Kingfisher

He didn’t have much, she thought, for a man who had lived in the same

house at least since Carrie was born. Where were the elegant suits he had worn

in the old photographs of the Kingfisher Inn during its shining years? Where

were the silk ties, the expensive shoes? Locked away somewhere in the past,

she guessed, in the ghost of the old inn. What he bothered to keep in drawers

was frayed, worn. There was no word to express the state of his socks. She did

find a few things her mother had given him in the years when she still liked

him: beads for his hair, a gold earring, a piece of butter-colored amber on a

leather tie.

All signs of his previous life he had left elsewhere; only the Merle that

Carrie thought she knew lived in that house with her.

But I don’t really know you at all, she told him, and kept looking.

She found the photo in a cardboard box of papers shoved into a corner of his

bedroom closet. It was buried under old check stubs and statements from the

years when he actually kept a bank account, tax forms from when he actually

had jobs, outdated receipts that should have been tossed long ago. A handful

of photos lay at the bottom: herself as a toddler on Merle’s shoulders, her

parents in their wedding finery, her mother, very young, with long, wild hair

and feathers hanging from her earlobes; she was standing beside one of the

winding tidal streams, lifting her skirt above her muddy boots as she watched

the water.

The final photo startled her: Hal Fisher and Merle in all their glory, both in

tuxes beneath the enormous chandelier with every light in it ablaze, and the

reception room around them filled with women in heels and dark lipstick, men

in suits and ties with jeweled pins. Hal and Merle were both smiling. It might

have been opening night at the Kingfisher Inn as they welcomed the first

guests. Behind them, a chef stood at the open doors of the huge dining hall,

all its tables bright with cutlery, glassware, candles, and vases full of

roses from the old gardens. The chef wore an old-fashioned cream-puff hat,

black stovepipe pants; he, too, was smiling. Carrie, studying his smile, felt

her skin constrict. She peered more closely at him. The warm, wide-set eyes,

the Greek athlete’s profile looked oddly, disturbingly familiar.

Todd Stillwater’s father, it had to be. He must have done something so

unspeakably wicked that every mention of that name, his history at the

Kingfisher Inn, was forbidden even unto the unborn generations. She crouched

over the photo for a long time, gazing at the three of them: Hal, Merle, the

chef. Finally, the idea floating around in her head became coherent.

No way could she ask Hal. Her father refused to talk.

Maybe Stillwater would.

She took the photo with her when she drove to his restaurant on her day off.

She went in midafternoon, in the calmer hours between lunch and dinner. No

wolf chased the pickup through the streets, nor did Merle fling himself

between her and Stillwater’s name on the door. Why? she wondered. Where was

he, if he felt so strongly about protecting her from some horribly lurking

menace? She slammed the truck door a little crossly, climbed the worn marble

steps, and opened the door to find Todd Stillwater sitting at the tiny bar,

surrounded by paperwork.

“We open at seven for dinner,” he said absently, without turning around.

Carrie, surprised to find such cool elegance in the genial patchwork of

downtown Chimera Bay, looked curiously at the black linens, the red cut-

crystal vases, the thick marble walls of the early bank that stood sentinel

against sound from the busy highway.

“Pretty,” she said, and he turned.

“Carrie,” he said, smiling, and stood up. “I wasn’t sure you’d come.”

“Is this a good time?”

“Perfect.”

In the light of day rather than streetlamps, so was he, she thought dazedly.

His black tie was loosened around his unbuttoned collar, his sleeves rolled

halfway up forearms lightly furred with gold against a darker gold that, her

fingers anticipated, would be warm and textured to the touch. She swallowed,

wondering why she had never noticed forearms before, or the amazing bones of

the wrist.

“I just came to talk,” she said uncertainly.

“Good idea. I’m just going over accounts, nothing that can’t wait.” He

rose, pulled out a couple of chairs at one of the tables beside the windows.

“Sit down. Or would you like to see the kitchen? Sage is out shopping; she

should be back anytime now to help me plan the dinner menu. Much as it ever

gets planned. I’m impulsive, like you with your bites. You’d be welcome to

stay for that. In fact, it might—”

“I came to ask a question,” she interrupted.

“What’s that?” he asked promptly, and she sat down awkwardly, with a thump,

laying the envelope on the cloth between them. He sat, too, looking at it

expectantly. “One of your recipes?”

She shook her head and drew out the photo.

He sat silently a moment, gazing at it. His brows peaked; he bent closer to it

suddenly. “Is that—is that Hal Fisher? In a tux? Wow. Where— Wait. Is that

— That’s the chandelier in the Kingfisher bar.”

“It’s the old hotel.” She tapped Merle’s smiling face. “That’s my

father.”

“I’m damned.”

Her finger shifted to the face under the cream-puff hat. “That looks,” she

said steadily, “like you.”

He picked up the photo wordlessly, angling the old black and white to deflect

the light from the window. “It does,” he breathed. “It could be me.” He

dropped it onto the table, stared at her. “I had no idea.”

Patricia A. McKillip's books