“Don’t step beyond the red line,” said Swohnson. “Let’s just sit here and see what happens.” Proud of his innovation in the boss’s workshop, he waved us into tubular chairs. Obviously that activated a control somewhere. A slot opened in the far wall, and a woman came through.
She was tall and slender and beautiful. Hair blond as cereal haloed her head and shoulders. Her tawny-yellow cat’s eyes fastened on mine and she smiled. She was pleased to see me, you could tell. A dress like a tulip flame swathed her, and she held a purple rose. Her skin was a pale creamy copper.
“Hallo,” she said. “I’m one of Electronic Metals’ experimental range. My registration is Copper. That is C.O.P.P.E.R.: Copper Optimum Pre-Programmed Electronic Robot.” She half closed her eyes. A stillness seemed to enfold her. The music of her voice grew hushed, hypnotic. “Gallop apace,” she said, “you fiery footed steeds, to Phoebus’ lodging…” She spoke Juliet’s lines in a way I never heard before. The air scintillated, my eyes filled with tears. She spoke of love, knew love, was love. “… If he should die, take him and cut him out in little stars, and he will make the face of heaven so fine that all the world will be in love with night—” Two men stepped through the wall. They were Copper’s brothers. One wore a jacket of yellow velvet with medieval sleeves, and white denim jeans. The other wore damson jeans, a sauterne-colored shirt, and a magenta sash from the Arabian Nights. Each smiled at me. Each told me he, too, was registration Copper. They acted a scene together from a drama I’d sat through the month before. It far outshone the original performance. The three copper robots linked arms, bowed smiling to me, and went back through the wall, which closed.
The left hand wall opened.
A man strode through. Hair like smooth black ink, splashing over his head to his shoulders. Black silk eyes. Skin like molten gold. He wore black, his cloak lined with the green of sour apples. His registration, he told me, was Golden G.O.L.D.E.R.: Gold Optimum Locomotive Dermatized Electronic Robot. His eyes smoldered at me, burning through to my deepest awareness. He flung himself suddenly into an aerial cartwheel that flowed and sliced, and landed in strange graceful menacing ripplings and contortions of his frame. It was a dance, but a dance capable of dealing death.
“Based on Japanese martial arts,” Swohnson muttered to me. “Not only elegant, but will make an excellent bodyguard for someone who likes that kind of show. And particularly good skinlinings in this type.” Having started to talk, Swohnson didn’t stop. As the golden midnight figure swirled and leapt, Swohnson said, “the Copper line are the actors, the Silvers the musicians, the Golds are dancers.” He went on, and I forgot to listen. Two women, the golden robot’s sisters, came into the room, their hands lightly connected, and repeated who they were. Their long fingers had long nails, one set jade green, one set jade white. Their trousers were Asian, cream silk, green silk. Above the trousers one wore a bolero and gold-embroidered shirt. The other a waistcoat of emerald spangles, fastened with three malachite butterflies. The dance was slow, incredible, balletic, impossible. Human muscles would have evaporated and human bones dislocated. Their black hair mopped the floor and furled over the ceiling. “Jetté, lift measured at seven feet from the ground. But they make good teachers. Charming teachers. Wonderful exercise for the human body, even if you can never be as good. My God, they are good, aren’t they?” Swohnson drank his rye and sighed. His attitude to the Golder female robots was not innocent, as mine was expected to be.
They went away, and my heart burst, disintegrated, as it had begun to do when the Coppers went out. I was waiting for the third door to open. This time, it would have to be—
It opened. Silver’s sister came through. Her auburn hair was dressed with blue carnations. She wore snow fringed with blood. A keyboard glided after her on runners. She stood before it, and played something I didn’t know, like a shower of sparks shooting from a volcano. Then she looked at me, smiling. I knew what she’d say. “I’m Silver…”
A man walked through the opening, and I stopped breathing. Because it wasn’t him. Alike, but not like. The same hair, but different. The same amber eyes; different, different. The movements, the voice, the same, the same, yet different. Different, different. Utterly, wholly different. Not like at all. I forget what he wore. I couldn’t seem to see him properly.
“I’m Silver. S.I.L…”
The features of the face weren’t even similar. I was so glad, I could have wept. The silver woman played Vivaldi on the electric piano and the silver man sang a futuristic melody against it, in a beautiful, unrecognized voice. The words were about a star, a girl in love with the star, and the star saying to the girl, “I am too old for you.”
“Dammit,” said Swohnson. “Where’s the other one?”
My eyes blurred. The silver robots were walking into the wall.
“There’s another of the bloody things. I beg your pardon, er, madam. It’s been a helluva day. These exhibition models are in blocks of three. There’s a third one with the silvers. A guy. Damn. Wrecks the whole display. He’s supposed to come in with a guitar. God. You spend days and nights dreaming up these gimmicks, and then the relay screws it. Excuse me.” He went to a wall phone and hit buttons unsteadily. He’d forgotten I would want the Golder format. He was angry because his artistic interpretation had been spoiled.
My eyes were filming over. The lemon juice had a smoky taste. Where is the third silver robot? Where? Where? Oh, he’s in bits, taken apart. Piece of wiring fouled, cog busted. Have to scrap it. Put it in the dustbin. Melt it down. Make it into objets d’art for rich bitches like this fourteen-year-old I’ve got in here right now.
Don’t be stupid. Why are you so obsessed with the idea that he has been… taken to bits.
How could I have—
Swohnson was spluttering at the phone.
“What? Why wasn’t I told? When? Um. Um? I didn’t see it.”