The Silver Metal Lover

Then he came back from the phone. He looked at me.

“Well, you can judge anyway, bright, er, lady like you. You don’t need to see that other one. He’s just like the other male silver. Of course, some customers would want to see the full physique. Stripped. But really, madam—do I have to keep calling you that?—I don’t think that’s your problem. Is it?”

I gripped the tube arms of the chair, and refused to think about what he’d just said.

“The other robot,” I said.

“Oh, some damn machine left me a memo. Never got it. Something they’re checking for. Er—nothing wrong with the model, you understand.” Even drunk, he recalled his valuable-employee’s lines just in time. “It’s a routine check E.M. runs when we put any display mechanism out. We’re very thorough. The slightest thing—we’ve been testing, perfecting these models for years. How else could we let them roam the city without escort? (Which, actually, I thought was taking a bit of a risk, but, ah, who the hell listens to me around here?) Still. Looks good. Then, um, of course, one comes back and doesn’t check out.”

“What—” I said. I didn’t know what to say. How do you ask after a robot’s health? I was shaking, shaking. I tried to be my mother. “What’s wrong with this one?”

“Nothing. Nothing the E.M. computer can pin down. Just some of the readings are altered. Nothing that affects any of the other, er, models, I can assure you, ah, of that. You know computers. An eyelash out of place… I don’t understand a word of that side of it. Jargon. Nothing for you to worry about. There’s a makeshift check they’ll run here. Then tomorrow it’ll go down to the production center.”

“Where?”

“The production center? The basement. Curious little thing, aren’t you, madam? Can’t take you there, I’m afraid. Big hush-hush. Lose me my wonderful enviable job as doorman.”

“The robot,” I said, “this one, the one that doesn’t check out, is the—one I wanted to buy.” Oh God, how did I ever get it out? His eyes goggled. I swallowed. I couldn’t tell if I was red or white, but cold heat was all over my face, my body. I tried to be self-assured in the middle of the raging of the cold heat and the shaking, and in my breathless, stilted voice: “He was recommended to me by a friend. He’s the one I wanted. The only one.” And then, while Swohnson went on standing there gaping, “If the format is still up here, I’d like to see him. It. I’d like to see it now.”

“Ah,” said Swohnson. Suddenly he smiled, remembering about whisky, and drinking some. And getting some more. “Er, how old did you say you were?”

“Eighteen. Almost nineteen.”

“You see why I’m asking? To buy an item of goods like this, not just a servant but a companion, a performer… in all sorts of ways, you have to be over eighteen. Or we need your mother’s signature. What’s your name?”

“My name isn’t any of your business,” I said, amazing myself. “Not until I agree to buy. And I haven’t, because the one robot I want you can’t give me.”

“Didn’t say that, did I?”

“Then let me see him.”

“Keep calling it ‘him,’ don’t you. Must make a note of that. Most of the callers we’ve had do. Him, her. Really got you all fooled, ain’t we. Good old E.M. Good old my lover’s daddy.”

I shrank, but somehow I kept hold.

“Are you going to let me see him?”

“Visiting the sick,” said Swohnson, viciously hitting on the exact horrid sensation I had, and hadn’t been able to explain to myself. “Okay. Come on. Madam. Let’s go and see the patient.”

Rye in hand, he led me, no longer opening doors for me which were not automatic, so they almost banged in my face each time. I couldn’t go back now and find the way—I didn’t see it. We came into a corridor with unlit cubicles. Then into a cubicle that made a humming noise, and, as Swohnson’s white suede shoes went over the threshold, switched a light on. A cold light, very stark and pale, like in a hospital theatre in a visual.

There was a thing like a closed upright coffin, with wires coming out of holes and into a box that was ticking and whirring to itself.

“There you are,” said Swohnson. “Just press that knob there, and you can see it. In all its glory.”

I was afraid to, and I didn’t move for a long time.

Then I walked over and touched the knob, and the machine stopped making a noise, and the front of the coffin slid slowly up. There’s no point in dragging this out, though I don’t like putting it down on paper, no I don’t. The figure in the checking coffin was swathed in a sort of flaccid opaque plastic bag, to which the wires were attached. Only the head was visible at the top of the bag. And it was Silver’s head, clouded round by auburn hair, but under the long dark cinnamon eyebrows were two sockets with little slim silver wheels going round and round in them, truly just like the inside of a clock.

“You can see a bit more, if you like,” said Swohnson, spitefully. He went to the bag and split a seam somewhere, and so I saw the shoulder and the arm of a silver skeleton, and more of the little wheels turning, but no hand. That had been removed. Swohnson painstakingly pointed this out.

“Special check on the fingers. Important in a musician model. Wonder what else has gone?” He peered into the bag.

I remembered Silver as he played the guitar and sang the songs that were like fires, the fiery chords. I remembered how he kissed Egyptia, and ran lightly down the stair in the gardens with the claret velvet cloak swinging, and how he sauntered along the street, and put back his head to watch the flyer go over, and how he rested his mouth on mine.

“Not very glamorous now, is it?” said Swohnson.

Something odd was happening to me. I felt it uncertainly in my confusion, and got to know it, and was dully, stonily, relieved. I’d been cured of my crush. Of course. Who wouldn’t be?

“No,” I said to Swohnson. “It’s a mess.”

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