‘Sorry,’ I say, smiling and biting back ire. ‘It’s her first time out of the house, and she’s still scared of people.’
‘God, no. I’m sorry,’ he says. ‘I didn’t see her.’
He’s a person, I realise. A real person, skinny and bearded and wearing a blue T-shirt and with a water bottle in his hand and he is friendly and wary and a little in awe of the hawk. I think he might be a nice man.
‘I hope I didn’t startle you,’ I begin apologetically. He grins and shakes his head.
‘I was surprised! It’s not something you see every day!’
I turn briefly to the hawk as she bends down to pull at the rabbit leg again. I open my mouth to speak. But when I look up he has gone.
It is bright, after heavy rain, and the crowds of closing time have gone. On this second expedition from the house Mabel grips the glove more tightly than ever. She is tense. She looks smaller and feels heavier in this mood, as if fear had a weight to it, as if pewter had been poured into her long and airy bones. The raindrop marks on her tight-feathered front run together into long lines like those around a downturned mouth. She picks fitfully at her food, but mostly she stares, taut with reserve, about her. She follows bicycles with her eyes. She hunches ready to spring when people come too close. Children alarm her. She is unsure about dogs. Big dogs, that is. Small dogs fascinate her for other reasons.
After ten minutes of haunted apprehension, the goshawk decides that she’s not going to be eaten, or beaten to death, by any of these things. She rouses and begins to eat. Cars and buses rattle fumily past, and when the food is gone she stands staring at the strange world around her. So do I. I’ve been with the hawk so long, just her and me, that I’m seeing my city through her eyes. She watches a woman throwing a ball to her dog on the grass, and I watch too, as baffled by what she’s doing as the hawk is. I stare at traffic lights before I remember what they are. Bicycles are spinning mysteries of glittering metal. The buses going past are walls with wheels. What’s salient to the hawk in the city is not what is salient to man. The things she sees are uninteresting to her. Irrelevant. Until there’s a clatter of wings. We both look up. There’s a pigeon, a woodpigeon, sailing down to roost in a lime tree above us. Time slows. The air thickens and the hawk is transformed. It’s as if all her weapons systems were suddenly engaged. Red cross-hairs. She stands on her toes and cranes her neck. This. This flightpath. This thing, she thinks. This is fascinating. Some part of the hawk’s young brain has just worked something out, and it has everything to do with death.
‘For the goshawk,’1 wrote White, ‘the necessity was a long walk on the fist; as it always was.’ But he walked as if the walking itself were the secret, not his attention to the feelings of his hawk. Even in the aftermath of my father’s death my tattered heart knew that the secret to taming hawks was to take things slowly. To move from darkness to light, from enclosed rooms into the open air, to stand at a distance, first, and then grow closer, over many days, to this alien world of raucous voices and swinging arms, of bright plastic buggies and roaring mopeds. Day by day, foot by foot, mouthful by mouthful, my hawk would come to see that these things were not a threat, and would look upon them with equanimity.
But it was continuous murder for Gos. White walked because that was what the books said he should do, and so that was what he did, taking Gos outside even on the day he arrived. Forty-eight hours later he was walked to the Wheelers’ farmhouse to meet ‘all the family, barking dogs and all’, and the next day they were out on the road meeting cars and cyclists. ‘He bates repeatedly on these trips,’2 White noted in his day-book. On it went. He took Gos with him to the pub, took him fishing for carp, took him to Banbury in a motor car. ‘He had to learn to stand that bustle,’3 wrote White, ‘as we all have to do, however little we visit it.’ And he did. Just as the despairing soul will finally comprehend its helplessness in the face of continuing horror and bear it because there is no alternative, so with Gos. He had no alternative. There was no softness in his taming. He had to learn to bear things through being frightened all the time, just as White had learned there was no escape in his own education.