The Devil's Bones

“It was the most remarkable thing,” I said. “The sand was golden and clean—not what I’d expected, since the river is as murky as day-old coffee. Right beside the channel, the sand sloped down like this.” I angled my hand at forty-five degrees.

 

“If you took a running jump, you’d go flying over the edge, drop ten feet or so, then sink halfway to your knees near the bottom of the embankment.” I had leapt off that slope of sand a dozen times that day, and a hundred more since, in my memory. “There was a beautiful woman sunbathing, topless, in the middle of this vast expanse of sand,” I said. “But what really caught my eye were the tree trunks, four or five feet in diameter”—I made an arc with my arms, wide as I could stretch them—“down on a narrow shelf, right at the edge of the river channel. They had that same charred look, and it fascinated me, how being underwater for a hundred years made those trees look burned.”

 

He laughed, a soft, musical laugh from deep in his chest, and it was the first sound I’d heard him make that wasn’t tightly reined in. “Are you always doing research, even when a beautiful woman is stretched out on the sand?”

 

“Pretty much,” I said sheepishly. But I could see the absurdity of it, and I laughed along with him.

 

Garcia’s face got serious again, but his gaze and his voice stayed open. “Would you like to see this burn case?” he asked. “No, wait, that’s not exactly what I want to ask you. Would you please take a look at this burn case, Dr. Brockton? I would be very interested in your opinion.”

 

“Very well,” I said with a smile and a slight bow. “I would be honored, Dr. Garcia.”

 

He motioned me into the main autopsy suite, then disappeared into the morgue’s cooler and emerged a moment later wheeling a stainless-steel autopsy table. As he folded back the drape, I felt my adrenaline spiking, the way it always did when I confronted a forensic puzzle. Garcia began talking, almost as if he were dictating notes. “The subject is a deceased white female, positively identified from dental records as Mary Louise Latham, age forty-seven.” According to what I’d learned from Art and Miranda and the newspaper stories, Latham had lived in Knoxville all her life. She and her husband, Stuart, lived on a farm along Middlebrook Pike, in northwest Knoxville. I was fairly sure I knew the property. Middlebrook Pike had been transformed in recent decades into a corridor of warehouses, petroleum tanks, and trucking depots; there was only one farm, as far as I knew, along Middlebrook, and the prettiness of it was underscored by its uniqueness. The land was a mix of rolling pastures and wooded ridges, with a graceful old farmhouse and a well-kept white barn. It wasn’t really a working farm these days, more like a hobby farm, with a couple of milk cows, a handful of chickens, and a half-acre vegetable garden. The Lathams had no children, but Mrs. Latham often invited elementary-school groups to visit and learn about farming.

 

In less than an hour, a burning car had reduced her to charred remnants. Some of the small bones of the hands and feet were missing—probably fragmented and embedded in a layer of ash and debris in the car’s floor pan. The blackened bones of the arms and the lower legs were devoid of soft tissue, even burned soft tissue; they were calcined at their distal ends but not at the proximal ends, where they’d joined the torso and had gotten less oxygen. The pelvis and torso still had tissue on them—if you could call the scorched, crusty material clinging to the bones “tissue.” What had once been the cranial vault had been reduced to shards of bone, resembling small, burned bits of shell, none of them more than a couple inches across.

 

Garcia switched on the surgical light above the autopsy station and trained it on the bones. Then he offered me a pair of purple nitrile gloves, which I tugged on, as he did likewise with another pair. He touched a purple finger to the right leg, just below the knee. “This is interesting,” he said. “Up here near the proximal end of the tibia, the fractures look like the ones you just showed me in green bone.” Leaning in, I saw the spiraling, splintered pattern left behind after flesh has burned away, and I nodded in agreement. “But down here at the distal end”—he pointed—“the fractures are more regular.” Sure enough, just above the ankle, the bone was neatly crosshatched with cracks.

 

“Huh,” I said. “Looks almost like two different cases—one involving green bone, the other involving defleshed bone—rolled into one tibia.” Studying the rest of the body, I noticed a similar trend in the other limbs.

 

“What do you make of that?”

 

I didn’t answer. I wasn’t ignoring him; I was just distracted. Something lodged in the skull—deep within a shattered eye orbit—had caught my attention. Reaching to the counter along the wall, I selected a pair of long tweezers and eased their tips down into the recess, trying to tease out the tiny object. “Do you know,” I asked, “whether the car’s windows were up or down?”

 

Jefferson Bass's books