The Dead Will Tell: A Kate Burkholder Novel

He poured coffee into his BEST GRANDPA IN THE WORLD mug, added a dollop of milk, and then opened the patio sliding door and stepped outside. Cold drizzle fell from a glowering sky the color of granite. Something inside him sank when he noticed the water was just ten feet from the deck now. He’d put a lot work into it. He’d sunk pressure-treated four-by-four posts into three-foot-deep post holes and filled them in with concrete he’d mixed himself. He’s used treated two-by-sixes for the decking, two-by-fours for the rail. Damn shame that the water was going to take it all, but then, that was the nature of the creek.

 

Pulling up the collar of his jacket against the chill, he walked to the edge of the deck. He sipped coffee and listened to the water take down another tree upstream. When he turned to go back inside, she was coming up the steps. Not little Tessa. Not his beloved Luann. But Wanetta Hochstetler. She was wearing an Amish dress and dark head covering pulled low and shadowing her eyes. Black shawl over her shoulders. Her shoes were covered with mud.

 

He dropped the mug. Coffee splashed on his pants. He glanced down where it lay in pieces, and the word GRANDPA stared up at him. It saddened him because in that instant, he knew he’d never see his grandchildren again.

 

He looked at her and shook his head, suddenly tired. “I know why you’re here,” he said.

 

“Do you?” She stepped onto the deck.

 

He took an involuntary step back when he spotted the pistol in her hand. A .22 revolver. Something resembling doubt drifted through the back of his mind. If she was a ghost, why did she need a gun? Why was there mud on her shoes?

 

He looked into her eyes. “I told them not to do it. I didn’t want any part of it.”

 

“Liar.” Keeping the weapon poised at his chest, she stepped closer. “It was you.”

 

“Things got out of hand,” he said. “We didn’t mean to—”

 

“You’re guilty,” she said. “Just like the others.”

 

“Please, don’t kill me.” He heard pleading in his voice and it shamed him. “I have children.”

 

“You’re a child killer.” She shuffled left, motioned toward the steps with the revolver. “Walk.”

 

Heart pounding, he obeyed. Upon reaching the base of the stairs, he hesitated, thought about running to the front of the house and calling for help. But she jabbed the weapon toward the deck closer to the creek. “There,” she said. “Go.”

 

He started toward the deck, wondering what she had in mind, wondering if it would be painful, if she would murder him the way she had the others.…

 

Upon reaching the deck, he turned to her. He noticed the length of rope in her left hand and a hot streak of panic ran through his body. “What are you going to do?”

 

She raised the pistol slightly. The revolver cracked. Agony zinged in his knee. His leg buckled. Crying out, he hit the ground hard. Dizzy with shock and pain, he clutched his knee, glanced down, saw blood between his fingers. “But you’re … you can’t…”

 

The pain took his breath. He couldn’t speak. He couldn’t tell her she was a ghost and ghosts didn’t need guns.

 

Another shot snapped through the air. Pain exploded in his other knee. He screamed and then flopped around in the mud like a hooked fish. “Don’t,” he panted. “Dear God, please don’t.”

 

He tried to scream for help, but the sound that squeezed through his lips was the howl of a wounded dog. He lay on his side, wheezing, and looked up at her. “You’re not a ghost,” he croaked.

 

Rope in hand, she started toward him, a smile curving her mouth.

 

*

 

When you spend the entirety of your professional life in law enforcement, there are certain things you come to know. I’ve handled my share of firearms over the years, both handguns and rifles, and I know firsthand that without practice, good marksmanship is tough to come by—even by police officers. Half the cops I know couldn’t hit the broadside of a barn, especially in a high-adrenaline or shoot-from-the-hip type of scenario.

 

I also know that the targeting of the genitalia in the commission of a crime speaks to some kind of symbolism. I’ve seen it done in gangland murders in which some thug wants to make a point. But I’ve also seen it in revenge crimes involving sexual assault. The question in the forefront of my mind is this: Did Michaels’s killer target his genitalia, or was he simply a bad shot?

 

I enter the reception area to find half a dozen pails of different shapes and sizes on the floor between the reception area and the coffee station. My first-shift dispatcher, Lois Monroe, is in the hall with her headset clamped over her ears, a mop in hand. A steady drip from the ceiling plunks into an old paint can, keeping perfect time with a funky Linkin Park number on the radio.

 

“Be careful where you walk, Chief.” Propping the mop against the wall, she strides to the reception desk and plucks messages from my slot. “I ran out of buckets an hour ago.”

 

I look at the menagerie of containers set out to catch the deluge and I try not to laugh, because it’s a hell of a lot more likely that I’ll get a rash of excuses from the town council as opposed to a new roof.

 

“Call everyone and tell them there’s a briefing in half an hour,” I tell her.

 

She arches a brow. “Productive day so far?”

 

“If my tail were the prize, I’d have hit the jackpot.” I glance toward the hall, where a puddle is taking form on the tile floor. “I have a Tupperware container in my office,” I tell her.

 

“I’ll take it.”

 

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