Kingfisher

Chimera Bay, the tow-truck driver told him an hour later. They had the

best parts and service department within a hundred miles any direction. And if

it couldn’t be fixed, the town had more car dealerships. Pierce climbed

glumly into the truck, watched his past reel backward along the road until it

came to a halt again at the place he had just left.

He spent a couple more hours waiting to hear the verdict, then walked up the

highway to the nearest motel. He was closer to the busy south end of town than

to the Kingfisher Inn; with luck he could skulk around unnoticed until the car

was fixed. He saw several bars, a fish market, a wine market, a supermarket, a

bookstore, a shoe store, one each of every kind of fast-food restaurant. He

wandered among the streets as evening fell, looking into windows, reading

menus, hoping nobody he had met the previous night would chance along and

remember him. He glimpsed, inside the lobby of an old theater, the huge,

golden body, the kohl-rimmed eyes of an ancient ruler upon his throne,

welcoming moviegoers with a placid, perpetual smile. On a side street, he came

across an elegant little restaurant tucked into what had been a bank building.

The round tables wore black cloths; red cut-crystal vases on them held a

single small white calla lily. Stillwater’s, the restaurant door said in

simple lettering. No menu was posted.

“Excuse me,” someone said behind him as he looked curiously through the door

’s tinted window.

He turned. A woman stood on the sidewalk, smiling at him. He knew her. He did

not. He lingered on the top of the steps in front of the door, trying to place

her in his past, those eyes, that smile. He recognized her face finally from

one of the few ungloomy things in the house on Cape Mistbegotten: a lovely

painting from some romantic era of a medieval maiden welcoming her knight home

from his travels. She had that same generous mouth, the same abundantly

flowing champagne hair, those same widely spaced, heavy-lidded gray-green eyes

that seemed to carry light from a sun already gone for the day.

“Oh,” he said, feeling his transfixed bones galvanized into motion. “Sorry.

I’m in your way. Sorry.”

She laughed a little, a lovely sound that he imagined a rill would make, or a

warbler. “That’s okay.” She opened the door, then paused, looking down at

him now. “Do you want to come in? We start serving a little later than most,

but the bar is open.”

I just wrecked my car, he told her silently. I left my credit card smoldering

in last night’s bar. I’ll probably have to ask my mother to sell the

painting of you so I can pay my motel bill. No way should I follow you into

this place.

“Sure,” he said dazedly, and followed her in.

“I’m Sage Stillwater,” she said, as she seated him on one of the four

leather-cushioned stools at the tiny bar.

“Pierce Oliver,” he said, taking the piece of paper she handed him without

seeing it, still caught in the wonder of watching a painting move, change

expression, talk. He made an effort. “Do you own the place?”

“My husband does. I do some cooking. I also serve food, clear the tables, mop

the floors, and tend bar. If you’d like a drink.”

He shook his head, changed his mind, changed it again. “I don’t know,” he

said finally as she smiled. “Will you have one with me?”

She considered that, her head bent slightly, long, rippling hair falling like

a veil behind her lovely profile. “Let me just see what Todd needs.”

She moved among the tables toward curtains hanging over what might have been

the bank-vault doorway, doorless now, but still heavily framed with steel set

into the gray and white marble walls. He watched her mindlessly, her long

limbs in black skirt and gray silk shirt moving quietly, gracefully. She

disappeared. He straightened, feeling as though he had been for a few timeless

moments utterly bewitched. He noticed the paper in his hand, laid it on the

bar. No one came in while he waited. He felt oddly alone though he thought he

heard the rise and fall of voices from far away, maybe from the street. Or

maybe it was only the incoherent sound of distant traffic. The café curtains,

black like the tablecloths and shadowing the lower half of the broad windows,

gave him a view of the bay at the end of the street, the water gull-gray with

the coming twilight and absolutely still.

He heard footsteps. But they were outside, he realized, on the sidewalk. He

looked around, wanting a drink now. His eyes fell on the paper lying on the

marble bar. It wasn’t so much a menu, he saw as he scanned it, as a

manifesto. Something that seemed utterly pretentious, absurd, amid the prosaic

diners, car lots, chain motels of Chimera Bay.

Eat, it pretty much commanded, what I give you. I’ll tell you what it will

cost you when I decide the meal is over.

His cell phone rang.

He jumped wildly. “Mom,” he breathed, hunched over the phone as though he

were in church. “I can’t talk now.”

“What in the world were you thinking?”

“What?”

“When you stole that knife?”

Patricia A. McKillip's books