Marlena by Julie Buntin
for Kelsey and Lea
I’ll make my report as if I told a story, for I was taught as a child on my homeworld that Truth is a matter of the imagination.
—The Left Hand of Darkness, URSULA K. LE GUIN
I
New York
Tell me what you can’t forget, and I’ll tell you who you are. I switch off my apartment light and she comes with the dark. The train’s eye widens in the tunnel and there she is on the tracks, blond hair swinging. One of our old songs starts playing and I lose myself right in the middle of the cereal aisle. Sometimes, late at night, when I’m fumbling with the key outside my apartment door, my eyes meet my reflection in the hallway mirror and I see her, waiting.
Marlena and I are in Ryder’s van. That morning, while he was still asleep, she stole the keys from the pocket of his jeans. The spring’s burst gloriously, stupidly into summer, and we’re wearing drugstore flip-flops, hair tacky with salt at the temples, breath all cigarettes and cherry lip gloss and yesterday’s wine. I kick my sandals off and unfold my legs on the dash, press my toes against the windshield the way I do when it’s just Marlena and me. Ryder says I’ve ruined his car, that the spots won’t rub off, but I don’t care. Marlena painted my nails, propping my foot on her thigh. High-alert orange—her color.
Our windows are rolled all the way down. The breeze loosens the hair from my ponytail, sends it in tangles across my face so that everything I see is broken. We’re on our way to the beach, for a normal day. For holding our breath underwater until our lungs beg. For the breath-stealing slap of a wave against our stomachs and sour, fizzy mouthfuls of beer stolen from unattended coolers. We’ll track the sun’s movement with the angles of our towels and pass the same two magazines back and forth until the light sinks into the water. When we leave, unburying our feet from cold sand, we’ll have sunburns, then fevers.
We’re pretending to be girls with minor secrets, listening to Joni Mitchell with the volume turned up. Every line is a message written just for us. I sing so loud Marlena can’t hear herself, tells me shh, tells me I’m making her brain hurt. But in this memory, I only sing louder.
Marlena puts pressure on the gas and the car climbs the big hill on the dead-end road that leads to the lake. The speedometer leaps—we pass fifty-five, the limit on country roads, and hit seventy within a minute. The car fills with wind, so pushy and loud my hair whips against my neck and I can’t hear the music anymore. My voice hitches and I swing my feet to the floor. I try to roll my window up but Marlena locks it from her side. When she looks at me, grinning, I feel the car edge over to the shoulder, tires spitting gravel. She swerves back into the lane and the speedometer quivers before it jumps past eighty-five. Marlena’s ponytail has fallen almost out, and I wonder whether she can see, if maybe she doesn’t realize that we’re up to ninety now, and that underneath the wind there’s a new smell, bitter and hot, the van’s organs burning. We go faster and faster. I giggle a little and tell her to slow down, and a few seconds later to slow the fuck down, and when she doesn’t answer I shout that she’s crazy and scaring me and I want to get out of the goddamn car and that we’re going to die, please, she’s going to fucking kill us. We hit a hundred miles per hour, zipping up another hill, the car thrumming. When we reach the top the tires lift off the pavement, and when we land I slam against the glove compartment, catching myself with my forearms. She doesn’t brake and I wrestle my seatbelt on. Lake Michigan, Caribbean blue and winking light, rears up in our faces. We’re half a mile or less from the drop-off, the parking lot, the path to the beach.
She’s not going to stop, and for a second I feel something foreign, a rage that’s equal parts hunger and fear. Do it, I think, do it, and my stomach’s in my throat but I’m so tired of being the one to say no, be careful, stop. “What if I just keep going?” she shouts. Later I realize she was probably very high, because that would have been around the time of the pharmaceutical bottle of Oxy, forties, pills that loom in my memory of her like an extra feature; her eyes, the scraggly tips of her unwashed hair.
Now the lake is bigger than the sky. After we go under, how long will it take me to kick out the passenger-side window, my flip-flops floating to the roof of the car, my body shrieking for air? Marlena is a bad swimmer.
But then, no more than a dozen car lengths from the drop-off, we start to slow. The van weaves back and forth across the dotted line, careening onto the outer edges of its wheels. We stop with a shudder and a squeal. I jolt forward, the seat belt knifing into the space between my breasts. The headlights nose the slatted fence that marks the place where the land plummets a steep quarter mile to a crescent of stony beach. The car sighs, its engine ticking with relief. I am almost crying, my pulse a gallop, and I hate her for knowing it.
“Oh, come on,” Marlena says, but she’s out of breath and it takes her too long. “Do you really think I’d let anything bad happen to you?” Hives, the kind she gets when she’s anxious or excited, spread in a fine red lace from her collarbone up along the jumpy tendons of her neck, ending at her jaw. She scrapes a set of fingernails against my kneecap, a small circle that opens outward, shivering through me.
I want to spit right in her face. I want to walk away from everything she’s made me do and all the ways I’ve changed so bad that for an instant it’s possible, I almost do. I tuck my hands under my thighs so she won’t see them shaking, and stare at the pine-tree deodorizer. It flutters like we’re still moving. “Cat,” she says.
It’s not a question. I love this wildness. I crave it. So why, when something in me asks if it’s worth ruining my life over, do I hear No?