Oathbringer (The Stormlight Archive #3)

Oathbringer (The Stormlight Archive #3)

Brandon Sanderson




For Alan Layton


Who was cheering for Dalinar


(And me)





Before Stormlight even existed.





PREFACE AND ACKNOWLEDGMENTS





Welcome to Oathbringer! It’s been a long road, creating this book. I thank you for your patience. Stormlight books are a huge undertaking—which you might be able to infer from the large list of people below.

If you haven’t had the chance to read Edgedancer—a separate Stormlight novella taking place between books two and three—I’d recommend it to you now. Find it sold on its own, or in the story collection Arcanum Unbounded, which has novellas and novelettes from all across the Cosmere. (The universe in which this series, Mistborn, Elantris, Warbreaker, and others take place.)

That said, as always, every series is written so it can be read and enjoyed on its own, without knowledge of these other series or books. If you’re intrigued, you can find a longer explanation I’ve written at brandonsanderson.com/cosmere.

Now, on to the parade of names! As I often say, though my name goes on the cover, there are tons of people involved in bringing you these books. They deserve my most hearty of thanks, and yours as well, for their tireless work across the three years it took to write this novel.

My main agent for these books (and everything else) is the wonderful Joshua Bilmes, of JABberwocky. Others at the agency who worked on them include Brady McReynolds, Krystyna Lopez, and Rebecca Eskildsen. Special thanks also go to John Berlyne, my UK agent, of Zeno—along with all of the sub-agents who work with us around the world.

My editor at Tor on this project was the ever-brilliant Moshe Feder. Special thanks to Tom Doherty, who has believed in the Stormlight project for years, and Devi Pillai, who provided essential publishing and editorial aid during the course of the novel’s creation.

Others at Tor who provided help include Robert Davis, Melissa Singer, Rachel Bass, and Patty Garcia. Karl Gold was our Production Manager and Nathan Weaver the Managing Editor, with Meryl Gross and Rafal Gibek in trade production. Irene Gallo was our Art Director, Peter Lutjen the cover designer, Greg Collins the interior designer, and Carly Sommerstein our proofreader.

At Gollancz/Orion (my UK publisher) thanks goes to Gillian Redfearn, Stevie Finegan, and Charlotte Clay.

Our copyeditor on this book was Terry McGarry, who has done excellent work on many of my novels. The ebook was prepared by Westchester Publishing Services, along with Victoria Wallis and Christopher Gonzalez at Macmillan.

Many people at my own company worked long hours to produce this book. A Stormlight novel is “crunch time” for us here at Dragonsteel, and so make sure to give the team a thumbs-up (or, in Peter’s case, a block of cheese) next time you meet them. Our manager and Chief Operations Officer is my lovely wife, Emily Sanderson. Vice President and Editorial Director is the Insistent Peter Ahlstrom. Art Director is Isaac St?wart.

Our shipping manager (and the one who ships you all our signed books and T-shirts via the brandonsanderson.com store) is Kara Stewart. Continuity editor—and holy keeper of our internal continuity wiki—is Karen Ahlstrom. Adam Horne is my executive assistant and publicity/marketing director. Emily’s assistant is Kathleen Dorsey Sanderson and our executive minion is Emily “Mem” Grange.

The audiobook was read by my personal favorite audiobook narrators, Michael Kramer and Kate Reading. Thanks again, guys, for making time in your schedule for this!

Oathbringer continues the tradition of filling The Stormlight Archive with beautiful art. We again have a fantastic cover illustration by Michael Whelan, whose attention to detail has given us an incredibly accurate rendition of Jasnah Kholin. I love that she gets a place to shine on the cover of this book, and I continue to feel honored and grateful that Michael takes time away from his gallery work to paint the world of Roshar.

It takes a variety of artists to recreate the styles found in the ephemera of another world, so this time around we’ve worked with even more artists than before. Dan dos Santos and Howard Lyon are responsible for the paintings of the Heralds on the front and back endpapers. I wanted these to have a style evoking classical paintings of the Renaissance and the later Romantic era, and both Dan and Howard exceeded expectations. These pieces are not only great art for a book, they are great art period, deserving of a place in any gallery.

I should note that Dan and Howard also contributed their talents to the interior art, for which I’m also grateful. Dan’s fashion pieces are good enough to be cover art, and Howard’s linework for some of the new chapter icons is something I hope to see more of in future volumes.

Ben McSweeney joins us again, providing nine pieces of art from Shallan’s sketchbook. Between a cross-continent move, a demanding day job, and the needs of a growing family, Ben has been ever consistent in delivering top-notch illustrations. He is a great artist and a quality human being.

Also lending their talents to this volume with full-page illustrations are Miranda Meeks and Kelley Harris. Both have done fantastic work for us in the past, and I think you’ll love their contributions this time around.



In addition, a variety of wonderful people helped behind the scenes as consultants or facilitated other aspects of the art in this book: The David Rumsey Map Collection, Brent at Woodsounds Flutes, Angie and Michelle at Two Tone Press, Emily Dunlay, David and Doris Stewart, Shari Lyon, Payden McRoberts, and Greg Davidson.

My writing group for Oathbringer (and they often read submissions each week at 5–8x the normal size) included Karen Ahlstrom, Peter Ahlstrom, Emily Sanderson, Eric James Stone, Darci Stone, Ben Olsen, Kaylynn ZoBell, Kathleen Dorsey Sanderson, Alan “Leyten from Bridge Four” Layton, Ethan “Skar from Bridge Four” Skarstedt, and Ben “Don’t put me in Bridge Four” Olsen.