Moonlight Over Paris

In the course of researching this book, I relied upon the collections of a number of libraries and archives. I would specifically like to acknowledge the Archives of American Art (Anna Coleman Ladd papers), the Beineke Rare Book and Manuscript Library (Gerald and Sara Murphy papers), the Bibliothèque Nationale de France, the National Archives in the U.K., the New York Public Library, and the Toronto Public Library.

I would also like to offer my thanks to those who were kind enough to help me with my research, either by answering my questions or by examining sections of my work-in-progress for errors. Susan Logan and John Barkley offered their observations on artistic techniques and the artist’s path; Jennifer Yates cast her professional translator’s eye over my French usage; Lori Barrett advised me on all things musical; and Erika Robuck provided invaluable suggestions regarding my characterization of several figures from the Lost Generation. Any inaccuracies or mistakes that remain are entirely my responsibility.

To my literary agent, Kevan Lyon, and her colleagues at the Marsal Lyon Literary Agency, in particular Patricia Nelson, I once again extend my heartfelt thanks.

Also deserving of my praise and gratitude is my editor, Amanda Bergeron, whose patience and understanding kept me writing even when I was convinced I had lost my way. I am also very grateful to Elle Keck in editorial, as well as my publicists Emily Homonoff, Lauren Jackson, and Miranda Snyder, together with Kim Therriault, for their ongoing support.

I would like to thank everyone who supports me and my books at William Morrow, in particular Tom Pitoniak, Emin Mancheril, Mary Ann Petyak, Serena Wang, Molly Birckhead, Jennifer Hart, Samantha Hagerbaumer, and Carla Parker. The producers at HarperAudio have once again created a beautiful audiobook and I am most grateful for their hard work. I am also indebted to everyone at HarperCollins Canada, among them Leo MacDonald, Sandra Leef, Colleen Simpson, Cory Beatty, Shannon Parsons, and Kaitlyn Vincent. Last but very much not least, I want to thank all of the sales staff in the U.S., Canada and the international division for their efforts on my behalf.

Closer to home, I’d like to thank the circle of friends whose love and support keeps me afloat: Ana, Clara, Denise, Erin, Irene, Jane D, Jane E, Jen, Kate H, Kelly F, Kelly W, Liz, Marissa, Mary, Michela, and Rena.

My heartfelt thanks go out as well to my family in Canada and the U.K., most especially my father, Stuart Robson; my sister, Kate Robson; and my beautiful children, Matthew and Daniela.

Most of all I want to thank my husband for his support, understanding, and love. And just so you know, Claudio—you are the hero of my story.

Jennifer Robson's books