I saw her before I heard her. She came running out from a tangle of thornbushes capping a huge warren. Came at a run, barrel-chested, and flung herself up to my fist. Everything apart from her yellow-tinted cere and feet was black and white. Blackthorn, black needles, the hawk’s white chest, black teardrop feathers, black talons. Black nose. White tailings of chalk from where the rabbits had dug. When she came back to my fist she had chalk mud on all her toes. It covered my glove as she ate, made small white marks like the letters of half-forgotten words that as she ate were smeared and erased and written all over again.
It had been a long while since I’d hunted with a hawk, but I didn’t remember it being like this. I was sure it had never been like this. I was astounded by the radical change in subjectivity it had instilled: how the world dissolved to nothing, yet was so real and tangible it almost hurt. How every passing second slowed and stretched, catching us out of time: when I stepped back onto the road to walk home I was astounded how low the sun had fallen. We’d been out for less than an hour. It had felt like years.
The falconer and scientist Professor Tom Cade once described falconry as a kind of ‘high-intensity birdwatching’. I thought it was a nice phrase, and an accurate one. But now I knew this was wrong. What I had just done was nothing like birdwatching. It was more like gambling, though the stakes were infinitely bloodier. At its heart was a willed loss of control. You pour your heart, your skill, your very soul, into a thing – into training a hawk, learning the form in racing or the numbers in cards – then relinquish control over it. That is the hook. Once the dice rolls, the horse runs, the hawk leaves the fist, you open yourself to luck, and you cannot control the outcome. Yet everything you have done until that moment persuades you that you might be lucky. The hawk might catch her quarry, the cards might fall perfectly, the horse make it first past the post. That little space of irresolution is a strange place to be. You feel safe because you are entirely at the world’s mercy. It is a rush. You lose yourself in it. And so you run towards those little shots of fate, where the world turns. That is the lure: that is why we lose ourselves, when powerless from hurt and grief, in drugs or gambling or drink; in addictions that collar the broken soul and shake it like a dog. I had found my addiction on that day out with Mabel. It was as ruinous, in a way, as if I’d taken a needle and shot myself with heroin. I had taken flight to a place from which I didn’t want to ever return.
19
Extinction
FALCONERS HAVE A word for hawks in the mood to slay: they call the bird in yarak. The books say it comes from the Persian yaraki, meaning power, strength and boldness. Much later I was amused to find that in Turkish it means an archaic weapon and is also slang for penis: never doubt that falconry is a boys’ game. I’m back in Cambridge now, and as I carry Mabel up the stony track to the hill each day I watch her come into yarak. It is disturbingly like watching her slow possession by a demon. Her crest feathers rise, she leans back, tummy feathers fluffed, shoulders dropped, toes very tight on the glove. Her demeanour switches from everything scares me to I see it all; I own all this and more.
In this state she’s a high-tension wire-strung hawk of murderous anticipation, wound so tight she bates at anything that moves – things she’s not a hope of catching: flocks of larks, distant racing pigeons, even a farmyard tomcat – and I hold her jesses tight and don’t let her go. But when a hen pheasant rockets up from my feet I do. She chases it fiercely but it has too much of a head start; after fifty yards she slows, turns in mid-air and comes back to me, planing over the top of a hedgerow ash to land gently upon my fist. On another day she bursts downhill in pursuit of a rabbit and is about to grab it when the rabbit stops dead in its tracks. She overshoots and crashes into the ground; the rabbit jinks, doubles back on itself and runs uphill to the safety of a hole. She leaps back into the air to resume her pursuit but the rabbit is gone. She alights, confused and crestfallen, on the grass.