight at August, and swept her hand above the counter as if to say, Do you see?
But August only saw one thing. “You’re making a mess.”
Ilsa’s brow furrowed. She smoothed the sugar beneath her palm and drew her finger in slow, looping curls. It took August a few seconds to realize she was writing a word.
Coming
August stared at the mess, at the message. “What’s coming?”
Ilsa let out an exasperated breath and swept her arm across the counter, scattering the remains of the city and sending a cloud of sugar into the air. It dusted August’s hair, settled on his skin. To a human, it might have tasted sweet, but to him, it tasted like one thing:
Ash.
Growing up, Kate had plenty of nightmares, but only one of them recurring.
In the dream, she was standing in the middle of Birch Street, one of the busiest roads in North City, but there were no cars. No commuters on the sidewalk. No movement in the shop windows. It was as if the city had been tipped on its side and shaken until every sign of life had fallen out. It was just . . . empty, and no people meant no sound, and the silence seemed to grow and grow and grow around her, the white noise weighing her down until she realized it wasn’t the world, it was her ears, the last of her hearing stolen away, plunging her into an eternal silence, and she started to scream and scream until she finally woke up.
As Kate rode through the red zone, that same horrible silence swept around her, that old, irrational fear, and she strained, trying to catch something—anything—besides her own pulse and the hush of tires over pavement.
But there was nothing, nothing, and then—
Kate slowed. Were those voices? They reached her in pieces, highs and lows fragmented by the stone and steel buildings, the sounds brightening in her good ear only to fall away again before she could find the source, or figure out if they were getting closer or farther away. She dismounted as carefully as possible, leaning the bicycle against a wall just as someone whistled behind her.
Kate spun, and saw a man perched on a fire escape. He was dressed in dark jeans and a T-shirt, but the first thing she noticed was the band of steel around his throat. It looked like a collar.
“Well, well,” he said, rising to his feet.
A door swung open nearby, and as two more figures—a man and a woman—stepped through, she realized the first one hadn’t been whistling at her. He’d been whistling for them. They were rougher, their skin weathered and stained by old tattoos, but they wore the same metal circles around their throats.
Like pets, she thought, and between the pallor of blood loss and the puncture wounds that ran like needle scars up the inside of their arms, it was obvious whom they belonged to.
“Oh, this is perfect,” cooed the woman.
The man on the fire escape broke into a grin. “Just his type, isn’t she?” Type? “Down to the blue eyes.”
“It’s uncanny. Sloan will be . . .”