“Then what’s the point of all this?”
“You tell me,” he said, distracted by the long black queue hanging over his shoulder. It looked like a long braid of hair with many little pink, hairy, wormlike neural tendrils on the end—an extension of the Na’vi nervous system. He gently poked at it, quivered and then tossed it away to hang down his back again. He looked at her. “If you were me, what would I tell you next?”
Her stare was blank; she had no idea. So many things had come up and gone down in ways she’d never dreamed of—what could possibly be next?
In mild desperation, she closed her eyes, hoping to become Waldo—he was perpetually lost, and that’s exactly how she felt.
“He isn’t lost; he’s a traveler,” the lovely blue avatar said, getting in her head again. “Wherever Waldo happens to be, he chose to be there.”
Dashed but still hoping, she sought out an omniscient character, all-knowing and wise. The Matrix Oracle maybe—she’d know plenty, and cookies would be involved.
Abruptly, she opened her eyes. “I’m not changing.”
“Of course you are.”
“No, I’m still me.”
“Of course you are.”
“No, I mean, I’m not becoming something new.”
“Why would you want to?” He grinned at her confusion. “You only get to choose what you feel, Elise. It’s the magic in this enchanted space that decides how best to show it to you—a picture worth a thousand words and all that.”
“And now I feel like me?”
“Now you’re feeling what there is no costume for; what lives naturally inside you, always.” He turned his long-fingered hand palm up. “Always.”
“What is it?” she asked. His brow rose—it wasn’t his question to answer. “If I were you what would I tell me?” She spoke slowly, thinking. Rewinding, rolling forward and rewinding recent events. Her gaze came to rest on the large golden-green eyes that shown Martin, through and through, encouraging her. “I’d say: Go back to the last time I felt . . . not myself. What changed? How? Why? When did I feel completely myself again?”
“And?”
“And it was when Max said he loved me.”
He shook his head, no. “No one, no matter how much they love you—or don’t love you—has the power to change you, Elise. That’s all you. You choose to be happy or bitter or cruel or kind. Max loving you is a damn nice thing, but it can’t make you feel whole.”
“But my accepting that I love him can. Right? That’s it, isn’t it? It’s not about his love, it’s about mine. It isn’t him loving me. This is about me trusting him enough to let him. All this, and it isn’t about all the garbage that piles up in my life; it’s what I decide to do with it—the choices I make. Good or bad. I choose. Max, Jeremy, Liz Gurney, Cooper Winston . . . even the costume I want for Liz’s ridiculous party. I choose.”
He smacked his lips. “I do enjoy the smart ones, I really do.” He stretched his arms out over the dividing walls. “And me? What am I here to tell you now, in this disguise?”
“How should I know?” But then—and with a distinct sadness in her heart—she said, “How to get out of here? How to find Molly?”
“Before I do that.” His smile was gentle, but then he wagged his head and teased her. “Think of something insightful and profound; something more in keeping with my previous incarnations, which, let’s face it, had considerably more wisdom and dignity than all of yours put together.”
“Yeah right, the Cat in the Hat.”
Down the Rabbit Hole
J. D. Robb & Mary Blayney & Elaine Fox & Mary Kay McComas & R.C. Ryan's books
- The Bourbon Kings
- The English Girl: A Novel
- The Harder They Come
- The Light of the World: A Memoir
- The Sympathizer
- The Wonder Garden
- The Wright Brothers
- The Shepherd's Crown
- The Drafter
- The Dead Girls of Hysteria Hall
- The House of Shattered Wings
- The Nature of the Beast: A Chief Inspector Gamache Novel
- The Secrets of Lake Road
- The Dead House
- The Appearance of Annie van Sinderen
- The Blackthorn Key
- The Girl from the Well
- Dishing the Dirt
- The Last September: A Novel
- Where the Memories Lie
- Dance of the Bones
- The Hidden
- The Darling Dahlias and the Eleven O'Clock Lady
- The Marsh Madness
- The Night Sister
- Tonight the Streets Are Ours
- The House of the Stone