Don’t do it, Tanner. Don’t walk into another one of her mind games by doing what she intentionally left for you to look at.
Screw that. And yet curiosity killed the damn cat. Fucking cats and their nine lives.
Chapter 8
“S
he – she quit?” Rafe’s stuttering tells me he’s displeased with the sequence of events. And of course he has every right to be. “Is it that hard to keep your asshole tendencies to a minimum? Fix this, Tanner.”
When I hear the dial tone in my ear, I don’t even flinch at the fact that he didn’t give me a chance to explain myself. Instead I’m transfixed by the photos on my computer screen. I keep the slide show running over the thirty or so pictures, mesmerized by what Beaux has captured in such a short time frame.
After I successfully ignored the memory card for most of the day, it sat there taunting me when I came back from my rooftop haven where I escaped into the memories there to calm down. And of course curiosity got the best of me, the need to know rooting itself into my thoughts until I couldn’t resist any longer. When I inserted the memory card into the computer, I was shocked when my own image looked back. At first I was pissed that she took pictures of me. It took me a few seconds to realize she snapped them yesterday from across the lobby when I was looking out the window lost in thought.
And the anger and outrage that I’d usually hold on to with my type A personality dissipates when I look at the pictures again. I can’t stay angry. She captured something in my eyes – more than just the expression on my face – that reflects everything I’m feeling inside but thought I was hiding so well: loneliness, anger, bitterness, grief, and temerity. You can’t escape the truth in your own reflection – and everything she’s drawn out through the curve of the lens hits me like an inescapable ton of bricks.
I can’t stop staring at my image, for the first time really comprehending how other people see me, and when I’m finally able to tear my eyes from the lines and shadows of pain and loss written all over my face, I click the next set of pictures. The images depict the daily aspects of life here that we saw on the way to the meet but in a unique perspective. Objects are crisp but people are blurred; yet the images tell a story about each person with such a definitive clarity, I’m overwhelmed. It’s eerie and beautiful and haunting and poignant all at the same time.
Each image is more compelling than the last. Each one holds my interest and engages my imagination. And it scares me that she can see through things so well, because that means she’s probably seeing everything that I’m trying to hide.
I proceed through those images, and when I come to the picture of Omid, I’m staggered once again. Chills chase over my flesh as I stare at his face close up and see the exact same thing in his eyes and expression that she captured in mine. Identical.
We are two men with extremely different backgrounds and experiences in life, and yet it’s unmistakable how similar our stories are. I stare at his picture for quite some time, wondering what atrocities he has seen, what life-changing events he has experienced, and can’t help but feel ten times closer to this man whom I’ve only known from our limited forms of communication.
Clarity comes at me loud and clear: Beaux wasn’t trying to steal my damn story. She was trying to capture a moment in time that relays an entire encyclopedia’s worth of information in a single snap of her shutter.