Endless Night

Chapter 2
It was pure chance that had brought me to the neighbourhood of Gipsy's Acre that day. I was driving a hire car, taking some people down from London to attend a sale, a sale not of a house but of its contents. It was a big house just at the outskirts of the town, a particularly ugly one. I drove an elderly couple there who were interested, from what I could overhear of their conversation, in a collection of papier mache, whatever papier mache was. The only

time I ever heard it mentioned before was by my mother in connection with washing-up bowls. She'd said that a papier mache

washing-up bowl was far better than a plastic one any day! It seemed an odd thing for rich people to want to come down and buy a collection of the stuff.

However I stored the fact away in my mind and I thought I would look in a dictionary or read up somewhere what papier mache

really was. Something that people thought worth while to hire a car for, and go down to a country sale and bid for. I liked knowing about things. I was twenty-two years of age at that time and I had picked up a fair amount of knowledge one way and another. I knew

a good deal about cars, was a fair mechanic and a careful driver. Once I'd worked with horses in Ireland. I nearly got entangled with a dope gang but I got wise and quit in time. A job as a chauffeur to a classy car hire firm isn't bad at all. Good money to be made with tips. And not usually too strenuous. But the work itself was boring.

Once I'd gone fruit picking in summer time. That didn't pay much, but I enjoyed myself. I'd tried a lot of things. I'd been a waiter in a third class hotel, life guard on a summer beach, I'd sold encyclopaedias and vacuum cleaners and a few other things. I'd once done horticultural work in a botanical garden and had learnt a little about flowers.

I never stuck to anything. Why should I? I'd found nearly everything I did interesting. Some things were harder work than others but I didn't really mind that. I'm not really lazy. I suppose what I really am is restless.

I want to go everywhere, see everything, do everything. I want to find something. Yes, that's it. I want to find something.

From the time I left school I wanted to find something, but I didn't yet know what that something was going to be. It was just something I was looking for in a vague, unsatisfied sort of way. It was somewhere. Sooner or later I'd know all about it. It might perhaps be a girl. I like girls, but no girl I'd met so far had been important. You liked them all right, but then you went on to the next one quite gladly. They were like the jobs I took. All right for a bit and then you got fed up with them and you wanted to move on to the next one. I'd gone from one thing to another ever since I'd left school.

A lot of people disapproved of my way of life. I suppose they were what you might call my well-wishers. That was because they didn't understand the first thing about me. They wanted me to go steady

with a nice girl, save money, get married to her and then settle down to a nice steady job. Day after day, year after year, world without end, amen. Not for yours truly! There must be something better than that. Not just all this tame security, the good old welfare state limping along in its half-baked way! Surely, I thought, in a world where man has been able to put satellites in the sky and where men talk big about visiting the stars, there must be something that rouses you, that makes your heart beat, that's worth while searching all over the world to find! One day, I remember, I was walking down Bond Street. It was during my waiter period and I was due on duty. I'd been strolling looking at some shoes in a shop window. Very natty they were. Like they say

in the advertisements in newspapers: 'What smart men are

wearing today' and there's usually a picture of the smart man in question. My word, he usually looks a twerp! Used to make me laugh, advertisements like that did.

I passed on from the shoes to the next window. It was a picture shop. Just three pictures in the window artily arranged with a drape of limp velvet in some neutral colour arranged over a corner of a gilt frame. Sissy, if you know what I mean. I'm not much of a one for Art. I dropped in to the National Gallery once out of curiosity. Fair gave me the pip, it did. Great big shiny coloured pictures of battles in rocky glens, or emaciated saints getting themselves stuck with arrow. Portraits of simpering great ladies sitting smirking in silks and velvets and lace. I decided then and there that Art wasn't for me. But the picture I was looking at now was somehow different. There were three pictures in the window. One a landscape, nice bit of country for what I call everyday. One of a woman drawn in such a funny way, so much out of proportion,

that you could hardly see she was a woman. I suppose that's what

they call art nouveau. I don't know what it was about. The third picture was my picture. There wasn't really much to it, if you know what I mean. It was - how can I describe it? It was kind of simple. A lot of space in it and a few great widening circles all round each other if you can put it that way. All in different colours, odd colours that you wouldn't expect. And here and there, there were sketchy bits of colour that didn't seem to mean anything. Only somehow they did mean something! I'm no good at description. All I can say is that one wanted terribly to go on looking at it.

I just stood there, feeling queer as though something very unusual had happened to me. Those fancy shoes now, I'd have liked them to wear. I mean I take quite a bit of trouble about my clothes. I like to dress well so as to make an impression, but I never seriously thought in my life of buying a pair of shoes in Bond Street. I know the kind of fancy prices they ask there. Fifteen pounds a pair those shoes might be. Hand made or something, they call it, making it more worthwhile for some reason. Sheer waste of money that would be. A classy line in shoes, yes, but you can pay too much for class. I've got my head screwed on the right way.

But this picture, what would that cost, I wondered?

Suppose I were to buy that picture? You're crazy, I said to myself. You don't go for pictures, not in a general way.

That was true enough. But I wanted this picture, I'd like it to be mine. I'd like to be able to hang it and sit and look at it as long as I liked and know that I owned it! Me! Buying pictures. It seemed a crazy idea. I took a look at the picture again. Me wanting that picture didn't make sense, and anyway I probably couldn't afford it. Actually I was in funds at just that moment. A lucky tip on a horse. This picture would probably cost a packet. Twenty pounds?

Twenty-five? Anyway, there would be no harm in asking. They couldn't eat me, could they? I went in, feeling rather aggressive and on the defensive.

The inside of the place was all very hushed and grand. There was a sort of muted atmosphere with neutral colour walls and a velvet settee on which you could sit and look at the pictures. A man who looked a little like the model for the perfectly dressed man in advertisements came and attended to me, speaking in a rather hushed voice to match the scenery. Funnily, he didn't look superior as they usually do in high grade Bond Street shops. He listened to what I said and then he took the picture out of the window and displayed it for me against a wall, holding it there for me to look at as long as I wanted. It came to me then, in the way you sometimes know just exactly how things are, that the same rules didn't apply over pictures as they do about other things. Someone might come

into a place like this dressed in shabby old clothes and a frayed shirt and turn out to be a millionaire who wanted to add to his collection. Or he could come in looking cheap and flashy, rather like me perhaps, but somehow or other he'd got such a yen for a picture that he managed to get the money together by some kind of sharp practice.

"A very fine example of the artist's work," said the man who was holding the picture.

"How much?" I said briskly.

The answer took my breath away.

"Twenty-five thousand," he said in his gentle voice.

I'm quite good at keeping a poker face. I didn't show anything. At least I don't think I did. He added some name that sounded foreign. The artist's name, I suppose and that it had just come on the market from a house in the country, where the people who lived there had had no idea what it was. I kept my end up and sighed.

"It's a lot of money but it's worth it, I suppose," I said.

Twenty-five thousand pounds. What a laugh!

"Yes," he said and sighed. "Yes indeed." He lowered the picture very gently and carried it back to the window.

He looked at me and smiled. "You have good taste," he said.

I felt that in some way he and I understood each other. I thanked him and went out into Bond Street.