Down the Rabbit Hole

Be advised: this is a time travel! My time-travel world began with Amy and Simon in “Amy and the Earl’s Amazing Adventure” in the anthology Dead of Night, which is available as a paperback or eBook.

The magic coin, also known as Poppy’s Coin, is an element in all the anthologies I have done for Berkley. Their chronology varies, and someday I will do a spreadsheet to figure it out for myself. In the meantime, I hope you enjoy the Earl of Weston’s adventure.

A couple of elements to note. The “space-time continuum” is a phrase that Amy Stevens used before she and Simon West traveled back to 1805. It was hardly a reflection of her understanding of science but came from the TV show Stargate Atlantis, something she admitted when pressed by Simon. No one really knows (including yours truly) how the coin enables time travel, except for the easiest explanation: “It’s magic!” Please suspend your disbelief and enjoy the story.

I always knew that Weston’s story was waiting to be told, for he is the “earl” referred to in the title of Amy and Simon’s novella. I was delighted when we were given the title Down the Rabbit Hole for this book, because his experience of time travel was totally unexpected (unlike Amy and Simon, who knew where they were going), and it was totally out of keeping with his known reality. Thank goodness he had Mr. Arbuckle to help him and someone to share the experience with him.





PROLOGUE




LONDON

APRIL 1805

“It’s a disaster.” Bennet William George Haven West, third Earl Weston, moved about the room as he spoke. The mantel needed paint. The books should be dusted. At least the decanters were full. “A disaster, to put it plainly.”

“Come now, Wes, it’s not like we are on the edge of complete bankruptcy. We’ll find a way out.”

Weston loved his cousin and heir presumptive. Ian’s use of “we” made him feel less alone and told him everything he needed to know about Ian’s loyalty.

“It’s almost that bad. These last two days with the estate’s man of business have convinced me that while no one will refuse me credit, there is not enough money coming in to make a dent in the bills that have been piling up for the last two years, at least.”

“Two years?” Ian sounded shocked.

“Two years. Since the old earl’s son and heir died. Apparently my cousin was the only one able to keep his father’s generosity under control.”

“Uncle Weston was an amazing man. Everyone mourned his passing.”

“As did I, Ian. I loved my uncle and benefited from his largesse as much as anyone. He never said no, whether it was to a beggar on the street or to his wife and children.” Weston poured himself just a drop more wine and offered the decanter to Ian, who shook his head. “If only his generosity had not extended to every possible investment suggested. You know as well as I do that each was less successful than the one before it.”

“When he died—has it been three months already?—I wondered then, and still do, if the news of the loss of that ship brought on the apoplexy that killed him.” Ian shook his head, his expression a mix of sorrow and frustration.

They were verging on maudlin ground now.

Weston stood up. “I am off to Westmoreland. The blasted artist is ready to put what he calls ‘the finishing touches’ on my portrait. The portrait I cannot pay him for.”

“Wait, tell me what your man of business had to say about the opportunity to invest in the canals. The new venture that Lord Wedgebrook is so excited about?”

“He said exactly what I expected. That I need to be sure that the investment is sound. The estate cannot stand another failure.”

“But it would be your money, not any of the money that is part of the estate.”

“As it stands now, Ian, I am the estate. The farms are in wretched condition. The tenants can barely call themselves farmers. The cottages are in such disrepair that no one with any ability will sign on.”