Hunting with the hawk took me to the very edge of being a human. Then it took me past that place to somewhere I wasn’t human at all. The hawk in flight, me running after her, the land and the air a pattern of deep and curving detail, sufficient to block out anything like the past or the future, so that the only thing that mattered were the next thirty seconds. I felt the curt lift of autumn breeze over the hill’s round brow, and the need to tack left, to fall over the leeward slope to where the rabbits were. I crept and walked and ran. I crouched. I looked. I saw more than I’d ever seen. The world gathered about me. It made absolute sense. But the only things I knew were hawkish things, and the lines that drew me across the landscape were the lines that drew the hawk: hunger, desire, fascination, the need to find and fly and kill.
Yet every time the hawk caught an animal, it pulled me back from being an animal into being a human again. That was the great puzzle, and it was played out again and again. How hearts do stop. A rabbit prostrate in a pile of leaves, clutched in eight gripping talons, the hawk mantling her wings over it, tail spread, eyes burning, nape-feathers raised in a tense and feral crouch. And then I’d reach down and put my hand on the bunched muscles of the rabbit, and with the heel of one hand at the back of its head where the fur was soft and tawny, I’d pull once, twice, hard on its back legs with the other, breaking its neck. A fit of kicking, and the eyes filming over. I had to check the rabbit was dead by very gently touching its eye. Everything stopping. Stopping. Stopping. I had to do this. If I didn’t kill the rabbit, the hawk would sit on top of it and start eating; and at some point in the eating the rabbit would die. That is how goshawks kill. The borders between life and death are somewhere in the taking of their meal. I couldn’t let that suffering happen. Hunting makes you animal, but the death of an animal makes you human. Kneeling next to the hawk and her prey, I felt a responsibility so huge that it battered inside my own chest, ballooning out into a space the size of a cathedral.
For years I’d explained that I’d rather eat hawk-caught food than things that have had a blind and crowded life in a barn or battery cage. One minute the rabbit is there, twitching its nose in a field that smells of nettles and grassy roots, then it is running, and then it is caught, and then it is dead. I’d told people that there are no injuries in hawking: either things are caught or they escape, and I’d told them, too, that nothing is wasted: everything the hawk catches is eaten by the hawk or me. If you choose to eat meat, I’d said, this is the best way I know to get it.
But these arguments seemed petty now, and pointless. They had nothing to do with what it was like. To be there, with a hawk and a caught rabbit that twitched and kicked and died. And the world biting into me. The serious, everything puzzle that was death and going away. ‘But how could you?’ people asked. Someone said it was a way of destroying the world a piece at a time after my father’s death. ‘Were the rabbits you?’ another asked. No. ‘Were you killing yourself?’ No. ‘Were you sorry?’ Yes. But the regret wasn’t that I had killed an animal. It was regret for the animal. I felt sorry for it. Not because I felt I was better than the animal. It wasn’t a patronising sorrow. It was the sorrow of all deaths. I was happy for Mabel’s success and I mourned the individual rabbit. Kneeling by its corpse I’d feel a sharp awareness of my edges. The rain prickling on my collar. A pain in one knee. The scratches on my legs and arms from pushing myself through a hedge that had not hurt until now. And a sharp, wordless comprehension of my own mortality. Yes, I will die.
I learned that momentary shouldering of responsibility that allowed me to reach down and administer the coup de grace to a rabbit held tight in Mabel’s feet. A part of me had to click into place and there was another part of me I had to put far away. There’s no better phrase than the old one to describe it: You have to harden your heart. I learned that hardening the heart was not the same as not caring. The rabbit was always important. Its life was never taken lightly. I was accountable for these deaths. For the first time in my life I wasn’t a watcher any more. I was being accountable to myself, to the world and all the things in it. But only when I killed. The days were very dark.